Jama Jurabaev 90-92
8. Visualizing Your Story---3-5.Color Variation
P90 - 00:01
I spend another 20 minutes of this painting can kind of introducing some stuff and a bit nicer. but now I want to show you something that I call like color variation of optical illusion.
P90 - 00:15颜色变异，可选的环境和错觉。
for example, basically what we will be doing, we will be adding complementary colors.
P90 - 00:21加入互补光。
And as you can see, this scene is pretty like the balance between warm and cool color.
P90 - 00:27比如冷暖色的平衡。
So I will create a new layer and put it on overly.
P90 - 00:31新图层-重叠模式。
and then pick like a very complementary color to this blue color.
P90 - 00:36给蓝色找互补光。
It could be very saturated. So basically what I will be doing, I will be painting like in some especially on the ages, to give a little bit of life.
P90 - 00:51有饱和度的，写入生气。
it's always good to have those color variation. And that's something you would never have in photos, because like camera doesn't understand how to introduce this color variations.
P90 - 01:08照片没有，摄像不懂颜色变异，
And we use the paint as we have full freedom to do that. just a little bit here and there. It’s almost like imagine if you were doing this in traditional media, you will do another painting.
P90 - 01:26传统媒体，另一个绘制。
It just gives much more depth kind of life to you to the stuff you do, like what you see over here on and off. It just gives you this additional kind of impressionistic failed it.
P90 - 01:46若隐若现区域加深印象。
Try not to overuse it. Like I will paint it. And most probably many as I do in many cases, I will tone it down. But for now I'm just enjoying it. Do the same with the grass, here and there.
P90 - 02:10同样的方式处理草地。
Just a little touch. Also we can introduce a little bit of that color variation over here as well.
P90 - 02:53左侧天际加入一些颜色变异。
you see a little bit additional level of mood. Because you can some different colors.
P90 - 03:05天际颜色变异交替渲染剧照基调。
and then you can tone it back.
P90 - 04:06在阳光透出云层地方渲染基调。
A new photo to back it up. So let's talk about colour variation and sometimes it's cold, like optical illusion.
P90 - 04:32颜色变异选择幻象有时冷色调。
And also when you're doing it, make sure that you're using a brush that doesn't have like using this one is not a good way to do it.
P90 - 04:44这并不是最好的方式。
because it doesn't have any pores in it. So probably you should use something that has a little bit of pores. So you kind of bleeding the color that is underneath through your gaps your brushes that's what creates this nice optical illusion.
P90 - 05:02刷子筛孔出颜色变异。
That’s what makes the stuff much more beautiful. Let me just turn off these three layers. Just wondering.
P90 - 05:29图层打组，看到景深。
And you will see how much depth we have in terms of distance.
8. Visualizing Your Story---4-1.Final Demonstration
P91 - 00:00
Let me do a longer demo for you. And basically what we did in a previous demo, I set up myself a very strict limit like 30 minutes. And I had to kneel down and everything in 30 minutes. But in this one, I'm just taking my time, because I want this one to be a bit more finalized and a bit more a kind of specific in terms of what I want.
P91 - 00:28花时间长一点做个完稿的。
So basically, this is the story of two guys walking and trying to find something.
P91 - 00:34两个角色往前走探索寻找什么。
Some like a mysterious place on the horizon and stuff like that.
P91 - 00:38通往地平线的神秘目标地。
for this specific set, like I used a very good base and remember what I told you, it is very important to start from a solid base. It doesn't necessarily need to be a reference that you strangely painting on Top of it.
P91 - 00:58好的绘制基础不是参考图上绘制。
But at least something that will give you a very nice idea.
P91 - 01:01主要是故事感带入性强。
you would ask me if I do start from the reference all the time. Not really like.
P91 - 01:08未必每次都从参考画起来。
or I do have a very good sense of photorealism know like that's why I don't need a reference. But in terms of saving your time and saving my time as well. When I'm doing those stories, whenever I have, I need to start from it reference to save my time. I always did because it's the thing that allows me to kind of cut a lot of corners and to get where I want much faster.
