Airi Pan Value Part 06
06 Lesson 1 - Values Part 6 - Homework
Okay, first things first. You're never gonna see the word homework in the title ever again. We're going to change it to practice and improvement. Because the idea of homework that just brings back really bad memories for everyone and trying to cram as much algebra to a head as possible or writing effort cue essays on analyzing shakespeare's hamlet for the 5th time. I am not preparing you for an SAT or a bar exam for law school here. Everyone has different lives and everyone has different goals. Some people want to pursue concept as a profession, but others just want to pursue it as a hobby or to just get better. My job is to teach you the exact methods on how to paint and improvement.
P6 - 00:56第二遍。
"家庭作业"给人的不太好的回忆死记硬背的过程，或者无止无休一次次分析莎士比亚哈姆雷特经典名著五六遍。Because the idea of homework that just brings back really bad memories for everyone and trying to cram as much algebra to a head as possible, or writing effort to essays on analyzing shakespeare's hamlet for the 5th time.我也不是给你准备SAT或者律师入学考试的， I am not preparing you for an SAT or a bar exam for law school here. 每个人生活不同，学习目标不同，Everyone has different lives and everyone has different goals. 有人学习该技术为了赖以生存的专业技能，有些人单纯兴趣爱好。Some people want to pursue concept as a profession, but others just want to pursue it as a hobby or to just get better.我的任务是告诉你如何绘制概念艺术。 My job is to teach you the exact methods on how to paint a piece of concept art.
P6 - 01:33练习力度取决于你定的目标。
愿不愿意执行练习，取决于你自己，But whether or not you wish to implement this process. It's up to you.愿不愿意持续精湛技艺，也取决于你自己。 And whether or not you wish to improve upon it is also up to you, 人情况各不相同。because everyone's situation is different.
P6 - 01:45不同目的不同训练的建议。
你可以一遍遍观看芭蕾舞教练的训练，But at the very least, I will say this, you can watch a video of a master instructor teaching you on how to perform ballet. 看一百遍不如自己动手练一遍，But unless you yourself put on your ballet shoes and actually practice those moves.自己不亲自动手训练是无法进步的。 There is no way to actually get better.
P6 - 01:59艺术也是类似的道理。
Art is just like ballet.艺术是手指在键盘上的舞蹈。 It's a dance in your fingers, the way you control your hand. 身心合一，手指在键盘上弹奏出想象力，And the way you integrate your thoughts with your movement. That's all physical and you have to practice and get better. 除了拳不离手的训练别无他法。There is no way of stepping around it. 但是并不意味着你不去训练舞步就没有舒活筋骨。Just because you're not moving your whole body doesn't mean it's not a dance or like doing the splits.你需要训练思维，磨刀不误砍柴工。 You have to develop muscle memory.所以我鼓励你们尽可能多的训练和提升。 So I definitely encourage you to do as much practice and improvement as possible. So each week,
P6 - 02:22列举具体的数字。
i’ll give you the assignment. And the number is arbitrary. I will give you a recommendation, 尽可能多的去训练。but you should really do as many as you think is necessary. 比如定位专业级以此作为收入来源的自然多加练习，For example, if you're aiming to become a Top professional where your livelihood is going to depend on it, then you should do more. If your aim is to be a casual hobbyist. In that case, you can do less. 爱好取向的可以少训练一些。So with that, most of that beginning transition one more time.
P6 - 02:55训练和提升。
本周我们做个快速测验。 So for this week, I'm gonna start you off with a quick quiz.给你一个类似的截图。 I will show you a screen shot like so.告诉我该截图是局部值还是光影随行。 And then I want you to tell me if the image is primarily separated and local value or by a shadow value. 把彩色照片翻译成黑白灰三种色彩。And then I want you to paint it for me and only three colors black, white, and grey.
