《驯龙高手》中史图依克的人物介绍

原文节选自《驯龙高手设定集》，由龙崖社·龙之书翻译组汉化整理，本合集仅供Bilibili，爱发电（最先更新），Lofter平台龙崖社社团官方账号发布，未经授权禁止转载！

虽然史图伊克在领导维京人的时候显得信心满满，但是当他在带他的儿子，小嗝嗝的时候则完全没有这种信心。虽然他对这两件事都非常用心，但是他的情感能力远不如他的肌肉一般强大。

作为部落首领，史图伊克在电影里面必须要显得高大，并且远比其他维京人更强壮，更有领袖气质。角色设计师Nicolas Marvet通过把他整体形象设计成这巨大强壮结实的样子来传达这一点。他的斗篷进一步凸显了他的身材，甚至他的胡子也有助于塑造他的真正人格，因为这限制了他的行动，显得他沉稳坚定刚毅。

在角色发展方面，“我们希望父子关系成为故事的首要内容，所以我们就这么做了。导演迪安·德布洛斯回忆道。从本质上讲，这是一个关于一个父亲对他的儿子感到失望的故事，而儿子却并不接受这一事实。这两个人身体和思维上都是截然相反的，在人物设计上尤其强调了这一原则。虽然他们之间的冲突似乎很激烈，但是这其实给他们之间交流非常尴尬的部分带来了幽默感。斯图依克是一位伟大的父亲，他关心他的儿子，担心他的安全。在电影的开头，他对小嗝嗝非常严厉，这是他这一角色最理想的起点：史图依克一开始看起来很不讲理，而最后敞开心扉露出一些弱点，这样的发展会更令人满意得多,史图伊克的设计在电影角色中是最宏大的一项工程，因为他的繁多的面部毛发，尤其是胡子。在完成最初设计之后，胡子护理成了一项漫长的跨部门挑战，“建模部门需要提供总体轮廓，绑定部门需要提供动画控制和模拟参数，然后动画部门需要进行动作测试，同时，表面处理部门会添加上颜色，文理，和一些微小调整，最终，光照部门会把全部整合起来生成测试图片。”视觉特效总监Craig Ring解释说。

让这事更加复杂的是3D立体的电影风格的最终目标，“这也就意味着不光是表层，即使是胡子的内层也会是可见的，所以它也必须始终都正确地运动。”

原文：

For all the confidence that Stoick the Vast projects when leading the Vikings, he exhibits the total absence of such assurance when parenting his son, Hiccup. While his heart is in the right place performing both roles, his emotional capacity is not nearly as strong as his brawny muscles.

As the chief of his Viking tribe, Stoick must stand tall and carry an air of strength and authority above and beyond all other human characters in the film. Character Designer Nicolas Marlet conveys this by establishing Stoick's very foundation as a large, hulking square shape. His cape further accentuates this stature, and even his beard helps portray his true personality because it limits his movement, suggesting a steadfast, unwavering fortitude.

In terms of character development, "we wanted the father-and-son relationship to be first and foremost in our story, so that's what we used as the building block of the film," recalls Director Dean DeBlois. In its essence, it is a story about a father who is frustrated with his son and the son being resigned to this fact. The two are intellectual and physical opposites, a tenet highlighted by their contrasting character designs. While this dynamic seems very dramatic, it actually provides humor in moments when the communication is unbelievably awkward between these two. Stoick is a father who genuinely

cares about his son and actually fears for his safety more than anything. He is very hard on Hiccup in the opening of the film, which is the ideal starting place for his character are: if Stoick seems really irrational in the beginning, then when he finally opens up and shows some vulnerability in the end, it is a much more satisfying progression. Stoick's design demonstrates one of the most ambitious undertakings on this cast of characters with his abundance of facial hair, most notably his beard. Once an initial design was established, beard grooming became a lengthy cross-departmental challenge, "where modeling would produce span lines; rigging would provide animation controls and simulation parameters; and then animation would run motion tests.

Meanwhile, surfacing would add color, texture, and small-scale variation and finally, lighting would pull

it all together to render test images," explains Visual Effects Supervisor Craig Ring. What made this effort even more involved was the final goal of3D stereoscopic film delivery, "which meant that even the inside layers of the beard would be visible, so it had to move correctly all the way through, not just on the surface."