P91 - 01:33参考图协助少走弯路，省时间。
So for example, this one like I'm experimenting with these two moods and it literally takes me so less time to make choices and that's why having a solid reference, a base material that you need to start from is very important.
P91 - 01:52好的参考图做基础非常重要。
And also by saying that, don't forget that all these studies, they started from a very simple abstract composition, just as we did on second week two.
P91 - 02:05源自于2周的抽象绘制。
So probably some of you will struggle like starting from a photo straight away. And it’s very normal because you shouldn't be like progressing like that. you can sit down and like spend 2 hours of further bashing. But sometimes like 10 minutes of a proper drawing and painting, like making black and white composition is much more powerful because once you do that, you already know what's your arrangement inside the frame.
P91 - 02:352小时拼图不如10分钟抽象绘。
So you don't spend too much time moving things around and trying to find a composition that you like.
P91 - 02:43没必要浪费在移动来去的找合成。
And just remember that example that I gave you. But when we started, I told you that when you have like two balls to juggle with, it's so easy. Anyone can do it. Like if it's a black and white sketch, it's very easy to kind of create the nice composition.
P91 - 02:56比如只有黑白图容易测试好合成。
But once you put a few more balls, it gets more and more difficult than you need like a proper training to juggle those.
P91 - 03:03兼顾的越多需要特殊的训练。
So same with the art. when you're doing starting from photo bashing and you have a lot of like Information already. It's so difficult to manipulate. And to rearrange to change stuff and stuff like that.
P91 - 03:17照片拼图需要改写的信息多一些。
So be careful about that by using start from a solid reference. I mean you need something that will save you time.
P91 - 03:28需要流程节省时间成本。
like in this particular case, I already had my sketches prepared. And I was looking for a picture that will help me to nail the story.
P91 - 03:39照片服务讲故事的。
And instead of what's going on first trying to find a cool picture and paint on top of it. I always do those black and white sketches and find something interesting.
P91 - 03:54不是照片上绘制，是黑白间灵感。
And then I start from there. So as you can see right now what I'm doing, I'm trying to stylize this picture. And that's another very cool thing to do.
P91 - 04:10风格化照片乐趣。
because what do you have photo. Instead of just trying to reuse whatever you see in the photo, you introducing the owner artistic view, right?
P91 - 04:20艺术家视角去修饰照片。
And now basically what I'm doing here. I'm taking part of the picture and kind of stretching them. Moving them around. Like trying to find a good stylization especially remember when we did our graphic design course, we would constantly talk about contrast and read and all that stuff.
P91 - 04:47截取片段旋转拉伸，风格化。
So and as a painter, we have all the freedom to alternate reality to get a little bit more Interesting. make it like more contrasty.
P91 - 05:04艺术家让照片更具备对比性。
And like for example in these trees, what I basically did I cut out like the branches and I stretched them. So because by doing that I was kind of introducing more of rich picture, everything was lights were like more strange that I just introduced a lot more vertical, which is kind of a part of the storytelling.
P91 - 05:28比如加入很多垂直信息融入故事。
because you see this forest that they are kind of coming out of the forest all like you're walking on fully like very tall vertical.
P91 - 05:36图像 调节 匹配颜色保存统计。
So that's why feel Free to kind of alter and something that I often do. And I believe in the end of this demo, I would also do it. I would like to select the part of the picture and just stretch it. because stretching all these reinforces the perspective and just makes everything much stronger.
P91 - 05:58延伸截图上视角视觉冲击感强烈。
So now I'm busy with integrating characters. I did a small touch up and at this stage I also started introducing a little bit of small touches, I introduce start a little bit fog.
P91 - 06:11现阶段扫入一些雾气。
because that's what we use all the time in scene in movies. You know they have a lot of fog, they even have a fog machine on the side which generate the fog.