P6 - 03:22画出来体现了分析思维。
In the simplest possible way to demonstrate where you yourself see these value differences. 比如，这是《拯救大兵Ryan》里面的截图剧照。For example, in this screen shot from saving private Ryan, 如果我做黑白灰的翻版绘制。if I were to do a black and white painting,这是我的做法。 this is how I would approach it. 就这样。Just like so.作品标注局部阈值还是光影随行。 And then I want you to label whether or not its shadow you or local value.
P6 - 03:43本案例用光影随行。
In this particular case, for saving private Ryan, it would be considered shadow value, 因为主要是光影随行分水岭而不是局部阈值。because the black and white values are mainly separated in terms of where the shadow is not the local value. And we're going to do 10 of these.
P6 - 04:05举一反十。
你可以搭建属于自己的工作表。Now you'll be getting a worksheet for all of this, but just so you're kind of preparing yourself. Here are the ones that you'll be doing. 做5个电影剧照。You're going to be doing five for movies. So five screen shots.五个手绘版。 And we're also going to be doing five different paintings.结下做你自己的截图。 Next, you're going to do the exact same thing, but with your own screen shots,
P6 - 04:26用不同的手法。
比如从导演 Alfred hitchcock或akira kurosawa的影视作品中选材。for example, choosing films from directors like Alfred hitchcock or akira kurosawa. 还可以从Dean cornwell, John singer sargent和Edouard Manet绘制作品中选择。And then you're also going to do them from paintings as well, such as painters such as Dean cornwell, John singer sargent, and Edouard Manet,当然建议不能替代你自己喜好的。 of course. Just recommendations. You can choose your own favourites.
P6 - 04:48越是知名专家，越是恪守定律。
But as you typically the more well known the artist is, the more they usually follow the principles of either local value or with the shadow value.
P6 - 04:57举《大镖客》剧照的案例。
So for example, if I chose a screen shot from the movie Yojimbo, 这是我解决的方案。this is how I would tackle it.你可以看到就白色 灰色 黑色三种色调构成。 You see only three colors, white grey and black.我推荐你用白色单一色。 I want you to use a shade of white that is obviously, you know 完全的白点，中度灰色，完全融入背景黑色，显示不出来的黑色。dots are completely white. And then a mid shade of grey and finally black, only the black isn't showing up because it's against a black background.
P6 - 05:22但是灰白色作为标准比试色。
But here I'm using a super dark grey just to prove my point. 为什么是中度灰色，而不是超浅的或超暗的灰色呢？But I don't want you to use a super light grey or a super dark grey. I want you to use a very medium grey, 大概50%的中度灰色。only this one try to go for a 50% to really make it as simple for yourself as possible.
P6 - 05:43简短演示。
如何处理黑白底片的作业。So now I'm just gonna give you a super quick demo on how I like to tackle these black and white assignments. 首先选择截图。First of all, it's sort of their screen shot. 选择《大镖客》剧照。This one is also from the movie Yojimbo again. But if you still remember, and 从和影视同屏大小的画布开始。then I start off with, of course, a canvas that is the identical size of the film aspect ratio,有的影视长点有的短点，确保同屏长宽。 cause some films are longer and some films are shorter. So you just want to make sure that you capture the exact same length as your original screen shot.
P6 - 06:12开始近距离演示。
Now let's go and take a little closer look. All right. So I always start off, of course with my canvas. So as you can see, this one would be my canvas. 取决于你画布的背景。So depending on what value the background or most of the background is, that's where I would start. 本案例中我选择亮灰色。So in this case and scenario, the background is mostly this kind of light grey. 当然你可以按照自己想法中度灰色。Now obviously you can kind of argue that I could start off with grey, but this is what I look at.
P6 - 06:41这是我个人的理解建议。
我理解的是，如何把背景主色调来分成三种阈值色调？What i've looking at this. I think about how am I going to separate this into my three values? 首先第一这是我的角色。The first thing I'm gonna look at is, well, first of all, obviously this is my character. 角色主体是一个阈值。And he's kind of like one value.头部和皮肤的高光色也是亮阈值。 And then he also has these little lights shining on his head and his skin.
