原地址：http://ourstarblazers.com/vault/519a/

 

受新冠疫情影响，大和号2202的总集篇延迟上映，2205也不知道什么时候能有新的消息。

本次的访谈翻译同样摘录于ourstarblazers网站。

人物名称对照：

Harutoshi Fukui——福井晴敏

（PS：新高父现在担任新版大和号的系列构成和脚本，估计一时半会不会去管高达了——虽然很多UC粉巴不得这家伙卷铺盖滚蛋就是了。）

Koichi Yamadera——山寺宏一

山寺宏一参与到宇宙战舰大和号系列配音的工作经历最早追溯到PS2游戏暗黑星云帝国三部曲，游戏中的古代进由他负责配音。后在09年的剧场版《宇宙战舰大和号复活篇》中，他是成为了第二代宇宙战舰大和号舰长的古代进的CV。在大和号系列自13年的2199起开始重置后，山寺宏一便为新版系列的阿尔贝特·迪斯拉总统配音。

而在老版宇宙战舰大和号系列里，为迪斯拉总统配音的是伊武雅刀前辈，而在圆古和日升合作的第一个动画奥《乔尼亚斯奥特曼》里，伊武雅刀前辈是老乔本尊的CV。而老乔人间体光超一郎的CV富山敬便是老版宇宙战舰大和号里古代进的CV。

（富山敬先生已经作古，在此向他致敬）

 A Space Battleship Yamato compilation as a mirror image of our times ~ What will happen in 2205!

Interview with Harutoshi Fukui and Koichi Yamadera

Published by Mantan Web on January 1. See the original post here.

 

Age of Yamato, a compilation of the popular anime series Yamato 2199 and Yamato 2202, will premiere on January 15. Harutoshi Fukui, who wrote 2202, has configured this compilation with a new perspective. It summarizes the history of Yamato and humanity’s voyage from the 1969 moon landing to the arrival at Mars in 2042 to the Battle of Gatlantis in 2202. The appeal of Age of Yamato is that it’s not just a compilation.

 

We spoke about it with Mr. Fukui and Koichi Yamadera, who played Dessler in 2199 and 2202. We also talked about the upcoming Yamato 2205, The New Voyage.

一个宇宙战舰大和号的总集将是我们时代的映像——2205将会发生什么！

对福井晴敏以及山寺宏一的采访。

1月1日由Mantan网发布（原文提供了原始网页的链接）

广受欢迎的动漫系列宇宙战舰大和号2199与宇宙战舰大和号2202的总集篇《大和号的时代》将于1月15日首播（然后就延期了……）。2202的作者福井晴敏为这部总集篇提供了一个全新的视角。它总结了从1969年登月到2042年抵达火星，再到2202年的加特兰蒂斯战役，大和号与人类的航行历史。《大和号的时代》的吸引力在于它不仅仅是一个总集篇。

我们与福井晴敏先生以及在2199和2202中分别为迪斯拉总统配音的山寺宏一先生谈过这些问题，也谈及了即将到来的《宇宙战舰大和号2205：新的旅程》。

Everything became clear to me with 2202

Interviewer: How did you meet Space Battleship Yamato?

 

Yamadera: The TV anime started when I was in the first year of junior high school. At that time, the image was “anime is for kids,” but this was amazing! I was hooked and watched it every week. Even before my voice changed, I was imitating Kodai. I also imitated Dessler’s voice, but I couldn’t get the words out. (Laughs) I learned that Kei Toyama, who played Kodai, also played Naoto Date in Tiger Mask! It was one of the works that made me aware of voice acting.

 

Fukui: I was still a little kid when it was popular, but in time the boom made its way down to children, and I watched the reruns. When I was in the fourth grade, I shed tears during the last episode in front of a black and white TV.

 

Interviewer: Mr. Yamadera, you play the role of Dessler. What did you feel while playing Dessler in 2202, which was written by Mr. Fukui?

