文/杨立志（湖北汽车工业学院教授、湖北省高校人文社科重点研究基地武当文化研究与传播中心主任、华中师范大学博士生导师、湖北大学客座教授）

自1996年以来，我参与了中央电视台3部有关武当文化专题片的策划、撰稿和学术指导等工作，并作为嘉宾出镜解说武当山历史文化。这3部专题片是央视国际1998年2月播出的《武当山》（2集）、央视国际2004年03月播出的《走遍中国·十堰》（7集）和央视科教2009年1月播出的大型人文纪录片《问道武当》（9集）。

通过与以前拍摄的专题片的比较，我认为16集大型纪录片《武当文脉》采用了非遗传承人和武当文化学者口述历史的形式，全景式地展示了武当山历史文化研究和武当山非遗传承人的真实面貌，较全面地呈现了当下武当文化研究和非物质文化遗产传承的情况，具有突出的史料价值和人类学意义。《武当文脉》有几个特点值得肯定。

一是更加关注武当山非遗传人和文化学者的事迹。如果说以前的专题片主要关注自然景观、古建筑、文物等物质财富的话，那么《武当文脉》则是关注投身于武当文化传承发展的人物活动，呈现武当山非遗传承人和文化研究者的精神面貌和生活方式。古人说“人能弘道，非道弘人”。作为个体的“传承人”虽然普普通通，但他们数十年或十多年专注于武当文化研究、文物保护、方志编纂、武术演练和传承、道乐研究教学、民歌教学等“行道”活动，使中华优秀传统文化活了起来。通过这些人物讲述的生动故事，点燃观众对自然环境和传统文化的热爱，引起对自由和谐、诚信向善等核心价值理念的共鸣，让现代都市人更加喜爱祖国的优美山川和中华传统文化。

二是努力实现中华传统文化创造性转化、创新性发展有益尝试。作为中华传统文化重要组成部分的武当文化，其核心价值理念需要重新总结凝炼，并作出符合时代价值要求的阐释。如武当文化中“保合太和”“万国咸宁”的核心要义有助于现代各国文化交流互鉴，共同推进人类命运共同体的构建。武当山古建筑群是世界文化遗产，武当文化具有全球影响力，深入挖掘道教思想宝库中的和谐观念、包容精神，对建立不同民族、不同国家、不同宗教间的和谐关系，对形成共建共享的人类命运共同体、促进世界和平、增进人类福祉有重要现实意义。又如武当文化有些内容表达手段比较陈旧，需要通过创造性转化、创新性发展促使它与现代社会结合。如烧香、供茶、练太极内功等过去是宫观道士的活动，现在通过改造创新，以新的形式融入普通百姓日常生活、滋养当代心灵，有利于促进现代社会文化的发展与需求。

三是更加关注生态文明思想的普及，引导民众养成敬畏生态，热爱生命的良好习惯。《“鸟叔”刘洪军》一集，从刘洪军老师业余观察鸟类活动，到教育学生爱鸟、护鸟，帮助学生养成尊重自然、顺应自然、保护自然的良好习惯。这既是武当文化道教“曲成万物”“常善救物”“助天生物”的生态保护意识的传承，也是道教文化不弃物，不害物，积极主动地去救物，去“助天生物”思想的发展。习近平总书记多次谈到要处理好人与自然的关系：“人与自然共生共存，伤害自然最终将伤及人类。空气、水、土壤、蓝天等自然资源用之不觉、失之难续。工业化创造了前所未有的物质财富，也产生了难以弥补的生态创伤。我们不能吃祖宗饭、断子孙路，用破坏性方式搞发展。绿水青山就是金山银山。我们应该遵循天人合一、道法自然的理念,寻求永续发展之路。”《武当文脉》关注这样的人物，提倡敬畏生态、保护自然的意识，有助现代生态文明思想的普及，有助于南水北调中线水源区的保护，是利国利民的好节目。

