Movie Magic S01Ep03 Creature Features 怪物角色 中英字幕
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(意想不到的日语解说)
[Unexpected Japanese narrator]
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(在好莱坞)怪物诞生自一些普通的成分 比如牙科用丙烯酸
(In Hollywood,)Monsters are spawned from simple ingredients like dental acrylic,
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乳胶泡沫 和油基粘土
foam latex, and oil-based clay.
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今天 借由特效艺术家和技术人员的想象力和独创性 一颗新星诞生了
Today, a new star is brought to life by the imagination and ingenuity of special effects artists and technicians.
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它会咆哮 会眨眼 能做基本的动作
It'll snarl it'll little blink. It'll basically act.
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这是低成本怪物电影之王罗杰·科曼执导的《食肉龙》中的明星 （中译《重返侏罗纪》）
This is the star of 'Carnosaur' brought to the screen by the king of low-budget creature features, Roger Corman.
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今天我们将深入到幕后 探究是什么让这个怪物跑起来
Today we'll get under this monster's skin and find out what makes him run.
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我们将看到好莱坞的怪兽创造者和木偶师 如何将无生命的物体变成活生生的电影角色
And we'll see how Hollywood's creature creators and puppeteers turn inanimate objects into living movie characters.
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它们如此栩栩如生 简直能直接从屏幕里跳出来
So convincing they can jump right off the screen.
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这就是今天最新出炉的电影魔术
It's the latest recipe for today's movie magic.
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人类是一场灾难
Human species is a disaster.
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《食肉龙》讲述的是Diane Ladd饰演的一位痴迷的基因科学家 用雷克斯霸王龙的DNA做实验的故事
'Carnosaur' is the story of an obsessed genetic scientist played by Diane Ladd, who experiments with T. Rex. DNA.
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当然 最后变成了一个造成浩劫的怪物
And of course, ends up with a monster who wreaks havoc on everyone around.
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这部电影是由罗杰·科尔曼制作的 他是好莱坞B级恐怖片的传奇创作者
The movie is produced by Roger Corman, Hollywood's legendary creator of scary B movies.
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几十年来 他的低成本怪兽始终为电影观众送去刺激和寒意
For decades, his low-budget monsters have provided the thrills and chills movie audiences see.
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现在你要照我说的做
Now you will do as I say.
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是的 主人
Yes, master.
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你出去给我找点吃的!
You will go out and find me some food!
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是的 我确实喜欢制作生物角色
Yes, I do enjoy making creature features.
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我拍的第一部电影是《海底怪物》 最近的一部是《食肉龙》
The first film I ever made was a picture called 'Monster From The Ocean Floor', and the latest is 'Carnosaur'.
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我认为全世界的观众都喜欢怪兽角色
I think a creature feature is enjoyed by people all over the world.
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我的工作在很大程度上 是基于我多年前 在心理学1A课上学过的某些弗洛伊德理论
I work to a great extent on certain Freudian theories I studied back in psychology 1A many years ago.
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我认为怪物的概念
And I think the concept of the monster,
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不管是恐龙还是龙 或是来自外太空的外星人
whether it be a dinosaur or a dragon, an alien from out of space,
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真正触及了人类普遍的潜意识中的某些东西
really touches on something in the universal unconscious,
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它从孩提时代就植根于大脑深处的某个地方
somewhere in the back of our minds from children.
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我们知道床底下藏着一个怪物
we knew there was a monster hiding under the bed.
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我们的父母可能会说没那回事 但我们就是相信它在那
Our mothers and fathers may have said it wasn't there, but we knew it was there.
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除了他自己创造的神奇生物
In addition to his own incredible cast of creatures,
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科曼还帮助一些顶级导演开启了职业生涯 如詹姆斯·卡梅隆
Corman helped launch the careers of such top directors as James Cameron.
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后来创作了《异形》和《终结者》 还有导演《小鬼头》的乔·但丁
who went on to create 'Aliens' and 'the Terminator', and Joe Dante, who directed 'Gremlin'.