P91 - 06:19影视中雾气，甚至拍摄雾气机器。
because fog is the best tool to separate your middle ground background and foreground.
P91 - 06:29因为雾气是区分前中后背景工具。
it just gives much more depth. Like if there was no focus, it's like quite flat. keep painting the fog which is a very good tool to kind of break up the depth of your picture. And I'm not very fanatical about like selecting everything properly.
P91 - 06:50雾气拉开景深比分离万物好。
like separating. We are not doing math painting, and sometimes like people picking up my files complaint, all your files are too messy and stuff like that. I say, yeah, because I don't wanna spend time. And especially of course, if you're working in a team, we need to consider the fact that someone will pick it up after you. But if you're doing something by your own, and you definitely know that nobody is going to pick up your file, do any kind of stuff on top of it. So I prefer not to spend too much time naming my layers and putting them into groups and stuff like that.
P91 - 07:27非团队工作不分类命名文件。
it depends on what kind of person you are. My goal is to deliver stuff very quickly. So I don't really bother having anything organized. And also when it comes to like selections.
P91 - 07:42目标快速交付作品。
All of my selections are mostly done by hand. I’m not very careful about selecting age trees separating even, coming from my experience. I just found that in 90% of the time, I never used those layers that I tried to keep, just in case.
P91 - 07:59有些图层是用不上的。
we all have this feeling, like or maybe do. They're gonna ask for some change and I need to move things around. Never actually move them. So I thought why bother I will just do everything very roughly.
P91 - 08:12分层防止移动图层，反而干扰。
And if I need to separate something, I can redo in the end at all last time,
P91 - 08:21需要分离，重新做的。
also right now. I'm kind of stylized this guy a little bit. So I keep using this word stylizing. And make sure that when you’re doing this, you’re doing at not because it looks cool but because remember the main reason why we are stylizing its simplification, because the simpler our painting is like the most stylize. It becomes the less balance we have to juggle. we don't have the hyper realism to achieve any more.
P91 - 08:57复杂需要平衡，简单平衡的少。
And all we need to do is kind of jump around and introduce like more and more stylization which gives us a lot of freedom.
P91 - 09:06风格化给到很多的自由。
and we will be able to make creative design choice is much faster because of the picture is more stylized.
P91 - 09:14快速选择做到风格化。
So that's why the reason why I’m a gamble that I did on painting. And I'm I kept saying that there is this term of beautiful brush strokes, people like putting brush stroke everywhere. But it's not about putting brush strokes. It's about simplifying and stylizing.
P91 - 09:38并不是浓重涂抹，是简化风格化。
And you really need to understand where are you putting those brush tool where you need seem to be simple. way need things to be a little bit more complicated. that's why we do it.
P91 - 09:47要明白涂抹的意义是简化。
like for the camera can not put like soft edges and smudge here and there.
P91 - 09:53相机不会防止软边和模糊印记。
And everything is in general crease price. You can use that depth that field, but when it comes to painting why it's very powerful and you decide where you want people to look at, you decide where you need to smudge and you decide where you need to create like artificial out of focus.
P91 - 10:12你决定哪里模糊哪里人工操作的。
So that's why I like introducing like mixer brush smudge here and there.
P91 - 10:21这就是为什么用混合刷子模糊印。
because I want to have full control over what I'm doing. Right now you can see like I'm introducing those little gaps in the trees. So but when I'm doing this, I'm squinting my eyes and I'm trying to kind of break up the forms to introduce more depth,
P91 - 10:38树木之间空隙引入更多的景深。
more forms more layers as we go away from the camera, Also like you will see me doing this a lot. I kind of random of the paint brush strokes. And then to have this kind of direction in the sky in the trees and whatever. It's just like because as a painter, what you can do that the filter camera doesn't understand warm or like it just gives you what you see like what it says, you as an artist, you can decide, I need to add a little bit reinforcing lines over here.
P91 - 11:23天空 树上 地面需要方向走行。
Like for example, if the cloud is flat, it just put like a a few brush strokes to give it that way. You can see me doing it on the tree. like I'm just putting few strokes that kind of reinforced bar texture.
