Renewal-Zone：在荷兰，如何修复扩建一座巴洛克皇宫博物馆

2023-06-15 17:31 作者:REARD锐地星设计 0人读过 | 我要投稿

打开www.RENEWAL-ZONE.com了解更多

KAAN建筑事务所在2016年举办的公开竞赛中获胜，负责罗宫博物馆的更新与扩建，项目借鉴了其巴洛克宫殿及其历史环境的布局和比例。这一雄心壮志的项目包括增加5000多平方米的新设施和空间，精心修复宫殿并细致地清除石棉。如今，改造后的罗宫散发着与自身作为荷兰最著名和最常参观的博物馆之一的地位相称的宏伟气质。

始建于1686年的荷兰罗宫，曾是威廉三世国王和玛丽皇后在阿珀尔多伦郊区狩猎所用的宫殿。当地丰富的森林场地和必要的地下水压，为巴洛克式的葱郁花园和丰富水景结构以及壮丽的宫殿基地创造了理想条件。KAAN建筑事务所的干预措施根植于建筑与景观的紧密联系。整个扩建部分被置于地下，在不破坏历史形象的情况下，延续了整体构图，新的水景则融为建筑的一部分。

Bassecour坐落在宫殿两翼之间，曾是一座拥有草地花坛和马匹饮水槽的庭院，如今已转变成一处令人惊叹的空间：由四个玻璃表层组成的中央喷泉，每个表层点缀以天然石材和流动的轻薄水面，致敬历史悠久的花园中的流动水景。现在，Bassecour的角色已经超越了宫殿的前院，成为了新扩建部分的屋顶。四厘米深的浅水池倒映着宏伟的宫殿，日光穿透水面，在下方投射出绚丽的效果。

入口处均被布局在宫殿侧翼的末端，而非打造醒目入口影响Bassecour的开放空间。墙壁上细腻的大理石镶嵌物中依然可见历史的印记，旧结构以中空形式营造出天窗般的入口亭。参观者被引至光线充足的阳台，该处通往门厅并设以所有必备的游客设施。

大厅是地下扩建部分的中心区域，沿着中轴线延伸，与原历史建筑形成了双重关联。在物理空间上，由拱形楼梯相连的新旧部分共享一处场地；在视觉上，通过Bassecour喷泉的玻璃屋顶向上凝视，人们可以看到宫殿。大厅的中心位于喷泉的正下方，地板上的大型风向标指向扩建区域的中心，邀请游客选择一个方向，继续前往中央大厅、进入展厅、前往东翼或是回到入口阳台。

地下扩建部分延续了巴洛克式的对称构图，平面布局以宫殿的中央建筑作为基础。原有布局中，前庭拥有一个中央楼梯及国王会面所用的相邻房间。这一原则在扩建部分得以保留，大厅两侧是展厅，与通往宫殿的楼梯相连。西侧宽敞的方形大厅，拥有近5米的层高，用于举办临时展览。上方历史悠久的西翼中设有专为儿童开发的博物馆，取名少年宫。东翼可由宏伟的楼梯大厅进入，奥兰治常设展览馆重点展示荷兰王室的历史和当今活动。

作为干预措施的一部分，这座历史建筑经过精心修复，技术和空调系统得到改进，为游客提供了更便利的设施。一座新建的楼梯通往中央建筑屋顶，提供了前所未有的场地景观。此外，宫殿翼楼进行了重大翻新以容纳新的展览空间，与西翼相邻的旧宴会厅则被改造为餐厅。

尽管其建筑表现形式内敛而优雅，但这座新建筑呈现出与宫殿相得益彰的宏伟和创造力。“你所看到的，你所感受到的，都为建筑的质感增色良多，不仅体现在材料的质地，还有制作精良的工艺上。”KAAN建筑事务所的联合创始人、建筑师Dikkie Scipio教授在谈到从巴洛克式宫殿中汲取的灵感时，如此解释道。