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为了《食肉龙》里的怪兽 科曼求助于他的前化妆效果部门主管
For the 'Carnosaur' creatures, Corman turned to a former head of his makeup effects department.
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我们需要在这里做成锯齿状
So we need a serration right around here,
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做一条又大又好的皱纹贯穿整个这边
a nice, big wrinkle that cuts all the way through that.
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约翰·卡尔·贝克尔曾参与制作科曼的小成本电影 《禁忌世界》
John Carl Beckler worked on such low-budget Corman features as 'Forbidden World',
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“女巫”和“死亡跟踪者”
'The sorceress' and 'Death stalker'.
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他继续为许多其他恐怖电影创造怪兽
He went on to create creatures for numerous other horror films.
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没有什么比从头到脚打造出一个生物更令人有成就感的了
There's really few things that are more satisfying than than evolving a creature like, from the toenails up.
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你设定它应该是什么样子 应该如何行走
You figure out what it should look like, how it should walk,
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如何转动眼睛 如何呼吸
how it should roll its eyes, how it should breathe.
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所有这些都是在为银幕创造一个角色时需要考虑的因素
All these things are taken into consideration in creating a character for the screen.
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在他的"魔法媒体"工作室里 约翰把各种特效专家集结起来赋予机械怪兽以生命
At his shop, Magical Media Industries, John has assembled the kind of diverse effects crew needed to bring a mechanical creature to life.
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艺术家 雕塑家 电工 画家 机械师
Artists, sculptors, electricians, painters, mechanics.
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他还请来了一位古生物学家和他的艺术家一起设计电影中的恐龙
He has also brought in a paleontologist to work with his artists on the design of the movie's dinosaurs.
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尤其是扮演主角的“雷克斯”暴龙
especially the Tyrannosaurus Rex that has the starring role.
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在这些插图的基础上 用Roma plastilina(?)雕刻出模型
Based on these illustrations, models are sculpted from Roma plastilina,
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这是一种可塑的油基粘土
a malleable, oil-based clay.
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摄影师会给它拍照
Photographs will be taken of it,
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我明天一早就把它交给罗杰·科曼
I will take it to Roger Corman first thing in the morning,
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他会批准或者提出修改意见
he will approve and or give notes for changes.
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设计一只令人信服的恐龙是一回事
Designing a believable dinosaur is one thing,
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实际制造出一个可以活动的模型 尤其在有限的预算下 则是一个更大的挑战
building it with a range of movement, especially on a limited budget, is a much greater challenge.
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根据获批的设计 约翰和他的团队将首先开始制作一个小型机器霸王龙
From the approved design, John and his team will first begin work on a miniature animatronic version of the T. Rex.
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我们还要打造一只全尺寸的雷克斯霸王龙
We're also creating a full-scale tyrannosaurus Rex,
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它可活动的范围很大 至少是上半身
which has a pretty good range of movement, at least from the torso up.
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约翰和他的团队只有十个星期
John and his crew have just ten weeks,
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如此短的时间内他们要把缩微的和全尺寸的恐龙都造出来
an incredibly short amount of time to build both the miniature and full scale carnosaurs.
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他们将在前七周制作更灵活的缩微版本
They will spend the first seven weeks on the more articulate, miniature version.
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第一步是用一种名为Ultracal-30的石膏制作模具
The first step is to create molds made from a hard setting, gypsum cement called Ultracal-30.
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通常 模具得设计成由不同部分组成 不能用一个模具做出一个不能动的模型
Often you design a mold in various pieces, you don't want the model to lock inside a mold.
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由泡沫乳胶制成的恐龙皮肤铸件将从这些模具中产生
Castings of the dinosaur skin made from foam latex will emerge from these molds.
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此外 硅胶模具用于铸造牙齿和牙龈区域
Additionally, silicon molds are used to cast teeth and gum areas,
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它是由牙科用丙烯酸和制作假牙的化合物混合而成的
which are mixed from dental acrylic and the compound from which dentures are crafted.
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白色的牙齿
Here are white teeth.
