【Daniil Trifonov】官方介绍来啦（严肃脸）
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格莱美奖得主——丹尼尔·特里福诺夫——2019美国音乐年鉴年度艺术家奖——作为一个独奏家，协奏曲曲库的王者，室内乐和声乐的伴奏者，和作曲家，他在古典音乐方面取得了惊人的成就。他将精湛的技术与罕见的敏感与深度相结合，他的表演永远让人惊叹。“他具备了拥有了一切的一切，他有既温柔又如魔鬼般的触键，我从来没有听过这样的，”钢琴家玛莎·阿格里奇称赞道。李斯特曲集超技练习曲专辑标志着特里福诺夫拥有了第三个头衔“德意志留声机艺术家”，他获得了2018年格莱美乐器独奏最佳专辑奖。正如伦敦时报所言，“他是我们这个时代毋庸置疑的最杰出的钢琴家”。
在2021年10月，特里福诺夫在德意志留声机上发行了专辑《巴赫：生活的艺术》其中包含了巴赫的《赋格的艺术》中按照自己的方式演奏的《13首对位赋格曲》（因为巴赫生前没有规定以何种方式演奏13首对位赋格曲，可能是按照自己的处理方式吧），给安娜·玛格达莱娜·巴赫曲集选，约翰·塞巴斯蒂安·巴赫的四个儿子创作的曲子，两首被认为巴赫家族最喜欢的曲子和很多其他的曲子。他在2021-2022乐季巡演中在欧洲表演了以《赋格的艺术》为核心的曲目，和第二个在美国的项目包括普罗科菲耶夫、希曼诺夫斯基（一位波兰作曲家）、德彪西和勃拉姆斯的曲目。特里福诺夫的《勃拉姆斯第一钢琴协奏曲》曾在法比奥·路易斯指挥的达拉斯交响乐团与贾南德雷亚.诺塞达指导的苏黎世爱乐乐团亮相，并且他与安东尼尼奥·帕帕诺领导的圣切契利亚音乐学院管弦乐团在一次欧洲巡演中合作了莫扎特第九钢琴协奏曲。他也曾与8个不同的乐团以不同的组合演出了全部5首贝多芬钢琴协奏曲，这8个乐团是：纽约爱乐乐团，辛辛那提交响乐团，新泽西交响乐团，慕尼黑爱乐乐团，马林斯基乐团，香榭丽舍管弦乐团，布达佩斯音乐节乐团和多伦多交响乐团。平衡了这些曲目，特里福诺夫与费城爱乐乐团和雅尼克·涅杰-塞甘全球首演了麦森·贝茨在新冠大流行期间为他创作的一部新的钢琴协奏曲，然后他和新泽西交响乐团，以色列爱乐乐团和旧金山交响乐团再次演出了这首曲子。
最近乐季中的高光时刻包括特里福诺夫在梵志登领导下一场多方面的，长达一个乐季任期担任纽约爱乐乐团2019-2020驻场艺术家的任期，完成了钢琴家本人创作的钢琴五重奏首演，和一个七场音乐会一个乐季的于卡内基音乐厅的“视角”系列音乐会，其以这位钢琴家自己的钢琴协奏曲的演出为巅峰。特里福诺夫在芝加哥交响乐团成立125周年的庆典上在里卡尔多·穆蒂的指挥下历史性压轴演出了柴可夫斯基的《第一钢琴协奏曲》；开启了与纽约爱乐乐团合作的2018-2019乐季；在纽约爱乐乐团的拉赫玛尼诺夫音乐节和伦敦爱乐乐团与慕尼黑爱乐乐团演出了拉赫玛尼诺夫钢琴协奏曲全套；在柏林爱乐乐团和维也纳金色大厅驻留了一个乐季，并且在那里与维也纳爱乐乐团一起亮相首演了自己的钢琴协奏曲；他在西蒙·拉特尔爵士执棒的柏林爱乐乐团的新年音乐会上演出。特里福诺夫自从2012年到2013年在卡内基音乐厅，伦敦威格莫尔音乐厅，维也纳金色大厅，日本三得利音乐厅，和巴黎普莱耶尔音乐厅第一次举办独奏音乐会以来，特里福诺夫曾在华盛顿特区的肯尼迪音乐厅，Boston’s Celebrity Series（没有找到合适的译名），伦敦巴比肯艺术中心，皇家节日音乐厅，伊丽莎白女王音乐厅，阿姆斯特丹的音乐会堂乐团（钢琴大师系列），柏林爱乐音乐厅，Munich’s Herkulessaal，Bavaria’s Schloss Elmau（没有找到合适的译名），苏黎世音乐厅管弦乐团，琉森音乐节，布鲁塞尔艺术宫，香榭丽舍剧院和巴黎卢浮宫礼堂，巴塞罗那音乐宫，东京歌剧城，首尔艺术殿堂和墨尔本演奏中心举办过独奏会。
特里福诺夫凭借专辑《白银时代》获得了2021年德国古典音乐大奖中的年度音乐家/钢琴家奖，这张专辑是由斯克里亚宾，普罗科菲耶夫和斯特拉文斯基创作的俄派的钢琴独奏和管弦乐团与钢琴合奏的曲目。紧随着2019年发行的《终点拉赫玛尼诺夫：归宿》，专辑《白银时代》发行于2020年的秋天，他获得了格莱美奖的提名。《归宿》这张专辑呈现了拉赫玛尼诺夫第一和第三钢琴协奏曲，这张专辑代表了与费城爱乐乐团和涅杰-塞甘继被BBC音乐提名是2019年最佳协奏曲录制的专辑《终点拉赫玛尼诺夫：启程》和获得2015年格莱美奖提名的专辑《拉赫玛尼诺夫：变奏曲》的第三次合作录制。德意志留声机公司还发行了《肖邦的召唤》这张专辑，将作曲家的作品与受到他影响的20世纪作曲家的作品进行搭配，以及特里福诺夫作为德意志留声机艺术家发行的首张专辑专辑《特里福诺夫：卡内基独奏会》，它录制了特里福诺夫在2013年卡内基音乐厅那场门票一售而空的首秀，他也因此得到了第一次格莱美奖提名。
在2010-2011赛季，特里福诺夫在三项古典音乐领域久负盛名的比赛中斩获奖项，在2010年华沙肖邦国际钢琴比赛中获得第三名，在2011年特拉维夫的鲁宾斯坦国际钢琴比赛获得金奖，还有2011年在莫斯科柴可夫斯基国际音乐大赛中获得金奖和大奖，大奖是一项额外的授予所有乐器演奏参赛者中的最高荣誉。2013年，他被意大利最著名的音乐评论家授予著名的佛朗哥·阿比亚蒂最佳乐器独奏奖，2016年被评为留声机年度艺术家，2021被法国政府授予“艺术与文学骑士”称号。
