搬运译Pitchfork评10年代200张最佳专辑第197名：Fatima Al Qadiri: Genre-Specific

搬运自：微信公众号【评论搬一堆】（在原文基础上添加了英语原文与排版调整）

原文链接：https://pitchfork.com/features/laists-and-guides/the-200-best-albums-of-the-2010s/ 

翻译：Ming Kwok

校对：Tyler Smith

推送：Lynn Liu

Few documents of global music this decade were as interesting as the producer Fatima Al Qadiri’s Genre-Specific Xperience, an icy, minimal exercise in translating and flattening microgenres—juke, dubstep, digital tropicália—into a cohesive statement that tied to her international upbringing and youth as a gamer. Just five songs long, the record was high-minded—its videos, helmed by highly regarded artists like Ryan Trecartin and Sophia al-Maria, debuted in New York’s New Museum—but it also provided a template for what a cerebral dancefloor could look like. –Julianne Escobedo Shepherd

这十年以来，在全球音乐圈当中很少有像制作人Fatima Al Qadiri的“Genre-Specific Xperience”这般有趣的专辑了。这张专辑最低限度地诠释以及扁平化各种微流派（juke, dubstep, digital tropicália）--这完美和谐地贴合了她国际化的人生经历并体现了她作为一个年轻的电脑游戏玩家的技术。即使仅仅包含五首歌曲，这张专辑已经得到了高度关注----其中的音乐视频由一些颇负盛名的艺术家Ryan Trecartin和Sophia al-Maria掌舵，在纽约新当代艺术博物馆进行了首演，这也为cerebral dancefloor流派提供了一种模板。