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塑料基础件也是铸造出来的 它赋予怪兽基本的形态 并用来安置机械结构
Plastic under structures which give the creature its basic shape and to which the mechanics will be attached are also cast.
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肩膀可以上下移动 也可以转动
You'll get up at the shoulder point, you get rotation at the shoulder point.
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手肘能上下移动 手腕也能灵活旋转
The elbow will move up and down, and the wrist will rotate, nicely.
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所以基本上 当所有的缆绳一起移动时 能得到很大的移动范围
So basically, when all cables are moving together we get this range of movement,
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约翰·克劳福德是《食肉龙》的首席机械工程师
John Crawford is 'Carnosaur's chief mechanical engineer.
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他将结合线缆和无线电控制装置 创造出一个由枢轴和滑轮组成的内部系统
He will combine cable and radio controlled mechanisms to create an interior system of pivots and pulleys,
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让恐龙的关节可以活动
which will articulate the creature
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头部动作
and the head action,
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是由脖子里面的4根线缆控制的 就在这里 它们连接在这
is controlled by 4 cables that run inside the neck, right here they attach here,
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还有底下这里 所以当你拉这些绳时 它们会把头部拉到侧边或者上下运动
here in the bottom, so when you pull on those cables, they drag the head either to the side or up or down.
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贯穿全身的背部分节也有同样的机关
The same thing happens again in segments back as you go through the body,
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所以当头这样转时 脖子可以往这转
so we have the head being able to turn this way, while the neck is turning this way,
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于是可以得到S形曲线运动
so you can get S curves in this kind of motion.
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六个微型伺服器 由无线电控制的电机机构
Six tiny servos, motor mechanisms operated by radio control
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被放置在恐龙的头部以提供面部活动
are placed inside carnosaur's head to provide facial movements.
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它可以眨眼 眉毛能上下动
We have an eye blink, and we have a brow that goes up and down.
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嘴唇前部可以卷曲 两边也一样
Lips curl in the front, and the curl on the sides, as well.
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但约翰·比克勒的目标不仅仅是创造一个复杂的机械生物
But John Beekler's goal is to create much more than a complex, mechanical creature.
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我更喜欢把我创造的生物当成角色
I prefer to think of the creatures that I create as characters.
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它们有性格 有脾气 有性别
There're personalities, they have attitude, they have a gender,
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它们不只会流口水和咆哮
and they don't just slobber and growl.
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至于“霸王龙” 它可绝对不光有很大的脾气 胃口更不小
As for 'Carnosaur', he definitely has an attitude and an appetite to match.
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当心 来自闹鬼大海的怪物!
Beware, the creature from the haunted sea!
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罗杰科尔曼是小成本怪兽制作艺术的大师
While Roger Corman has mastered the art of creature creation on a low budget.
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而从电影问世以来 特效师们一直在制作大成本的机械怪物
Special effects wizards have been building big-budget mechanical monsters since the beginning of film.
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早在1907年 埃德温·S·波特就为电影“鹰巢”找人制作这只猛禽
As early as 1907, Edwin S Porter commissioned this bird of prey for 'The Eagles Nest',
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布景师兼艺术家理查德·墨菲创作了这只恶魔之鹰
created by set builder and artist Richard Murphy, the demonic eagle,
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它由钢琴丝操纵 和演员D-W·格里菲斯在摄影棚的悬崖上打斗
manipulated by piano wire, fought actor D-W Griffith on a studio cliff.
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1925年 艺术总监奥托·亨特和卡尔·沃布勒希特
In 1925, art directors Otto Hunte and Karl Vollbrecht,
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为弗里茨·朗的史诗《齐格弗里德》设计并建造了一条70英尺长的龙
designed and built a 70-foot long dragon for the Fritz Lang epic 'Siegfried'.
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由17名技术人员操作 有些人藏在身体里
Operated by 17 technicians, some concealed inside the body,
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龙可以移动它的尾巴和头 能喷火
the dragon was able to move its tail and head, breathe fire,
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当被齐格弗里德的剑刺伤后甚至能流血
and when wounded by Siegfried's sword, even bleed.