P6 - 07:04明暗阈值的分水岭。
背景灰度和足下地面灰度不同。 I also see a really distinct value difference between the background here and also the ground. 雾霾上轻下浊也有不同阈值。So the mist and haze have different values. 对比看，地表层面，雾气背景比足上靴子更亮。And when I compare them together, this ground is lighter color than shoot that he has. 背景雾霾亮度比角色手里剑和身上高光点的阈值。And also it’s lighter than his sword and the lighter than pretty much like all of these areas here.
P6 - 07:30这里重点强调的是。
So essentially that tells me that, okay,地表一个阈值，雾霾一个阈值， the ground is the one value, the mist is going to be another value.最后灰色部分剑和夹克是第三个阈值。 And then finally, the dark parts like his sword and like his jacket, that's going to be the 3rd value.可能我画的满屏都是，清屏。So I know I drew all over the screen here, but let me make this a little bit clearer.
P6 - 07:48重点总结。
So essentially it would be one.我把笔刷调大。 I would change my brush over there. 第一黑色，第二雾霾色，第三地表色。So it would be one black over here, and then two the mist. And then three, kind of the shadow ground.
当我意识到的时候，两种不同的阈值是如何分类的呢？ Once I realized that, I asked myself, okay, well, these different values I see on the screen or how are they categorized? 局部阈值还是光影随行？Is it local value, or is it shadow value?
P6 - 08:14简单的区分方法？
最简单的方法是看一看空白。And the easiest way for me to usually differentiate is by looking at he lacks. 比如我们把黑色阈值轮廓圈出来。So I'm looking at the blacks here and then basically formed this mass kind like these.
P6 - 08:27自问自答。
And I ask myself, well, 这一大块是覆盖大部分头部和皮肤吗？this giant mass, does it spend over multiple things like jackets and skin?技术上应该是基于局部阈值， 不同材质不同的颜色。Because technically it was the local value based then the black should be different depending on what the article of clothing or if it's skin or whatever material it should be different.
P6 - 08:49但是在本案例中，
But in this case.和材质没关系，和光源正对背对有关系。 It doesn’t matter what the material is, it just spent all over him, which means that this is clearly something formed by light. 明显光影随行的阈值，This shadow value is, well, obviously its shadow value. 意味着这应该被界定为阴影Chiaroscuro学术流派。So that means that this would be considered as Chiaroscuro or as we determined, is going to be shadow based values.
P6 - 09:14另一个学术流派。
So let's get cracking on Rembrandt. 我们从绘制地面的阴影开始，选择中度灰色，沿着画纸下面画平行线，So I'm gonna start off with just the ground and I’m shooting a grey. That is a middle value. So it's going to take a long a straight line right here. 最简单的填充工具是套索工具。And I'm just gonna fill it, in fact, easier. It would be using the lasso tool. 我喜欢用套索工具做直线。然后用空气喷枪填充。I love using lasso tool just sorts to make this straight line, and then using my airbrush tool to just fill it out like so kind of like that.
P6 - 09:38接下来参考原始图。
And now when you look at the original screen shot, 你会发现左上角有黑色蜿蜒成团。you can see that there's a little bit of value creeping in the black all the way up here.也像是阴影阈值。 And its also likely some shadow values like here and here. 所以我们可以通过蜿蜒曲折加入进来。So I'm just going to add that in by gently sweeping in here as well.
P6 - 10:02温柔刷出背景雾霭来。
So just a super gentle sweep. And after that,接下来绘制角色。 I'm going to try and paint the character. 我依旧选择灰色。So I'm still sticking with my grey. 套索工具画出轮廓形状。I'm going to see his shapes are kind of like this, as you can see. Let me see. Right here. 圆圆的头部，圆柱体身型。Kind of like a circle, a cylinders shape.虽然看起来不美观的一团块，但是相信我，会越来越好看的。 It's going to look like an awful block, but that's okay. It'll get better. Trust me.
P6 - 10:34接下来微调。
So I was going to fine tune it by going on here doing.
