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【华晨宇】时光回溯 | 火星舞台上的七重秘密 ● 英文翻譯

2020-01-28 06:30 作者:华晨宇的小海翻宇航员  | 我要投稿

原文来自「火星演唱会Mars」微信公众号https://mp.weixin.qq.com/s/8rwequqeUSddH9xchUvopA  
HUA CHENYU ENGLISH SUBS 海翻 於· SUNDAY, JANUARY 19, 2020。翻譯分享海外臉書

还有一周便是春节,这意味着2019年快要真正地过去了。时间一直向前走,但记忆会停留,脑海深处总有段时光被反复雕琢,如宝石耀眼灿烂。那是在2019年的11月,华晨宇与15万火星人共同经历了三日火星之旅。

Spring Festival is only one week away, which means that 2019 is really about to end. Time always charges forward, yet the memories remain. Deep down inside, there is always a stored moment in time being sculpted and polished repeatedly until it shines like a gem. To us, it is the moment in November 2019 when Hua Chenyu and 150K Martians shared a journey to Mars for 3 days.

如果说《七重人格》融合了童真、残忍、理性、控制欲、浪漫、悲观、癫狂七种情绪和音乐风格,那华晨宇的火星舞台便是炫、灵、妙、燃、燥、撩、爆的完美集成体。

If “Seven Personalities” can be regarded as a medley of seven emotions and music styles of innocence, bravery, rationality, determination, romanticism, pessimism and madness, then Hua Chenyu’s Mars Concert stage is the perfect integration of dazzle, ethereality, wonder, passion, excitement, enchantment, and explosiveness.

趁着新年将到,以此篇送给大家作为一份新年礼物。时光回溯,所有场景都历历在目 —— 华晨宇的《七重人格》你都听到了,但2019年火星舞台的七重秘密你都知道吗?

We present this article as a gift to everyone in celebration of the incoming new year. Travelling back in time, it’s as if all the scenes are right in front of our eyes--You have heard Hua Chenyu’s “Seven Personalities”, but have you heard of the Seven Secrets of  Mars Concert 2019 in stage design?

第一重 — “火星”or“地球”  ll  Layer One - “Mars” or “Earth”

音乐起, “火星”从舞台中央缓缓升起。流光变换,如火星划过夜空。随着“火星”升到顶端,一声清亮的嗓音穿破黑暗,华晨宇从“火星”中缓缓下落,象征着火星少年降临地面,开启他与火星孩子们的音乐之旅。

As the music started, “Mars” slowly rose up from the center of the stage.  The ever-changing light swept across the night sky like sparkles. When Mars reached the top, a bright and clear voice pierced through the darkness, and Hua Chenyu gradually descended from Mars. This symbolizes the arrival of the Martian boy on Earth and the start of his music journey with Martian children.

只要你去过现场,想必对这颗球一定印象深刻。而它,就是整场演唱会的第一重秘密——

If you have been to the concert, the giant ball must have left a deep impression on you and it is the first secret of the concert.

这颗机械球直径4米,全Led包裹,为了与真实的星球更加贴近,突出空灵的流光效果感,整个球体都是镂空设计,共定制弧形模组432块。

This mechanical ball is 4 meters in diameter and covered by LED panels. In order for it to closely resemble the real planet and accentuate the effect of ethereal changing lights, the ball is constructed from mesh and is covered with 432 pieces of custom-made curved panels.   

而球体中心悬挂一个圆形威亚吊台,就是它,载着华晨宇降落于地面。

In the center of the ball, a round platform is suspended on wires and it is on this platform that Hua Chenyu was carried and lowered to the stage.

作为整个舞台的设计中心,这颗Led球当然不只负责开场这么简单。在《癌》、《地球之盐》等曲目的表演中,Led球随着歌曲内容变换——“地球”在舞台半空变换旋转,那颗蔚蓝的星球就这样浮现在每个人的眼前。

As the focal point of the whole stage design, this LED ball was not only used for the opening. During the performance of “Cancer” and “Salt of the Earth”, the LED ball display was changing in mid-air according to the content of the song and an azure planet appeared in front just like that.

配合舞台整体灯光效果,整个舞台仿佛是宇宙的缩影,星空变换,每个人都置身于其中。

Matching with the overall stage lighting effects, the whole stage was like a miniature universe. Stars shifting, nebula rotating, everyone was immersed in this universe.

Layer Two -- “The Front Gate” ll 第二重——“大门”

随着华晨宇那标志性的利落嗓音开始浅唱《烟火里的尘埃》,“星球”上方的数控十字灯架和数控十字透明屏也隆重登场。

As Hua Chenyu started singing  “Ashes from Fireworks” softly with his signature crisp voice, the digitally controlled light frame and the transparent screen in the shape of a cross also made their grand entrance to the stage.