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1954年是大型怪兽的一个大年
1954 was a big year for big creatures.
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《他们!》是巨大的机械蚂蚁
'Them!' were giant mechanical ants,
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效果如此地棒 使拉尔夫·艾尔斯和他的特效团队获得了奥斯卡奖提名
so effective that Ralph Ayers and his special effects team were nominated for an Academy award.
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这些生物极其危险
These creatures are extremely dangerous,
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他们已经杀了一些人
they have already killed a number of persons.
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待在家里 我再说一遍 待在家里
Stay in your home, I repeat, stay in your home.
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艾尔斯因《海底两万里》而憾失奥斯卡奖
Ayers lost the Oscar to '20000 Leagues Under The Sea',
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这在一定程度上是因为这只有史以来最大的银幕生物之一
thanks in part to one of the biggest screen creatures ever made.
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罗伯特·玛蒂 长期担任迪士尼机械效果部主管
Robert Mattie, long-time head of Disney's mechanical effects department,
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设计并制造了这条2吨重的鱿鱼
designed and built the 2-ton squid.
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这条40英尺长的触须需要13个人来操作
It took 13 men to operate the 40-foot long tentacles
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通过液压
with hydraulics,
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压缩空气
compressed air
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和电子装置来驱动
and electronics.
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在《海底两万里》的20年后 玛蒂被要求创作电影史上最可怕的海洋生物之一
20 years after ‘20000 leagues’, Mattie was called on to create one of the cinema's scariest sea creatures
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液压控制的大白鲨再次证明了机械怪物的经久不衰
The hydraulically controlled Jaws confirmed the timeless popularity of mechanical movie monsters.
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但无论设计和建造得有多好
But no matter how well designed and built
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赋予电影里生物以生命的终究是木偶师的表演技艺
a movie creature is finally brought to life by the skill of the puppeteer,
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或者 像大多数情况一样 是一组木偶表演师
or, as is usually the case, a team of puppeteers.
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我为《异形》工作过 为斯坦·温斯顿工作那时我们有14个人操作异形女王
I worked on Aliens, I worked for Stan Winston at the time when we had 14 people operating the queen alien.
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我就说 一定有更好的方法来集成这些东西
And I said, there's got to be a better way to integrate all this stuff
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这样就能用更少的人来操作
so that fewer people are doing it,
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比起仅仅演个眼睛或嘴巴
Rather than just being the eyes or just being the mouth,
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只是演个耳朵什么的
just being the ears or something,
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对木偶有尽可能多的控制 对于一个表演者来说才能得到更完整的感觉
it is a much more holistic feel for a performer to have as much control over the puppet as possible.
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瑞克·拉扎伦(Rick Lazarene)是一个生物创造者和木偶操纵者
Rick Lazarene is a creature creator and puppeteer.
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他让奇妙仙子在钩子上飞行
He flew Tinker Bell in hook.
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为《女巫也疯狂》的三个女巫制作了精细的活动关节木偶
Created detailed, articulated puppets of the three witches in 'Hocus Pocus.
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还有《捉鬼敢死队2》中用面部控制的幽灵
And a facially controlled spirit for 'Ghostbusters II'.
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他最大的造物是《海阔天空》里的一只八英尺高的水牛
His largest creature was an eight-foot-tall buffalo for 'Radio Flyer'.
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这东西有一吨重
This thing weighed a ton.
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所以我们不得不用一个巨大的摄影吊臂来运送它
And so we had to carry it around on a huge camera crane,
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还能把它从那里吊起来 放到另一个滚动底座上
or be able to pick it up from there and put it on to another rolling base
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让它在场景里转圈 使它看起来像是在行走
to move it around the stage make it appear that it was walking
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有这么大的重量 你必须全面使用电子设备和伺服系统以及液压装置
with that kind of mass, you have to look past electronics and servo systems and look to hydraulic system
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来移动它的颈部和头部
to move the bulk of its neck and its head.