P6 - 10:53现在有轮廓剪影了。
And now that we kind of have our general silhouette for this guy, 现在之填充阶段。now we can go in and actually fill out our black. 对此角色，确保我们捕捉到阴影阈值，So for this character, we want to make sure that we capture the shadow value. 用套索工具填充我看到的阴影阈值。So i'd like to again, use the lasso tool to just fill out whatever shadowed value I see.
P6 - 11:21微调阴影阈值。
And then i'll go in and really fine tune some of the pieces 微调前是可以清晰可辨识不同部位和物体的。just so I make sure that they are a little bit more understandable.纵然手部还是灰色阈值， Even though his hand is technically more on the grey value, 打破了剪影简洁的轮廓，it kind of disrupts the simplicity of the silhouette, 因为我的目标是尽可能的简洁明了，because my goal is to make it as clear and understandable as possible.
P6 - 11:42留下头部和手阴影阈值。
So I'm going to leave the hand and shadow.此后我打算再修剪一遍，afterwards. I'm just gonna clean up the silhouette a little bit more. 可以做到进一步准确勾勒轮廓线条。So I can be a little bit more accurate. 举例子，他的腿步是这样的。So for example, his legs kind of go out more this way. and boom, you have your summary. 最简单的方式，你可以分辨出来这是一个人，That's pretty much as simple as it needs to get. You can clearly tell this is a human being and 可以分辨出这是手里握持的两把剑。you can clearly tell he's holding a sword. And another swords right here. 贴近地面还有雾蒙蒙一条线。And there's some kind of ground level down here. 远处还有不成形的雾霭，And that there's some kind of, I suppose like mist. 你需要做的就是这些。And that's pretty much it. That's really all you need to do. All right.
P6 - 12:17简单复盘下。
So super quick.简单交代下你需要做的训练。 Let's just recap what your assignment has been so far.第一是测验，你需要10份训练项目。 Number one is going to do the quiz. 我建议你自己10份，3个影视剧照2个绘画截图。So you have 10 pieces to do. And then I would recommend five of your own, do three movies and two paintings. So five of your own screen shots and paintings and do a study of them.
P6 - 12:42最后自己5张完善图谱。
Lastly, you should do five of your own personal pieces, and I want you to improve on them.而不是重复绘制黑白底图。 I don't want you to repaint the entire thing in black and white, 而是反复思考，如何改变黑白分水岭，让自己勾勒更具辨识度。but I just want you to look at your own piece and then think about if I could change it and make the black and white value more understandable. How would I do so? 这就是研究黑白阈值的方法。And then make that study in the black and white?不是重新绘制，微调的时间是快速的简单的。 It doesn't have to be like a repaint. It can be super simple and super quick. 只是让你养成思维习惯，如何让自己勾勒黑白底图更具备可辨识度。But just get your brain thinking about how can I make my own paintings look more clear and understandable? 我想做局部阈值的还是阴影阈值的，do I wanted to be a local value based or do I want it to be shadow value based? 直到你意识到，可能我的阴影基础上阈值不够，或者局部阈值看起来不够清晰，And then maybe you'll realize that Ah ha, I don't really do a lot of shadow based value in my work. Or maybe you'll go like, oh well my local values only It's really unclear,但是直到我看黑白底图才意识到这一点不足， but I never don't realize that until I looked at it in black and white. 问问自己作品是否考虑进去黑白阈值，如果没有，作品中考虑进去。So ask yourself, does your artwork required of them black and white? And if the answer is no, fix it in your simplified painting. 有则改之，无则加勉。If the answer is yes, then perfect.做你的原画，从迈开的第一步开始，假以时日，才能看到你的进步， Do a study of your original painting. It will be the first step to fantastic painting from here onwards to see what you guys come up with. 这样为你迈出第一步敬你一杯，我已经迫不及待看到你们的第一份作品了。and with that, Let us make a toast. This is to finishing our first lesson, and to foolproof concept painting from here on.