该灯架和Led屏幕由42颗kinesys数控葫芦系统打造,可随着花花移动和升降。

This light stand and the LED screen were constructed from 42 Kinesys digitally controlled hoist units which can be raised and lowered according to Hua Hua’s motions.

音乐响起,数控十字灯架下降至舞台半空中倾斜,为《烟火里的尘埃》带来了半空烟火的效果,正是契合了这首歌的空远迷幻。

The music started,  and the digitally controlled light frame was lowered and inclined in mid-air. It brought spotlights and a smoky effect that is congruent with the vast and mythical feel of the song.

在制造了绚丽梦幻场景的空中数控十字灯架上方,是由12块大小相同的Led模组组成的数控十字透明屏,它会跟着十字数控灯架上下移动。在《Here We Are》的表演中,透明屏悬空于舞台中间,屏幕上呈现的是倒立着的富有未来感的城市画面。随着歌曲走向高潮,城市开始崩塌陷落,一种抛弃一切、失去一切的压抑感喷薄而出。

Above the cross-shaped digitally controlled lighting frame that produced a dazzling and dreamy atmosphere, there were 12 identical digitally controlled transparent LED screens arranged in a cross. They could be moved up and down together with the light frame. During the performance of “Here We Are”, the transparent screens hovered to the middle of the stage. On the screens, the inverted scene of a futuristic city was displayed. When the song reached its climax, the city started to collapse, and a depressive feeling of abandonment and catastrophic loss erupted to the scene.

 一曲终,数控十字灯架和透明屏相互配合着从舞台半空缓缓上移,屏幕上快速流动的蓝色纹路和灯光赋予了舞台神秘空灵的曼妙,先前的压抑感逐渐消失。

Toward the end of the song, the digitally controlled light frame and the transparent screen were raised up gradually above the stage in a coordinated way. The fleeting blue patterns and lights offered the stage a sense of mythical and ethereal wonders. The previously depressive feeling gradually disappeared.

蓝光流动的十字透明屏仿佛是新世界的大门,而华晨宇的歌声,就是开启这座大门的咒语。

The transparent screen with fleeting blue lights was like the gate to a new world and the singing voice of Hua Chenyu was like the magic spell that can unlock it.

第三重——“迷宫”  ll  Layer Three -- "The Maze"

8组Led数控灯框一落下,整个舞台就像一座未来迷宫。这是国内第一次使用的新型机械舞台装置。

When the 8 groups of digitally controlled LED light frames were lowered from the top, the stage was transformed into a futuristic maze. This is the first application of such new mechanical installations in Mainland China.

它们像是灵活的手掌,赋予了四面台鲜活的生命力。《寒鸦少年》一登场,6个最外层的数控灯框闪着明亮的光,随着歌曲的节奏韵律落在舞台上。白色灯框与华晨宇的Led麦架十分契合,而单纯直白的白织灯也放大了歌曲的苍凉无畏之感。

The LED light frames were like agile hands that enlivened the 4-sided arena stage afresh. During the performance of ”Jackdaw Boy”, the 6 digital LED light frames at the outermost layer shined brightly upon the stage while changing rhythmically along with the song. The white light frame was perfectly in sync with Hua Chenyu's LED mic stand; the pure and simple incandescent light enhanced the desolate yet fearless emotions of the song.

歌曲《环游》、《造物者》表演之时,8组Led数控灯框全部下落在舞台之中,空旷的舞台瞬间被交错的线条填满。

During the performance of “Traveling” and “The Creator”, the 8 groups of digitally controlled LED light frames floated down to the middle of the stage, the spacious stage was instantly filled with interlaced lines.

华晨宇站在绚烂的数控灯框内,仿佛进入了科技与梦幻编织的游乐迷宫之中。

Hua Chenyu stood in the middle of the colorful and splendid digitally controlled light frames, as if he had entered an amusement maze fabricated out of technology  and fantasy.

第四重——“梦境” ll Layer Four -- "The Dreamland"

全场1200余颗数控电子灯、120余组镭射,5800平方的Led为这场演唱会制造了神一般的梦境。

The usage of more than 1200 digitally controlled electronic lights, 120 groups of laser lighting and 5800 square (meters) of LEDs transformed the concert into a heavenly dreamland.