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在他的公司 “角色商店” 里克开发了一些世界上最先进的傀儡控制技术
At his company, the Character Shop, Rick has developed some of the most advanced puppeteering technology in the world.
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这个脸很灵活 我可以分别移动眉毛
I've got a pretty flexible face, and I can move my eyebrows independently
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用我的右眉控制它的下眉
got my right brow, operating the lower brows.
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左眉控制它的上眉
Left row operating the uppers.
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里克发明了一种测控服 他叫它“沃尔多”
Rick developed a type of telemetry suit he calls the Waldo.
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我所做的就是借助移动计量器（瞎编的）发送电子信号
What I am doing is sending the electrical signals with changeometers(?)
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它通过电缆连接到一个大盒子 里面装满了我们所谓的Ziff卡
down the cable to a large box that is full of what we call Ziff cards,
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它是由斯图尔特·齐夫创造的 他是一名特效设计师
which was created by Stewart Ziff, who was a special effect designer,
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这块卡是一块很小的神奇卡片 这里有增益 偏移 A和B限制的控制
and this card is a little wonder card. It has controls here for gain, offset, and A and B limits
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这意味着 我们可以调整它的灵敏度
what that means, is we can adjust the sensitivity of it
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所以我脸上传感器感受到的一个很小的移动
so that just a very small movement of the sensor on my face
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就能在伺服系统中产生很大的运动输出
produces a large output of movement in a servo.
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我们能调整运动的中心 我们可以说 好
We can adjust the centering of that movement, and we can say, all right,
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它向左移动太多 把它调整一下 或者向右移动太多 限制一下
well, it moves too much to the left, and limit that, or it moves too much to the right, limit that.
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控制箱包含一个电源和30张齐夫卡 使木偶操纵者能够控制多达30个独立的动作
The control box contains a power supply and thirty Zif cards, enabling the puppeteer to control up to thirty discrete movements.
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从下往上开始 我的嘴唇里外伸缩
So starting from the bottom up, I've got a lip in out.
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我的下巴能动
I've got a jaw,
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我的上唇也能动
we've got an upper lip movement.
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此外 我的微笑也能触发这些小部位
In addition, my smile movements are actuating these little something(?).
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Rick还使用了无线电控制的PCM发射机 可以发送多达9个数字信号
Rick also uses radio controlled PCM transmitters, which send out up to nine digital signals.
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眼睛可以眨 下眼能上下转动 上眼能左右转动
I've got blink movements, I've got left right up down movements for the lower eyes, and then I've got side to side movements for the upper eyes.
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我所做的所有“沃尔多”机器或任何控制机械背后的关键或者说理念
The key to, or the philosophy behind all the Waldo mechanisms that I do, or anytime I do a control mechanism,
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就是让它和木偶操作师的动作非常相似 这样 木偶操作师才是真正地表演
Is to try to make it very analogous to what the puppeteer is doing. So that way, the puppeteer can perform.
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木偶表演者的表演是链条上的最后一环
The puppeteer's performance is the final link in a chain
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这个链条始于创作者的想象力
that started with the creature creator's imagination,
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再经由艺术家和技术人员的精湛技艺得以完成
and continued with the skilled work of artists and technicians.
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整个特效团队的通力合作 给无生命的东西赋予生命 把电影的魔力带到了银幕上
The collaboration of the entire effects team brings the inanimate to life and movie magic to the screen.
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《食肉龙》的特效团队已经工作了七周 为的只有一个目标
The 'Carnosaur' effects team has been working for seven weeks with one goal in mind,
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在有限的预算和时间限制下创造出最可信的怪物
To create the best believable monster they can within the limitations of their small budget and time constraints.
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微型版的雷克斯霸王龙几乎完成了
The miniature version of the T. Rex is almost complete.
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我们选择在背包上构建大部分控制机关
We opted to build the majority of our controls on a backpack.
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基本上是绑在背包上的
Basically strapped on a backpack.
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我们有绑在你手臂上的杠杆 当你移动你的手臂时 生物也会移动它的手臂
And we have levers that that strap onto your own arms, and when you move your arms, the creature moves its arms.