P91 - 11:40粗壮的刷出树木来。
And I often do it like in the sky in the ground and the characters or any kind of form, remember in the very first lesson I showed you how important it is to form, you need to follow the form to reinforced kind of sense of something going away from us are going towards us all being like a cylindrical form.
P91 - 12:12朝向和背离观众用的立柱形状。
I think that's kind of happy with the background. And now I think it's time to jump and do some stuff with with characters as well.
P91 - 12:27环境刷好了，进入到角色环节。
And for example, the characters, it’s always in the timeline. And what right, should I use photos should I use 3D? should I paint?
P91 - 12:38照片 建模 还是绘制角色？
And for example, this one main characters are very silhouette to that, And I just save them from behind and I'm not the kind of exploring the characters.
P91 - 12:47角色背影背离观众。
So why should I go with like build 3D or like try to paint them? Because there is no point for me to do that. So I found a good reference that I already have everything that I need. It has a nice pose. It has a nice like gesture and stuff.
P91 - 13:06参考图中角色的姿势很好。
But of course I will be improving all that stuff as I go. But overall, It was a very solid base already. And whatever you like, in my career. So many times people would say, tell me like, oh, man, you just found a very good reference and copy pasted it. I would say, yeah, that's the whole point. I won't concentrate on my story like using these methods in a day. I can create probably four pictures.
P91 - 13:36短时间创建4个版本。
If I spend half an hour, then I can probably do eight of those.
P91 - 13:404小时可以绘制8幅剧照了。
So and like this one, it was a long one. So probably I can do this type of paintings like two of them, like, because I'm using all of those shortcuts that allow me to spend less time on anatomy of the horse anatomy of the human.
P91 - 13:59套索剪切不用专注艺术解剖。
I spent most of my time assembling the final picture. And the final pitch is something that my art director or director sees. So. it's basically. again, I'm trying to communicate an idea. You should use any methods. You won't to achieve your goal, which is your story. But by saying that, don't forget it. It’s also very important that you really understand what you're doing. And like just as in the case with photo bash, instead of starting closer photo bashing and always relying on photo, you need to have a skill to actually to start from scratch. to do your composition black and white comes to decide what's your story about. And then look for the photo.
P91 - 14:55黑白合成草图然后才照片拼图。
So it's all about balance. And I think people are always like not complaining, but they're not comfortable. Be seeing somebody doing something very fast. And they generate a lot of excuses. Like, you're using too much photo bashing or you use this. But. And in some cases, it's true.
P91 - 15:19做不到别人做到的找借口。
I know people who can do an amazing photo bashing, but they're not very good painters, but if they are good designers and storytellers, it really doesn't matter. like, remember when we did our painting course. I think I kept saying that I really don't want you to be an amazing painter.
P91 - 15:36设计和讲故事的人不需要好绘制。
I want you to be a good storyteller. So if you kind of struggling with doing stuff in the painter that way, maybe you should be doing like more photo real more 3D stuff, it all depends on you. I just think that it’s very important to have this balance.
P91 - 15:55绘制还是3D建模后平衡取决你。
When I was trying to learn, I was trying to improve my skills. I would try all different methods and see which ever method fits me.
P91 - 16:04尝试哪一个方法适合自己。
So that's why this course I tried to overuse the wide variety, a wide range of different tools that we need a little bit 3D, we did like photos, we did with sketching, we did things like movie and all that stuff.
P91 - 16:20建模 草图等方式。
And I hope you will be using those, you will be finding your own way of doing things. And even my students, I can see it as the grow they recognize okay, this method fits me, or maybe not this one.
P91 - 16:37什么方式适合自己就用什么方式。
So that was the main goal of this course to get you comfortable with the tool that you think is the tool you should be using. not the tool that all other people tell you to use because tools are always told. There are so many of them. Tomorrow there will be like another tool. tomorrow we will be doing stuff in, let's say if they are right, so we will not be painting on the canvas, but what's important is that you enjoy your process and you have full control over what you do.