 我与2202的一切逐渐变得明晰

记者：你是如何遇见宇宙战舰大和号的？

 

山寺宏一：电视动画是我在初中一年级的时候开始的。当时的形象是“给孩子看的动漫”，但那真的是太棒了！我迷上了它，每周都会去看。甚至在我变声前，我就在模仿古代进，我也在模仿迪斯拉的声音，但我不能把话说出来。（笑）古代进的CV富山敬也曾在《Tiger Mask》中配音Naoto Date，这也是让我意识到声优存在的作品之一。

 

福井晴敏：当它流行的时候，我还是个孩子，但后来随着时间的推移，它的流行影响到了孩子们，而我看了大和号的重播。在我四年级的时候，我在黑白电视机前看最后一集的时候流下了眼泪。

 

记者：山寺先生，您配音的角色是迪斯拉。您对福井先生执笔的大和号2202中的迪斯拉有什么感觉？

Yamadera: In 2202, Mr. Fukui delved into Dessler, and everything became clear to me. His older brother is brilliant and has a complex mind. I was happy to see the past depicted. It was difficult, but the more difficult it was, the more rewarding it was and the more joyful it was to play.

 

Fukui: Dessler is a character that can be perceived in different ways depending on the work. In the first movie, he was a superhuman emperor, but in Farewell to Yamato he saw Kodai and the others in their human form, and then he realized that he was a human being before he died. He went from being an emperor to an exiled prince. 2202 follows the original story, but in a way that is easy to understand.

 

Yamadera: Keyman came out of 2202 and he’s on board Yamato, which is cool. At first, Dessler didn’t appear, so I thought, “What’s the deal?” (Laughs) But after I realized the connection, I started to love him.

山寺宏一：在2202，福井先生深入研究了迪斯拉，一切对我来说逐渐明朗。迪斯拉的哥哥才华横溢而且头脑复杂。我很高兴看到过去被描绘出来。这很困难，但越困难，就越有回报，观看的时候也就越开心。

 

福井晴敏：迪斯拉是一个可以根据作品以不同方式探知的人物。在第一部大和号作品里，他是一个超人一样的皇帝，但在《永别了宇宙战舰大和号》里，他看到了古代进以及其他人的人形，然后在死前意识到自己也是一个人类。他从一个皇帝变成了一个流放的王子。大和号2202延续了原本的故事，不过是一种容易理解的方式。

 

山寺宏一：基曼在2202里出现，他在大和号上，这很酷。期初，迪斯拉没有出现，我在想“这是怎么回事？”（笑），但当我意识到这种联系后，我开始喜欢基曼这个角色。

As a result, it became closer to modern history

Interviewer: Mr. Yamadera, what did you feel when you watched Age of Yamato?

 

Yamadera: I thought it would be a compilation, but I was surprised from the beginning. I was impressed to see it from a new angle. Miyuki Sawashiro is also very active in the narration! It was like a news program.

 

Fukui: That was my goal.

 

Interviewer: Why did you choose the documentary style?

 

Fukui: What kind of age is “Age of Yamato“? It’s a bit of a stretch, but isn’t it the case that new aliens attack us every year? Is that too Manga-like? But in this day and age, disasters happen every year. I wouldn’t be surprised if aliens came next year, and anything could happen. We live in an age where Yamato can be portrayed as a mirror image of today. I made it a documentary so that people can feel that.

作为一个结果，它更加接近现代历史

记者：山寺宏一先生，当您观看大和号的时代时是什么感受？

 

山寺宏一：我原以为它会是一个总集篇，但从一开始我就感到惊讶。让我印象深刻的是，我是从一个新的角度来看待它。泽城美雪在叙事中也非常活跃！就像一个新闻节目。

 

福井晴敏：那正是我的目标。

 

记者：您为什么选择纪录片的风格？

 

福井晴敏：“大和号的时代”是一个什么时代？这听起来有点夸张，但每年都有新的外星人攻击我们，不是吗？是不太像漫画了*？但在这个时代，每年都会发生灾难。如果明年外星人来了，我不会感到惊讶，因为任何事情皆有可能发生。我们生活在一个大和号可以被描绘成如今时期的镜像的时代。我把它拍成了纪录片，这样人们就能感受到这一点。

*：大文豪这里可能是想说在老版宇宙战舰大和号系列里，地球一直遭到外星种族的侵略。（大和号打过的外星种族：加米拉斯、加特兰蒂斯、暗黑星云帝国、加鲁曼·加米拉斯、波拉联邦、丁格尔帝国和SUS等）

Interviewer: What was the core of the compilation? The story is told from Shiro Sanada’s point of view, which is also innovative.