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背包在概念上与Waldo系统相似 只是进行了简化
The backpack is similar in concept to the Waldo system, only simplified.
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但是与“沃尔多”同样 它减少了操纵木偶所需的操作者 并能更好地控制怪兽的实际动作
Like the Waldo, however, it results in fewer puppeteers needed to operate the creature and better control of the actual movements.
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除了背着背包的木偶操作者外 还需要另外三个木偶操作者
In addition to the puppeteer who wears the backpack, three other puppeteers will be required.
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来操作颈部和腿部的线缆系统
to operate the cable systems for the neck and legs
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以及遥控面部伺服器的无线电发射机
and the radio transmitter for the facial servos.
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当第三个微型恐龙完成时 距离主要拍摄工作的开始只有三周了
With the 3rd scale miniature carnosaur completed only three weeks before the start of principal photography,
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是时候建造完整尺寸的雷克斯霸王龙了
it's time to build the full scale T. Rex.
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全尺寸版本对于拍摄怪物与人类演员互动的场景是不可或缺的
This version will be necessary for scenes in which the monster interacts onset with the human actors.
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让你们对尺寸有个概念
Give you an idea of the scale.
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这只脚的大小 和那边那条腿的大小相比
The size of this foot, compared to the leg over there.
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大的是微缩模型的五倍大 形态是直接从木偶上照搬的
Five times the size of the miniature puppet, these patterns were taken directly off the puppet.
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约翰决定不使用标准的模具和铸造工艺来建造更大的雷克斯霸王龙
John has decided not to construct the larger T. Rex using the standard mold and cast process.
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所以他和技术人员肯·霍尔为这项工作研究新材料
So he and technician Ken Hall research new materials for this job.
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他们找到了他们要找的东西 L-200
They found what they were looking for in L-200,
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这是一种用于航空航天工业的非常轻的聚氨酯泡沫
a very light polyurethane foam used in the aerospace industry.
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L-200的薄片 就像柔软的泡沫芯
Sheets of L-200, which handles like a flexible foam core,
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粘在一起形成了整个雷克斯霸王龙的主体结构
are being glued together to form the entire T. Rex under structure.
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皮肤是由聚氨酯泡沫板制作而成 并用电烙铁进行烧灼 以创建鳞片图案
The skin is crafted from urethane foam sheets and seared with hot tools to create scale patterns.
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我觉得它看起来很真实 和微缩版很像 而且还能移动 重量也足够轻
I think it looks authentic, it looks very similar to the miniature, and it does move and it's light-weight enough to manage.
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在满月的照耀下 全尺寸恐龙到达了目的地
Under the light of an appropriately full moon, the full-scale Carnosaur arrives on location.
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组装好后 它有16英尺高 从头到尾长25英尺
Once assembled, he stands 16 feet tall and measures 25 feet from head to tail.
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全尺寸怪兽的机械原理非常简单
The mechanics for the full-scale creature are very simple,
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他们是气动的
they're pneumatically operated,
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有点像滑动门
sort of like your screen door.
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是如何打开、关闭、推拉的
How that opens and closes and pushes in and out,
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这是一个非常简单的过程 你真正需要的就是用压缩空气让物体移动
it's a very simple process, and all you really need is compressed air to make something move.
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因为我们造了一个非常轻的恐龙
Since we created a very lightweight dinosaur.
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我们就可以用一些轻便的工具比如气动系统来操作它 让它全身关节都能动
We could manipulate it and give it, you know, full articulation with a few lightweight instruments like the pneumatic systems.
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如果我们用标准程序来制造 雕刻、制模、铸造 它的重量会接近两吨半
If we created it with standard procedures, sculpted and molded, and cast it. It would weigh close to two and a half tons.
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而我们制造的恐龙最终只有450磅
Final creature that I delivered weighed 450 pounds.
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全尺寸和微缩版生物的镜头在电影的结尾都会被用到
Shots of both the full scale and miniature creatures will be used in the movies finale,
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主角Doc(由Raphael Subar扮演)用一个翻斗车与怪物战斗
in which the hero Doc played by Raphael Subar, fights the monster with a skip loader.