对于四面台,除了舞台的搭建方式,合适的追光与角度也尤为重要。上千组灯光为火星演唱会提供最震撼眼球的视觉效果,高科技的追光技术,也保证了华晨宇在任何一个位置、任何一个光效下都是舞台焦点、熠熠生辉。

Aside from the way of setting up the stage, picking the suitable type of spotlights and placing them at the right angle is also extremely important for a 4-sided arena stage. The use of over a thousand groups of lighting in Mars Concert gave it the most stunning visual effect. The high-tech spotlight system ensured that Hua Chenyu would shine brightly and stay as the focal point onstage, no matter at which part of the stage or under which spotlight.

绚丽到极致的舞台离不开灯光的烘托。这1200余颗数控电子灯遍布在舞台、观众席,与镭射灯、数控荧光球合为一体,真正让观众们成为舞美的一部分。

Stage lighting is instrumental to the success of the magnificent stage effects. Over 1200 digitally controlled electronic lights spread all over the entire stage and auditorium and together with laser and light bulbs, they united as one which made the auditorium a part of the stage design.

并且解锁了现代追光和灯光优化技术,选用了由 ACME 从爱尔兰引进的 SPOTRACK TRACME 视频动态追踪系统以及从加拿大进口的 MDG theONE 天气发生器,来打造雾与薄雾于一体的双效果,展现一个绮丽的梦境。

Mars Concert unlocked modern spotlight systems and lighting optimization technology. The SPOTRACK TRACME video tracking system from Ireland and the MDG theONE weather generator from Canada were imported to create the double effect of mist and fog which unfolded a splendid dreamland.


第五重——“斗兽场”与“树干” ll Layer 5 -- "The Colosseum" & "The Trunk"

华晨宇的舞台,除了空灵、曼妙,还有燃炸。

Other than being ethereal and sophisticated, Hua Chenyu's performance stage is also very explosive.

数控三层四角折叠屏的使用,为观众带来了舞台最直观的动态体现。舞台立柱的四个角分别由六块大小不同的Led屏包围,确保全场每位观众都能够看到舞台效果。

Mars Concert used  3-layer digitally controlled folding screens at all 4 corners of the stage in order to ensure that the audience could have clear visuals all around. The 4 main pillars were covered by 6 LED screens in different sizes to ensure the visibility of the stage design for the entire audience.

在《齐天》、《斗牛》、《拆弹专家》、《我管你》等曲目燃炸舞台时,数控三层四角折叠屏展现了它惊人的威力,展开成八块巨大的屏幕——盘旋升起的飞天巨龙、炫酷狂躁的红色斗牛、精准踩点的弹幕式歌词、复古风格的旧电视机,这些炫酷热烈的画面几乎要冲破屏幕,将整个舞台打造成“未来斗兽场”的概念,热血、狂欢、燃爆,直逼观众的眼球。

The 3-layer digitally controlled folding screens at all 4 corners of the stage displayed their astonishing prowess especially during the performance of “Qi Tian”, “Bull Fighting”, “Bomb Squad” and “I Don't Care”. They expanded to 8 huge LED screens - the soaring great dragon, the cool and maniac bull, the perfectly synchronized lyrics in damaku style, the old schooled TV- all of these cool and exciting images almost burst out of the screen and gave off the idea of a "Futuristic Colosseum".They conveyed passion and brought revelry and explosiveness directly to the audience.


当然,它的存在不只是为了“炸”。《神树》时华晨宇随着内心蛋糕台升到9.5米的高空,一棵树从地面破土而出,数控三层四角折叠屏切换成了神树的枝干;紫色、蓝色、白色、红色流动的线条从上往下流动,仿若古老神秘的大树缓慢地生长出了自己的躯干,向人类展现它磅礴恢弘的生命力。

Of course, the screens are not just about explosiveness. While Hua Chenyu was performing “Sacred Tree”, he was elevated to 9.5 meters above the ground from a central platform as if a tree just broke through the soil. The 3-layer screens at all four corners immediately switched to display the trunk of the Sacred Tree. Purple, blue, white and red lines flowed from the top to the bottom, as if the mysterious ancient tree was slowly growing, displaying to mankind its powerful and magnificent life energy.

伴着华晨宇空灵虔诚的唱腔,观众被带入到了神树的隐秘世界之中,油然而生一种对生命的敬仰之情。

With Hua Chenyu's ethereal and pious singing, the audience were transported into the mythical world of Sacred Tree which aspired the admiration and respect for life.

 第六重——“X” ll Layer Six -- “X”

空中变幻无穷,地下也有玄机。
While there were endless transformations mid-air, there were also secrets under ground.