 

Fukui: I think Yamato is the story of Susumu Kodai, so I wanted to keep that intact. However, if Kodai tells the story, it will be biased. I chose Sanada because I wanted to look at it from a different angle. Who did what? This is the basis of the human drama. I think that even people who have never seen the Yamato series before can easily get into it.

 

Interviewer: What was the appeal of Yamato that you felt again through the compilation?

 

Yamadera: It’s made in a documentary style, and it’s a very real story, not imaginary. There is a lot of anxiety in the world right now, so I felt it was very real. I was even more moved by the story told from Sanada’s perspective.

 

Fukui: Basically, I think it’s a copy of the modern world. I worked hard on it together with Yuka Minagawa (scriptwriter) and Junichiro Tamamori (concept advisor). In the story, there hadn’t been a war for 200 years, so I never thought of Yamato as a memorial monument. 200 years after overcoming various disasters and plagues, it would be like us living in a bubble. Then in the 2190’s, the clouds darkened because of the Martian rebellion, and as a result it became more like modern history. It’s an interesting point.

记者：总集篇的核心内容是什么？这个故事从真田志郎的角度来讲述是很有创意的。

 

福井晴敏：我认为大和号是古代进的故事，所以我想保持它的完整性。然而如果古代进讲述了这个故事，它将是有偏见性的。我选择了真田是因为我想从一个不同的角度来看待它？谁做了什么？这是人类戏剧的基础。我想即使是从未看过大和号系列的人也能很容易的了解它。

 

记者：通过总集篇，你再次感受到什么是大和号的吸引力？

 

山寺宏一：它是以纪录片的形式制作的，而且它是一个非常真实的故事而不是虚构的。现在这个世界上存在许多困扰，所以我觉得它很真实。更让我感动的是从真田的角度来讲述这个故事。

 

福井晴敏：基本上，我认为它是现代世界的复制品。我与与Yuka Minagawa(编剧)和Junichiro Tamamori(概念顾问)共同为此付出努力。在故事中，已经有200年没有战争了，所以我从来没有想过要把大和号作为一个纪念碑。在战胜各种灾难和瘟疫200年后，我们就像生活在一个泡沫里。然后在2190年，由于火星殖民者的反抗，战争的阴云再次笼罩人类，结果它变得更像现代历史。这是一个有趣的观点。

Depicting 2205 in a time of unrest

Interviewer: This year, Yamato 2205, The New Voyage will be released. What kind of film will it be?

 

Yamadera: I’m participating in the voice recording, but I don’t know what’s going to happen. There’s no explanation for the cast. You find out by looking at the script. Surprisingly, there are no explanations in other works, either.

 

Fukui: I’m sure it will meet most of the expectations of people who have seen the original New Voyage. What we’re doing is the same, but what we’re saying is different.

 

Yamadera: We’re in a lot of trouble right from the start. I’m suddenly tired. (Laughs) Yes! And then there’s a glimmer of hope…

 

Fukui: If 2202 was the mood ten years after the earthquake, then 2205 is depicted in a time of continuing unrest. I’m rethinking the current situation. The word “hope” tends to spin out of control, but in 2205 you can confirm its weight and importance.

描绘了2205的动荡时期

记者：今年《宇宙战舰大和号2205：新的旅程》将会发布。这是一部什么样的作品？

 

山寺宏一：我正在参与录音，但我不知道会发生什么。没有对配音阵容的解释。你可以通过看剧本找到答案。显而易见，在其他作品中也没有任何解释。

 

福井晴敏：我相信它会满足那些看过老版新的旅程的大部分期待。我们做的是一样的，但我们说的是不同的。

 

山寺宏一：我们从一开始就有很多麻烦。我突然感到累了。（笑）是的！然后就有了一线希望。

 

福井晴敏：如果说2202是地震十年后的事情，那么2205则是在一个持续动荡的时期。我在重新考虑目前的情况。“希望”这个词往往会失去控制，但在2205里，你可以确认它的分量与重要性。

完。