P91 - 17:09享受旅途。
8. Visualizing Your Story---4-1.Final Demonstration
P91 - 17:09
like for example, why I like 3D in photoshop, like people would say, okay, you can do much more complicated stuff and other stuff. That’s true. But in photoshop, it's very simple. I have a lot of control over what I'm doing.
P91 - 17:23在PS里面3D操作具备可控性。
So for example, if I am extremely ashamed, I can exclude it and still have a source that will kind of dictate what my final design should look like.
P91 - 17:38预测下最终效果如何很重要。
So that's very important. This is something that you don't have another software in order like in 3D software to change your design, you need to re sculpt it or redo it right.
P91 - 17:49建模软件可以重新雕塑或重做。
So that's why I like photoshop 3D. It's very simple and offers you a lot of control over what you do.
P91 - 17:56PS里的3D给很多可控性。
And coming to story telling. To be honest, like whenever people ask me what type of way rules you for what you're doing your story telling.
P91 - 18:09讲述故事的规则是什么？
And I already shared with you a lot in terms of camera angles. And I'm looking for a camera angle that will tell my story and stuff like that.
P91 - 18:16摄像机视角提供不同景色。
And as a basic principle of storytelling, I use only one rule that there was a time I was I'm still very interested in movie making. And I was reading a lot of books and stuff like that.
P91 - 18:30关于影视制作读过相关书籍。
And that was a really nice book with a very good example of that how you need to create like attention inside your story or anything you do visually, And basically the concept was called a Pandora box.
P91 - 18:42编剧理论比喻成潘多拉盒子。
And what is the Pandora box concept saying is that in the movie that should be the moment when the character whoever protect this that he opened this box and everything changes.
P91 - 19:01就像打开潘多拉盒子，一切变了。
So Imagine like it could be a physical box. For example. You come home and there is a delivery at your door.
P91 - 19:13像是回家看到门口有快递。
And there is like a gun inside the box. What would you do? like now It became like it was an ordinary day feel coming back home.
P91 - 19:24比如盒子打开是武器，打破平静。
And now you're having the box open and there is a gun inside. It's like your whole life changes.
P91 - 19:31像是此生为此事而改变。
Like there are so many ways you can it can go from there. Like for example. the first choice you could probably go to police. But whoever left the gun or even the police, they will question you would like why was it your door?
P91 - 19:46就算是被问询为何武器在你门口。
Or maybe someone was watching you picking up and you will get in trouble or you can hide it.
P91 - 19:53比如你捡起来的或你隐藏武器。
And once again, it's like hiding in gun at home. And at home is a is not a good thing. And this is how you create the attention.
P91 - 20:00为什么在家里，激发观众的思考。
imagine you mentioned you when you decided to have to hide the gun, You come in the room. come inside. And then your bell rings.
P91 - 20:13比如看见武器瞬间电话响起来了。
Like Is it the police? Is it like the bad guys?
P91 - 20:16引发思考警方还是坏人来电话呢。
So it's this concept of open the door of Pandora boxes. You can apply it straight to your paintings as well,
P91 - 20:27直接应用到绘画中。
For example, instead of like having an ordinary something like that's why I’m doing my paintings and i’m trying to find my stories. And I keep trying to find this really interesting twists at some point.
P91 - 20:39边绘制边思考故事。
Trying to do something that I normally wouldn't do. And that always helps me to quit this route interest.
P91 - 20:56帮助激发观众的思维。
You know what? People see my stuff. They say, oh, that's cool. That’s something I haven’t seen that before.
P91 - 20:58观众想到这是之前没看到的。
like I’m doing something BNW series like being car like Icelandic of landscape. I just took some unreleased subject and mix them together.
P91 - 21:22像是没有发布的混合在一起。
I had in mind a story like. I have this idea of like to tribes. And they were trying to compete with each other. And there was something that has BMW cars.