总而言之，大型纪录片《武当文脉》编导人员增强文化自觉，坚定文化自信，以强烈的历史主动精神，投身社会主义文化强国建设。通过住在当地深入考察，充分挖掘武当文化蕴含的人文精神，努力反映传统文化传承发展特色，让武当文化展现出永久魅力和时代风采。该纪录片立意高远，视角独到，由亲身经历者所讲出的细节、所体验的感情、所感悟的思想来反映武当文化传承发展，更加真实、具体、生动，更富有现实性、鲜活性和权威性，有利于增强当代观众与武当文化的连接，推进武当文化的传播。

A New Attempt to Inherit and Develop Wudang Culture

Professor Yang Lizhi

Since 1996, I have participated in the planning, writing and academic guidance of three CCTV documentaries on Wudang culture, and interpreted the history and culture of Wudang Mountain as a guest. These three documentaries are "Wudang Mountain" (2 episodes) broadcast on CCTV 4 in February 1998, "Across China, Shiyan" (7 episodes) broadcast on CCTV 4 in March 2004, and "Taoism and Wudang Mountains" (9 episodes), a large-scale humanistic documentary broadcast on CCTV 10 in January 2009.

By comparing with the previous documentaries, I think that the 16-episode documentary "Wudang Cultural Context" adopts the form of oral accounts of history from the non-hereditary inheritors and Wudang cultural scholars, and panoramically shows the historical and cultural research of Wudang Mountain and the true face of inheritors of intangible cultural heritage of Wudan Mountain, and comprehensively presents the current Wudang cultural research. It has outstanding historical value and anthropological significance. "Wudang Cultural Context" has several features worthy of affirmation.

First of all, the documentary pays more attention to the deeds of inheritors of intangible cultural heritage and cultural scholars in Wudang Mountain. If the previous documentaries mainly focused on material wealth such as natural landscape, ancient buildings and cultural relics, then “Wudang Cultural Context” focuses on the activities of people who devote themselves to the inheritance and development of Wudang culture, presenting the spiritual outlook and life style of inheritors and cultural researchers in Wudang Mountain. The ancients said that "people can promote Taoism, but Taoism cannot promote people". As individual "inheritors", ordinary as they may be, they have devoted themselves to Wudang cultural research, cultural relics protection, compilation of local chronicles, martial arts drills and inheritance, Taoist music research and teaching, folk song teaching and other "road" activities for decades or more, which has made the excellent traditional Chinese culture alive. The vivid stories told by these characters ignited the audience's love for the natural environment and traditional culture, aroused people's resonance for the core values of freedom and harmony, integrity and goodness, and made modern urbanites more fond of the beautiful mountains and rivers of the motherland and Chinese traditional culture.

Secondly, the documentary attempts to achieve creative transformation and innovative development of Chinese traditional culture. As an important part of Chinese traditional culture, the core values of Wudang culture need to be re-summarized and condensed, and interpreted in line with the requirements of the times. For example, the core meaning of "Baohe Taihe"(always maintains and gathers great harmony) and "Wanguo Xianning" (all countries in the world are in harmony and peace) in Wudang culture is conducive to cultural exchanges and mutual learning among modern countries and jointly promote the construction of a community of human destiny. The ancient architectural complex of Wudang Mountain is a world cultural heritage. Wudang culture has a global influence. It is of great practical significance to dig deeply into the concept of harmony and the spirit of tolerance in the treasure house of Taoist thought, to establish a harmonious relationship among different nationalities, countries and religions, to form a shared community of human destiny, to promote world peace and to enhance human well-being. For example, some of the content expression means of Wudang culture are relatively old, which need to be combined with modern society through creative transformation and innovative development. Burning incense, offering tea and practicing Taiji internal skills, for instance, used to be the activities of Taoist priests in the temple. Now, through transformation and innovation, they are integrated into the daily life of ordinary people in a new form and nourish the contemporary soul, which is conducive to promoting the development and needs of modern social culture.