安置在舞台中间的是十字多层升降360度旋转子母台——一条可以升高4米,360度旋转,另一条,是由6层阶梯和可升降的灯塔组成。X,寓意着无限未来。

Installed at the center of the stage was an “X” shaped, multi-layered,raisable and turnable stage resting on a foundational stage.  One strip of the stage can be elevated 4 meters and turned 360 degrees. Another strip consisted of 6 level of steps and a movable light frame. The two stripes formed an X which symbolizes the endless possibilities of the future.

X舞台上铺满地屏,变幻莫测,仿若虚空银河之上的万花筒。
LED screens covered the whole X shaped stage and with an uncountable number of transformations in display, it was like a kaleidoscope above the vast Milky Way

舞台升起一条长长的“桥”,乐手们站于两端,华晨宇则处于桥的中心。
A long bridge rose up from the stage with Hua Chenyu standing in the middle and musicians standing on both sides.

伴随着《卡西莫多的礼物》音乐响起,“桥”慢慢开始进行360度旋转。俯视看去,整个舞台就像是时钟上的秒针,在滴答滴答转动。恰如巴黎圣母院里的钟楼怪人卡西莫多在夜晚敲响了钟来寄托悲伤与寂寞,“若你伤悲,让我钟声,给你安慰”。

To the accompaniment of “Quasimodo’s Gift”, the “bridge” slowly rotated 360 degrees. In the bird-eye’s view, the whole stage was like the second hand on a clock ticking away., It draws to the imagery of the Hunchback of Notre Dame, Quasimodo ringing the bell to express his loneliness and sorrow,“If you are sad, then let the ringing sound of my bell offer you comfort.”

X舞台的另一条,是由6层阶梯和升降灯塔组成。
The other strip of the X shaped stage consisted of six layers of steps and a raisable beacon.

舞台可以延伸,华晨宇在《烟火里的尘埃》中慢慢走上一层层升起的阶梯,走到十字灯架制造的烟火之下。

The stage can be extended. Hua Chenyu slowly walked up to the steps which were raised up one layer at a time until he reached the smoke produced by the cross shaped light frame.

这一刻,他融入了歌词,他是烟火中守着安静的沙漠等待着花开的小小尘埃,却更是全场观众眼中比那烟火还要耀眼的星星。

At this moment, he was immersed in the lyrics-- he was the tiny speck of dust who was guarding the desert and waiting for the blossoms. Yet, he was also the star more dazzling than the firework in the eyes of the whole audience.

灯塔逐渐倾斜升高至最顶端,让人念念不忘的便是《神树》与《微光》舞台的庄重与浩瀚感。与一般舞台升降不同,火星舞台是倾斜升高,如同神树的躯干一样蜿蜒生长——

While the inclined beacon was raised upward  until it reached the top, it left an unforgettable feeling of the solemness and vastness of “Sacred Tree” and “Glimmer.” Different from normal elevated stages, the Mars stage was raised up inclined like the twisted trunk of the Sacred Tree.

也如浩瀚宇宙中自由漂浮的飞船——
It was also like a free floating spaceship in the immense universe.

而在X舞台四周还有一层外围舞台,可从1.6米升至4米高度,两边有可360度旋转的推台,是专门为了让花花与火星人们近距离接触而设置。

Outside the X stage, there was a ring surrounding the arena stage that could be raised from 1.6 meters to 4 meters high. On each side, there was a turntable stage designed for closer interactions between Hua Hua and Martians.

 第七重——“天车”环游 ll Layer Seven --Round Tour in the  “Suspension Cart”

安可环节,华晨宇乘坐“天车”漂浮到半空。那是透明Led屏制作的吊车,可沿环形路轨360度环绕舞台一圈。

During the encore segment, Hua Chenyu floated mid-air in the suspension cart made from transparent LED panels. It can tour the whole stage along the 360 degree track.

华晨宇乘坐于天车之上,沿着暗下来的舞台缓缓移动,配合着《我的滑板鞋》,在宇宙中自如漫步。
Riding on the suspension cart, Hua Chenyu moved slowly as the stage gradually faded away in the rhythm of “My Skateboard Shoes” as if he was space walking in the universe.

这是火星舞台的最后一重秘密。
This is the last secret of the Mars stage

火星舞台上的七重秘密已经作为一份答卷在那三天狂欢中呈现于大家面前,但火星旅途还未完待续...

The seven layers of secret in the Mars Concert has now been presented to everybody in a summary report for the 3 day celebration. Yet the journey to Mars has not ended and will continue on...

2020年火星新世界,即将在春暖花开时与大家见面。那时的火星舞台,一定会比你想象中更盛大,更精彩。

The New World of Mars in year 2020 is going to be presented to everybody. The stage on Mars will be even grander and more brilliant than what you can imagine.

翻译by: Michelle ll 校正: 企鹅 / Amy Bass Powell

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