P91 - 21:39比如这有两个对比的部落。
So originally like the stories you would see the tribal only you would say, okay, that's an ordinary tribe.
P91 - 21:46可能会说，这是普通的队伍。
But then they would two BW car. Suddenly you will feel like what? So from there the story changes. Like what. What is a story about why those cars or it could be a nice commercial. Could be BNW.
P91 - 22:00可以做成商业广告宣传。
What I’m working when I’m doing some concepts work. i always try to find some some kind of interesting thing, by saying that you’ve thinking like. That's really cool that we will keep your interest. So that's the main concept that I’m using.
P91 - 22:23这就是主要的概念艺术。
here’s storyteller. I'm trying to find the adorable that have open, it will create an interest. it's like the story in my mind. like the person is looking for something air. kind spaceship for example. like something from the future. Like something growing like that. So that’s the basically where they’re walking towards the figure the background. It actually can be like a huge giant like fuse sphere in area. that's what creates the factor of adorable.
P91 - 23:08比如走向天际巨型飞行物。
you imagine it being like, it's a sunset or it’s a sun behind the clouds.
P91 - 23:12像是夕阳，像是云层后的太阳。
But actually when you come in and you reveal what it is then you start to create an interest. Like people will question like, question themselves. Why what is this sphere is about it then you want to see that how this story goes on. you wanna see what's next.
P91 - 23:34可以看到事情如何走向。
It’s very simple concept, but it always helps you to create interesting stories. Like, for example, if you’re doing an astronaut story.
P91 - 23:49比如写宇航员的故事。
Instead of having like a regular astronaut, like what I did in the lesson one like basic at the source of always climbing up the mountains.
P91 - 24:01比如爬山。
then you would for the first time you see him climbing, he would go, i've never seen astronaut climbing anywhere. So where is he going? You have a lot of these questions that pop up in your head that you kind of interested in finding out.
P91 - 24:19比如故事涌现在脑海里。
What's this about? So once again, that's probably the only one principle that I'm using as a story of telling what we know you can recognize, If you watch any of those movies that you like, you will have exactly the same moment or something happens that is happening at your story, like the situation you are in completely changes.
P91 - 24:49故事里剧情很容易改变了。
Like if you remember the movie called sliding doors, there will be like this Pandora box moment when she is running towards other train on the tube. the doors just closed in front of them.
P91 - 25:09影视里一幕追逐列车被门挡在外。
And there was an alternate version where she managed getting in and she did not find that her boyfriend was cheating on her.
P91 - 25:16她并没有发现男朋友期盼自己。
But just like in the first case, when the doors were closed in front of him, she went back home and she found her boyfriend cheating.
P91 - 25:26第一次门关闭时发现对象欺骗。
So that concept, you can see everywhere. Like every successful movie that if you kind of analyze it,
P91 - 25:38分析非常成功的影视。
you will find that a Pandora box concept, where you at this moment, that will completely change your story.
P91 - 25:48潘多拉盒子概念改变故事。
Like for example, the movie limitless, the homeless guy, the writer who is struggling in his life.
P91 - 25:53流离失所的人在为生计奔波。
It was just another bad day in his life. And he was walking on his street and he met an old friend of him and the guy offered him like the pill.
P91 - 26:05在街道漫步，朋友给他药丸。
And he didn't know what the pill is about. And once he took the pill, that's what changed everything.
P91 - 26:11一旦服用药物，生活由此改变了。
And that's what made that movie very interesting. Because you were like, oh my god, that pill enhances the brain capacity. So what's next?
P91 - 26:20比如药物扩大脑容量，接下来？
So remember when we started this course, I told you that my ultimate goal is to summarize everything like to quit the very saturated knowledge for instead of like bothering you with tons of meaningless like a story telling in terms of composition term I just summarized everything clicked as a composition I just took from three or four frames that I’m using.