Thirdly, the documentary pays more attention to the popularization of ecological civilization and guides people to develop good habits of reverence for ecology and love for life. The episode of "Uncle Bird，Liu Hongjun”, from Liu's observation of bird activities to educating students to love and protect birds, helps students develop good habits of respecting, conforming to and protecting nature. This is not only the inheritance of the ecological protection consciousness of Wudang culture Taoism of “Adapting to the things”, “Being kind to protect the things”, and “helping to nourish the things”, but also the development of Taoist culture's thought of not abandoning things, not harming things, actively saving things and "helping living things". General Secretary Xi Jinping has repeatedly talked about the need to properly handle the relationship between man and nature: " Man and nature coexist in harmony. Harming nature will eventually hurt mankind. Natural resources such as air, water, soil and blue sky are unsustainable. Industrialization has created both unprecedented material wealth and irreparable ecological trauma. We must not exhaust all the resources passed on to us by previous generations and leave nothing to our children or pursue development in a destructive way. Clear waters and green mountains are as good as mountains of gold and silver. We should follow the concept of harmony between man and nature and seek the road of sustainable development. " Wudang Cultural Context" pays attention to such figures, and advocates the awareness of respecting ecology and protecting nature, which is conducive to the popularization of modern ecological civilization and the protection of water source areas in the middle route of South-to-North Water Transfer Project. It is a good program for the benefit of the country and the people.

In a word, the editors and directors of the large-scale documentary "Wudang Cultural Context" have enhanced their cultural consciousness, and strengthened their cultural self-confidence, and devoted themselves to the construction of a strong socialist cultural country with a strong historical initiative. By living in the local area and making in-depth investigations, they fully explored the humanistic spirit contained in Wudang culture, and strived to reflect the inheritance and development characteristics of traditional culture, so that Wudang culture can show its permanent charm and the style of the times. With a unique perspective, the documentary bears a lofty conception. It reflects the inheritance and development of Wudang culture from the details, feelings and thoughts of the people who have experienced it. It is more reality, concrete, vivid, realistic, fresh and authoritative. It is conducive to enhancing the connection between contemporary audiences and Wudang culture and promoting the dissemination of Wodang culture.

附一：《武当文脉》主题诗

精气神的升华

文/郭忠民

镜头

在时光隧道中寻觅

快门

在生命海洋中跳动

色彩

在青春气息中闪耀

声音

在历史深谷中回响

画面

在憧憬遐思中切换

目光

在隔空思辨中流转

脚步

在时代洪流中震撼

角色

在文武血脉中融合

人物

在清风苦雨中成就

太极

在天地和合中演义

精神

在八百武当中凝聚

心灵

在谈古论道中洗礼

故事

在精气神的升华中——延伸

附二：《武当文脉》简介

《武当文脉》人文纪录片以武当山非物质文化遗产为切入点，将地理意义上的“山脉”和精神层面上的“人脉” 相结合，近距离跟拍记录当下武当非遗传承人及相关民众的日常生活和内心世界，采用口述历史的形式，对武当文化进行了系统梳理和全景式呈现，为传递武当精神、传播武当文化做出全新尝试。

武当山的物质文化遗产与非物质文化遗产共生于同一个文化空间当中，形成了一种根植于本土、根植于民间，并且延续千年的活态文化。在武当山上，至今仍有数百名道人依循传统的道家仪轨修行，也有个人或机构传习武当武术、道医、道乐等。八百里武当的天地山川之间，练拳习剑、采集草药、捻茶制香，既是他们赖以生存的方式，也是他们修养身心的途径。当我们身处其中, 就能够深深感受到这一方民众与武当山独特的文化地理环境浑然一体的浓厚人文氛围。

《武当文脉》分为武当文化“传承”“研究与保护”“传播”三个版块，全套作品共十六集，每集12至15分钟，时长共计200分钟左右。从武当武术、道医、道乐、香道、茶文化、文化传播等不同主题切入，聆听主人公的人生故事，触碰他们的精神空间。通过这些“武当人”在传承非遗、守护文化的点点滴滴之中，我们仿佛感受到武当山的宏阔、包容以及其间蕴含的无限生机。

本片由北京意趣阁文化传媒有限公司摄制，湖北大学武当山文旅研究中心监制，湖北长江传媒数字出版有限公司出版。