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为了做到这一点 我们必须创建一个微缩版的Doc
In order to do that, we had to create a miniature version of Doc
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翻斗车和能博斗的霸王龙
The skip loader and the tyrannosaur that could fight.
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但为了把Doc放在霸王龙的场景中 让我们对尺度和方位有一个清晰的感知
But in order to put Doc into the scenes with the Tyrannosaur and to give ourselves a very good sense of scope and geography,
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我们制造了全尺寸的霸王龙来与之互动
We created the full size Tyrannosaur to interact.
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约翰·克劳福德和一名助手操纵气动系统的控制阀
John Crawford and an assistant operate the valve controlled pneumatics,
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产生恐龙头部和上半身的活动
providing carnosaur's head and upper torso movements.
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不幸的是 没有一本教科书教你如何在小成本电影中做出恐龙打斗场景
Unfortunately, there is no textbook to give you a recipe on how to make dinosaurs fight on a low budget movie
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还不能让它看起来像“五毛钱特效”
and not make it look that low budget.
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你必须拿出所有的技巧和你所有的想象力去创造剧本所描绘的幻象
You have to pull out all the tricks and all your imagination to try to create the illusion of what the script indicates.
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这种幻象很大一部分要靠微缩拍摄 让更小更灵活的霸王龙进行大部分打斗
A big part of that illusion is shooting in miniature, having the more articulated, small version of Carnosaur do most of the fighting.
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以这个场景为例 一开始是微缩模型
This scene, for example, begins with the miniature,
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然后切换到全尺寸模型的镜头 以便建立与演员的关系
cuts to a shot of the full size in order to establish relationship with the actor,
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然后切换回微缩模型
and then switches back to the miniature.
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最大的挑战是让微缩恐龙与全尺寸恐龙看上去一致
The biggest challenge is making the miniature and full size carnosaurs appear as one.
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有些事情你是可以做到的
There are certain things that you can do.
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结构相同 绘制工作也是一样的
the configuration is identical, paint jobs are identical,
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但皱纹系统可能会稍有不同 鳞片的样式也稍微不同
but you may have a wrinkling system that's slightly different, the scale pattern is slightly different,
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但这个影片本质是恐怖电影 而不是一部旅行纪录片
but the concept of the show was to be a horror film, as opposed to a travelogue.
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你会看到这些东西从阴影中冲出来 跳跃 撕咬
And you're going to see these things darting out of shadows and leaping and biting.
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我认为通过这种方法 全尺寸和微型模型之间的差异可以忽略
I think with that approach, the difference between the full scale and the miniature is minimal.
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你真的回到了电影技术创始时的基本元素上来
You really get back to the rudimentary elements of how filmmaking began,
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我们怎样创造幻象
how can we create the illusion
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我们不是在真的创造基因工程生物
we are not creating genetically-engineered creatures,
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而是在创造一个能做这些事情的大恐龙的假象
we are creating the illusion of a large dinosaur that can do these things.
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在很多方面 有限预算带来的挑战让你以一种非常有创意的方式运作
And in many ways, the challenge of a limited budget makes you function in a very creative way,
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这样你可以带来尽可能多的娱乐性
so that you can translate as much as you can into entertainment.
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它们是好莱坞生物创造者的想象力和独创性的产物
They are born of the imagination and ingenuity of Hollywood's creature creators.
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恐怖的异形
Terrifying aliens,
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可怕的海怪
fearsome sea monsters.
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还有“它们”
And 'them'.
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起初 这些栩栩如生的怪物只是一堆原材料
In the beginning, these incredibly lifelike monsters were merely raw materials.
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但在熟练的特效师 技术人员和木偶师的手中 无生命的东西被赋予了生命
But in the hands of skilled effects artists, technicians and puppeteers, the inanimate is brought to life.
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我讨厌野生动物!
I hate wildlife!
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至少到电影结束之前
At least until the end of the movie.