在1991年出生于下诺夫哥罗德，特里福诺夫在他五岁的时候开始了音乐学习并且进入莫斯科的格涅辛音乐学院师从塔蒂亚娜·泽利克曼，后来他在克利夫兰音乐学院师从谢尔盖学习钢琴。同时，他也学习作曲，继续为钢琴，室内乐和乐队作曲。当他首演自己的钢琴协奏曲时，被称赞道：“即使一个人亲眼见到这一切，他也不敢完全相信。这就是钢琴家兼作曲家丹尼尔·特里福诺夫的艺术所在。”
Grammy Award-winning pianist Daniil Trifonov– Musical America’s 2019 Artist of the Year – has made a spectacular ascent of the classical music world, as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. “He has everything and more … tenderness and also the demonic element. I never heard anything like that,” marveled pianist Martha Argerich. With Transcendental, the Liszt collection that marked his third title as an exclusive Deutsche Grammophon artist, Trifonov won the Grammy Award for Best Instrumental Solo Album of 2018. As The Times of London notes, he is “without question the most astounding pianist of our age.”
In October of 2021, Trifonov released Bach: The Art of Life on Deutsche Grammophon, including The Art of Fugue with the pianist’s own completion of the final contrapunctus, selections from the Notebook for Anna Magdalena Bach, music by four of Johann Sebastian’s sons, two pieces known to have been Bach family favorites, and more. He toured a recital program in the 2021-22 season centered on The Art of Fugue in Europe, and a second program in the U.S. of Prokofiev, Szymanowski, Debussy and Brahms.
Brahms’s First Piano Concerto served as the vehicle for appearances with the Dallas Symphony led by Fabio Luisi and Philharmonia Zurich under the direction of Gianandrea Noseda, and with Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia led by Antonio Pappano he performs Mozart’s Ninth “Jeunehomme” Piano Concerto on a European tour. He also performed all five of Beethoven’s Piano Concertos in various combinations with eight different orchestras: the New York Philharmonic, Cincinnati Symphony, New Jersey Symphony, Munich Philharmonic, Mariinsky Orchestra, Orchestre des Champs-Élysées, Budapest Festival Orchestra and Toronto Symphony. Balancing out these staples of the repertoire, Trifonov gave the world premiere performances of Mason Bates’s new Piano Concerto, composed for him during the pandemic, with the co-commissioning Philadelphia Orchestra and Yannick Nézet-Séguin, before reprising the piece in the spring with the New Jersey Symphony, Israel Philharmonic, and the other co-commissioner, the San Francisco Symphony.