楼梯、地板和墙壁饰面被给予了特别关注，将图案和材料相融合。喷砂、打磨和抛光的大理石交替层叠出微妙的纹理，水面反射出的自然光线生动而活泼。胡桃木门在大理石白色纹理的基础上，带来了木质的温暖，人们穿行于每一处都能感受到新的空间体验。木纹参考了花园及对称图形，展现着单片橙花叶，或成倍增长的花朵和蝴蝶。这种图案也应用在门把手、各种家具和餐厅的挂毯上。华丽的织物与金属线条交织，为墙壁增添了淳美的光泽，以此致敬中央建筑的华丽大厅。

“设计致力于实现新旧建筑间的平衡和统一，呈现出大于其总和的效果，”Scipio说。乍一看，改造和扩建几乎不可见，而是通过一系列细致规划的功能逐步显现。每一个部分都没有破坏具有纪念意义的建筑，而是增强了游客的体验，让罗宫在未来仍然能够发挥一个重要文化机构的功能。

Kees Kaan ©Inga Powilleit

Vincent Panhuysen ©Inga Powilleit

Dikkie Scipio ©Marie Cecile Thijs

KAAN是一家总部位于鹿特丹，在圣保罗和巴黎拥有办公室的国际建筑事务所，在全球范围内开展实践学术相结合的建筑、城市规划和建筑环境研究的业务。

事务所由Kees Kaan、Vincent Panhuysen和Dikkie Scipio领衔，国际化的团队中拥有建筑师、景观设计师、城市规划师、工程师和平面设计师等专业人士。KAAN坚信项目间的交叉及跨学科融合及是促进公司内部关键性交流的重要工具。

自成立以来，事务所完成并指导了众多项目，积极与私营和公共部门开展合作。项目的团队组成更加综合，充满活力。KAAN保持着不断发展的企业文化，这在瞬息万变的行业中至关重要，作为一家荷兰设计企业，致力于和客户、顾问及合作伙伴保持长期合作关系。

KAAN的作品超越了传统的规模和类型概念，从家具、室内设计到城市开发，从商业零售、办公到博物馆、康养和教育建筑。圣保罗和巴黎办公室分别于2015 年和2019 年设立，扩大了KAAN的国际影响力。两个分公司均延续了荷兰总部确立的多学科设计方法。

After winning the commission through a public competition in 2016, KAAN Architecten undertook the renovation and extension of Museum Paleis Het Loo, taking cues from the layout and proportions of the baroque palace and its historic surroundings. The ambitious project involved the addition of over 5000 square metres of new facilities and spaces, a careful restoration of the palace, and a meticulous asbestos removal process. The newly transformed Paleis Het Loo now radiates the grandeur that befits one of the Netherlands' most renowned and frequented museums.

Paleis Het Loo was initially constructed in 1686 as a royal hunting palace for King William III and Queen Mary on the outskirts of Apeldoorn. The property's ample forest grounds and necessary underground water pressure created ideal conditions for a baroque composition of lush gardens punctuated with numerous water features and a monumental palace at its base. KAAN Architecten's intervention draws from this inextricable connection between architecture and the landscape. The entire extension is placed underground, and the new water feature is integrated as part of the architecture, continuing the tradition of the overall composition without disrupting the historical image.

Nestled between the palace wings lies the Bassecour, formerly a courtyard with grass parterres and a water trough for horses. Today, it has been transformed into a stunning space with a central fountain and four glass surfaces, each adorned with natural stone and a thin layer of running water, paying homage to the waterworks in the historic gardens. The Bassecour has evolved beyond just the palace forecourt, now serving as the roof of the new extension. The four-centimetre-deep ponds reflect the monumental palace while daylight permeates the water, casting a brilliant effect below.

Rather than creating a prominent entrance that could encroach on the open Bassecour, the entry points have been positioned at the ends of the palace wings. Traces of the past remain visible in the subtle marble inlays on the walls where the old structure was hollowed out to create the lantern-like entry pavilions. Visitors are guided down to the light-filled balcony, which hosts all necessary visitor facilities and leads into the Foyer.

The Grand Foyer is the central hub of the underground extension. Stretching along the central axis, it forges a twofold connection with the historic building. Physically, the old and new sections of the palace share a common foundation through a vaulted stairway. Visually, one can behold the palace by gazing upward through the glass roof of the Bassecour ponds. In the heart of the Foyer, directly beneath the fountain, a large wind rose in the floor indicates the centre of the extension and invites visitors to choose a direction - continue to the Corps de Logis, enter the exhibition halls, head towards the east wing, or return to the entrance balcony?

