搬运译Pitchfork评10年代200张最佳专辑第86名：Haim: Days Are Gone (2013)

搬运自：微信公众号【评论搬一堆】（在原文基础上添加了英语原文与排版调整）

原文链接：https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/

翻译：Joonly EC

审译：Ryan-Chopin

推送：Lynn Liu

You can pretty reliably guess someone's generation by which artist Haim reminds them of. Fleetwood Mac? Wilson Phillips? Paula Cole? That's what happens when you study decades of AAA radio like it’s the sacred canon, then recapitulate it all in one album. Days Are Gone excels in this soft-rock mode: It’s full of singalong commitment phobia, gently lit love affairs, and heartbreak that's well-behaved but still moving. Crucially, there’s also levity—like “My Song 5,” which draws its power from muffled rage and the default title of a Garage Band demo. The lyrics are to-the-point and the arrangements are given a nostalgic haze, both of which highlight the Haim sisters’ unshowy chops. They’d soon also moonlight extensively as session musicians for artists like Vampire Weekend, remaking a large swath of the decade’s rock in their image. –Katherine St. Asaph

你大可猜测Haim肯定让一些人想起了他们的青春。Fleetwood Mac（美国著名摇滚乐队）？Wilson Phillips（美国女子演唱组）？还是Paula Cole（创作歌手，风格多为民谣）？如果你对AAA收音机年代有所了解的话你就会想起这些人，这些人就等同于神圣的教士，Haim把他们都融合到了一张专辑里。《Days Are Gone》的轻摇创作模式十分出彩：它充满了对歌手承诺的恐惧，温柔地点燃了爱情的火花，还有彬彬有礼却依然动人的心碎。重要的是，着张专辑也不乏多变——就像“My Song 5”，力量在压抑的愤怒中爆发，再加上这种不常规的仓库乐队的歌名，都印证了Haim的多变。歌词契合主题，曲风也一股怀旧之情，二者都展现了Haim三姐妹的隐藏实力。很快，他们还会成为Vampire Weekend等艺术家的临时乐队成员，以自己的形象翻拍这十年的大片摇滚乐