Highlights of recent seasons include a multi-faceted, season-long tenure as 2019-20 Artist-in-Residence of the New York Philharmonic under Jaap van Zweden, featuring the New York premiere of Trifonov’s own Piano Quintet, and a seven-concert, season-long Carnegie Hall “Perspectives” series, crowned by a performance of the pianist’s own Piano Concerto. Trifonov played Tchaikovsky’s First under Riccardo Muti in the historic gala finale of the Chicago Symphony’s 125th-anniversary celebrations; launched the New York Philharmonic’s 2018-19 season; headlined complete Rachmaninoff concerto cycles at the New York Philharmonic’s Rachmaninoff Festival and with London’s Philharmonia Orchestra and the Munich Philharmonic; undertook season-long residencies with the Berlin Philharmonic and at Vienna’s Musikverein, where he appeared with the Vienna Philharmonic and gave the Austrian premiere of his own Piano Concerto; and headlined the Berlin Philharmonic’s famous New Year’s Eve concert under Sir Simon Rattle. Since making solo recital debuts at Carnegie Hall, London’s Wigmore Hall, Vienna’s Musikverein, Japan’s Suntory Hall, and Paris’s Salle Pleyel in 2012-13, Trifonov has given solo recitals at venues including the Kennedy Center in Washington DC; Boston’s Celebrity Series; London’s Barbican, Royal Festival and Queen Elizabeth Halls; Amsterdam’s Concertgebouw (Master Piano Series); Berlin’s Philharmonie; Munich’s Herkulessaal; Bavaria’s Schloss Elmau; Zurich’s Tonhalle; the Lucerne Piano Festival; the Palais des Beaux-Arts in Brussels, the Théâtre des Champs Élysées and Auditorium du Louvre in Paris; Barcelona’s Palau de la Música; Tokyo’s Opera City; the Seoul Arts Center; and Melbourne’s Recital Centre.
Trifonov received Opus Klassik’s 2021 Instrumentalist of the Year/Piano award for Silver Age, an album of Russian solo and orchestral piano music by Scriabin, Prokofiev and Stravinsky. Released in fall 2020, this followed 2019’s Destination Rachmaninov: Arrival, for which the pianist received a 2021 Grammy nomination. Presenting the composer’s First and Third Concertos, Arrival represents the third volume of the Deutsche Grammophon series Trifonov recorded with the Philadelphia Orchestra and Nézet-Séguin, following Destination Rachmaninov: Departure, named BBC Music’s 2019 Concerto Recording of the Year, and Rachmaninov: Variations, a 2015 Grammy nominee. Deutsche Grammophon has also issued Chopin Evocations, which pairs the composer’s works with those by the 20th-century composers he influenced, and Trifonov: The Carnegie Recital, the pianist’s first recording as an exclusive Deutsche Grammophon artist, which captured Trifonov’s sold-out 2013 Carnegie Hall recital debut live and scored him his first Grammy nomination.
It was during the 2010-11 season that Trifonov won medals at three of the music world’s most prestigious competitions, taking Third Prize in Warsaw’s Chopin Competition, First Prize in Tel Aviv’s Rubinstein Competition, and both First Prize and Grand Prix – an additional honor bestowed on the best overall competitor in any category – in Moscow’s Tchaikovsky Competition. In 2013 he was awarded the prestigious Franco Abbiati Prize for Best Instrumental Soloist by Italy’s foremost music critics, in 2016 he was named Gramophone’s Artist of the Year and in 2021 he was made a “Chevalier de l’Ordre des Arts et des Lettres” by the French government.
Born in Nizhny Novgorod in 1991, Trifonov began his musical training at the age of five, and went on to attend Moscow’s Gnessin School of Music as a student of Tatiana Zelikman, before pursuing his piano studies with Sergei Babayan at the Cleveland Institute of Music. He has also studied composition, and continues to write for piano, chamber ensemble, and orchestra. When he premiered his own Piano Concerto, the Cleveland Plain Dealer marveled: “Even having seen it, one cannot quite believe it. Such is the artistry of pianist-composer Daniil Trifonov.”
