搬运译Pitchfork评10年代200张最佳专辑第185名：Elysia Crampton: American Drift (

搬运自：微信公众号【评论搬一堆】（在原文基础上添加了英语原文与排版调整）

原文链接：https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/ 

翻译：Will Lin

校对：Whitney. L

推送：Lynn Liu

Elysia Crampton’s experimental electronic music unearths deep personal truths in surprising places. Her earlier work as E+E turned heads by finding something sublime and alien in edits of pop hits by the likes of Justin Bieber. Crampton’s first album under her own name, American Drift, is a four-song, 30-minute set bringing together crunk, trap, cumbia, spoken word, crickets, and blaring radio station identifications. American Drift runs deeper when you learn about the ideas that inform it: The Bolivian-American producer described the album as an investigation of her adopted home state Virginia’s history, of brownness, of colonialism. As the bubble for mass-market electronic dance music was about to burst, this individualistic approach distinguished Crampton as a renegade on the rise. –Marc Hogan

Elysia Crampton通过实验性电子音乐揭露那些隐藏于不为人知之处的罕见秘辛。此前她曾以E + E的名义工作，通过剪辑Justin Bieber的流行热曲，发现其中令人赞叹之处和怪异的风格，这使得她的作品引人注目。Crampton第一张自己制作的专辑《American Drift》，包含四首歌，时长30分钟，融合狂克乐、陷阱乐、坎比亚、口语、蟋蟀和刺耳的电台元素。当你了解到这张专辑所赋予的思想，此时American Drift 就具有了更深的含义：这位玻利维亚裔美国制作人认为这张专辑诠释了自己所移居的家乡弗吉尼亚州有色人种殖民主义的历史。随着大众市场电子舞曲的泡沫即将破灭，这种个人主义的做法表明Crampton的反叛精神在逐渐显现。