P91 - 26:50三四帧动画合成的。
This is basically what I'm using on the daily bases. this is what everyday I’m having those in mind and building everything around it.
P91 - 26:58头脑中的故事打印出来。
So that's why I tried to summarize everything as much as possible for you and what is left you guys.
P91 - 27:07总结一下，留给你的是什么。
Even if this causes is ending, I would strongly advise you to carry on experimenting and carry on creating your stories like give yourself like assignments, like maybe a story in a month.
P91 - 27:19比如一个月一个故事家庭作业。
So I'm actually pretty organized when it comes to do your projects. because remember, as I said, everyone has ideas, but unless you put your ideas on the canvas, ideas on computer.
P91 - 27:31故事创意呈现在画布和屏幕上。
So what I constantly used to do, I would sit down and decide, I'm gonna do a story about the second world war. And then I would give myself a very strict deadline.
P91 - 27:48比如给自己纪录片故事限时一月。
A month from my story. I will start from preliminary sketches, black and white stuff, and then I will move on, finalize everything.
P91 - 27:58比如勾勒最初黑白草图。
Setting yourself time limits is probably more important than being a skillful artist, because that's what separates you from people who do not finish their projects.
P91 - 28:09完成故事和不完成项目人分开。
And I know many people who are very great like design and they are very skillful artist but they never finished their stuff.
P91 - 28:20有技术的人但是从未完成项目。
And I know people who like slowly, they keep finishing they keep finishing and they keep pushing. And they eventually find themselves in a very good position and find themselves working for big studies and doing a great project.
P91 - 28:34有些人努力的进步，服务大项目。
So keep pushing guys even if this courses is over. It's last lesson for me, but I hope you guys find all those tools useful. And I hope those tools will allow you to come quickly put your ideas or news stories on the canvas.
P91 - 28:53故事可以放在画布上。
once again, remember, we are not trying to quit sexy pictures of these courses, we would be trying to create this ideas. And we are trying to do as quickly as possible because we have a lot to do, like as a storytelling, storytellers is sometimes not enough to just one picture.
P91 - 29:19讲故事一个剧照不够的。
So that's why we use all those tools to kind of give us a chance to move faster and actually finalize our work.
P91 - 29:30迅速的推进完成故事讲述。
This painting is coming to an end and I’m using some color variation.
P91 - 29:38写入了颜色变异。
But that's it, guys. Thank you very much.
8. Visualizing Your Story---4-2.Homework
P92 - 00:00
So your homework for this. We guys is pretty straightforward. As always, we will have three different levels, beginner intermediate, and advanced. Well, I want you to concentrate on is kind of doing a few colour studies and doing the final illustration.
P92 - 00:18颜色研究和最后的插图。
So basically, the first part assignment you will take your black and white sketches from previous weeks and try to colorize them using photo reference.
P92 - 00:30用照片指南染色。
And then you will do final illustration on a story based on the story that I am offering you. And the story is very simple, short story two minutes traveling to find a mysterious relic.
P92 - 00:42两分钟找到简单的故事主线。
So and this story is timeless. It could be happening in space. It could happen again, second world war. It could be happening in medieval times.
P92 - 00:51中世纪 太空间无限时的故事。
So it's not a fantasy. and it's up to you to use the concept of Pandora box to illustrate a point where everything is changing basically, what they find it's something that will completely change.
P92 - 01:05找到潘多拉盒子一切都变了。
how me, as a viewer will react to. It's up to you if people will be interested in this story or not.
P92 - 01:15观众反馈反应对故事兴趣程度。
So make sure that you use all those different tools used 3D, use 2D, use photo bashing. Use photoshop 3D. Just trying to show you own story.
P92 - 01:31什么技术都拿来讲述故事。
It was we d be pleasure to be part of this course. And I think you guys follow the interesting and I can see the students work. There are some really cool and amazing stuff going on. And I will keep updating this course anyway. So you will get new content as we call. And I hope I will just polish it make it much more useful as we go in the future. Thank you very much. Once again and see you maybe next term.