The underground extension keeps the symmetrical logic of the baroque composition and the palace's Corps de Logis as the basic floor plan. In the original layout, the vestibule boasts a central staircase and adjoining rooms designated for an audience with the king. This principle is maintained in the extension, where the Grand Foyer, flanked by exhibition halls, connects with the stairway to the palace. To the west of the Grand Foyer, spacious square halls with almost 5-meter-high ceilings host temporary exhibitions. Above them, a museum in the historic west wing has been developed specifically for children called the Junior Palace. Meanwhile, the east wing is accessible through the magnificent staircase hall and highlights the history and present-day activities of the Dutch royal family in a permanent exhibition House of Orange.

As part of the intervention, the historic building was carefully restored to improve the technology and climate control systems and provide better amenities for visitors. A new staircase was added leading to the roof of the Corps de Logis and offering unprecedented views of the grounds. Additionally, the palace wings underwent significant renovations to accommodate new exhibition spaces, while the old ballroom adjacent to the west wing was transformed into a restaurant.

Although its architectural expression is restrained and elegant, the new building befits the grandeur and imagination associated with the term palace. “It is not only what you see but also what you feel that adds to the quality of architecture. It is the texture of materials, the craftsmanship with which the details are made,” explains Prof. Dikkie Scipio, the architect and co-founder of KAAN Architecten, about drawing inspiration from the baroque palace.

Special focus was put on the finish of the stairs, floors and walls, which blend in pattern and material. Subtle textures are layered through alternating sandblasted, honed and polished marble, playfully brought to life by the reflection of natural light through the pond. Set against the white of the veined marble is the warmth of the walnut applied on the doors, wherever one makes the transition to a new spatial experience. The wood pattern represents a single orange blossom leaf, or flowers and butterflies when multiplied, in reference to the gardens and their symmetrical graphic. This pattern can also be found on the door handles, in various pieces of furniture and the wall tapestries of the restaurant. These opulent fabrics are interwoven with metallic threads, adding a shimmer to the walls as a nod to the ornate halls of the Corps de Logis.

“The aim of the design is to achieve a balance and unity between the old and new buildings, a result greater than the sum of its parts,” Scipio says. At first glance, the renovation and extension are invisible, then later revealed through a series of carefully considered features. Each of them enhances the visitor experience without detracting from the monument, positioning Paleis Het Loo to remain a vital cultural institution for years to come.

KAAN Architecten is a Rotterdam, São Paulo and Paris-based architectural firm that operates globally while merging practical and academic expertise in architecture, urbanism, and research on the built environment.

Led by Kees Kaan, Vincent Panhuysen and Dikkie Scipio, the studio consists of an international team of architects, landscape architects, urban planners, engineers, and graphic designers. KAAN Architecten believes in cross-pollination between projects and disciplines as an essential tool for fostering a critical debate within the firm.

Since its launch, the office has handled and supervised a wide range of projects, actively working within the private and the public sector with project teams that have become increasingly multidisciplinary and dynamic. KAAN Architecten maintains a culture of constant evolution, which is essential in a rapidly changing profession. The Dutch firm seeks to uphold long-term relationships with its clients, consultants and partners.

KAAN Architecten's projects transcend the traditional notions of scale and typology, ranging from furniture and interiors to urban development and from retail and offices to museums and buildings for health and education.

The firm expanded its international presence with satellite offices in São Paulo (2015) and Paris (2019). Both branches continue the multidisciplinary design approach set out by the Dutch headquarters.

Location: Koninklijk Park 16, 7315 JA Apeldoorn

Architect: KAAN Architecten (Kees Kaan, Vincent Panhuysen, Dikkie Scipio)

Project team: Valentina Bencic, Dennis Bruijn, Javier Cuartero, Sebastian van Damme, Katarzyna Ephraim, Paolo Faleschini, Christiaan Frankin, Michael Geensen, Aleksandra Gojnic, Julia Gousset, Narine Gyulkhasyan, Niels de Hart, Joost Harteveld, Walter Hoogerwerf, Martine Huijsmans, Antony Laurijsen, Nicki van Loon, Loes Martens, Marija Mateljan, Edyta Milczarek, Laura Ospina, Floris Sikkel, Christian Sluijmer, Niels Vernooij, Roel Wijmans, Samara Zukoski

Client: Stichting Paleis Het Loo Nationaal Museum, Apeldoorn

Programme: exhibition halls, offices, museum shop, restaurant, coffee bar

Competition phase: February 2016

Design phase: September 2016 – September 2017

Construction phase: March 2018 – April 2023

Completion: April 2023

GFA: 20.045 sqm (14.800 sqm renovation + 5.245 sqm extension)

Restauration advisor: Van Hoogevest Architecten, Amersfoort / KAAN Architecten, Rotterdam

Exhibition designer (House of Orange): Kossmanndejong, Amsterdam

Exhibition concept & art direction (Junior palace): GrobEnzo, Amsterdam

Interior architect (furniture): KAAN Architecten, Rotterdam

Interior architect (restaurant): Studio Linse, Amsterdam

Wall tapestries (restaurant): TextielLab, Tilburg / KAAN Architecten, Rotterdam

Light fixtures (entry pavilions): Atelier Rick Tegelaar, Arnhem

General contractor: Volker Staal en Funderingen, Dordrecht / Koninklijke Woudenberg, Ameide / BAM Bouw en Techniek - Integrale Projecten Oost, Apeldoorn / Heijmans Utiliteit/Infra, Apeldoorn / Draisma bouw, Apeldoorn / Bouwbedrijf Van Laar, Wapenveld

Construction manager: Draaijer en partners, Utrecht

Structural engineer: WSP Nederland, Breda

MEP engineer (mechanical, electrical, plumbing): Valstar Simonis, The Hague

Sustainability advisor: DGMR, The Hague

Quality manager: KAAN Architecten, Rotterdam

Geotechnics advisor: WSP Nederland, Breda

Building physics engineer: DGMR, The Hague

Fire safety engineer: DGMR, The Hague

Acoustics advisor: DGMR, The Hague

Financial advisor: IGG bouweconomie, The Hague / Basalt bouwadvies, Houten

Landscape designer: Copijn, Utrecht

Lighting advisor: Beersnielsen lichtontwerpers, Rotterdam

BIM support: EGM architects, Dordrecht

Glass roof: IGS Interior Glass Solutions, Veenendaal

Waterproofing: Oranjedak, Zwijndrecht

Exterior fixtures: Zumtobel, Amsterdam

Metal works: Ensel staalkonstrukties, Dokkum

Wooden doors and windows: Harryvan, Hoogezand

Internal doors and windows: Harryvan, Hoogezand / Zuid-Nederlandse Ramenfabriek, Rucphen

Wall tiling: KOLEN Keramiek en Natuursteen, Eindhoven

Natural stone: KOLEN Keramiek en Natuursteen, Eindhoven

Parquet floor: Michels Parketvloeren, Wijchen

Interior walls: Schuurmans Afbouwsystemen, Vught

Ceilings: Schuurmans Afbouwsystemen, Vught

Climatized ceilings: MAT Groep, Zaltbommel

Painting and wall coverings: Schuurmans Afbouwsystemen, Vught

Elevators: Lakeman Liften, Katwijk aan Zee / Euroliften, Aalsmeer
Signage: Studio Staak, Amsterdam

· END ·

标签：国外项目城市更新地产

Renewal-Zone：在荷兰，如何修复扩建一座巴洛克皇宫博物馆

Renewal-Zone：在荷兰，如何修复扩建一座巴洛克皇宫博物馆的评论 (共条)

你可能也喜欢这些文章

最新发布的文章

Renewal-Zone：在荷兰，如何修复扩建一座巴洛克皇宫博物馆

本文作者的其他文章

Renewal-Zone：在荷兰，如何修复扩建一座巴洛克皇宫博物馆的评论 (共 条)

你可能也喜欢这些文章

最新发布的文章

Renewal-Zone：在荷兰，如何修复扩建一座巴洛克皇宫博物馆的评论 (共条)