Renewal-Zone:连接巴西建筑与航运历史︱低生态影响的海滨波浪别墅
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Gutter House是巴西东北部萨吉 (Sagi) 的一座渔村是南美洲距欧洲最近的大陆点所在地,这里坐落着建筑师为两位朋友设计的两座海滨别墅,绵延了数个世纪的贸易风潮,带来了葡萄牙帝国的船只,穿行于这片水域中进行贸易、捕鱼,并建造城市和定居点。



Photographer: Maira Acayaba

Photographer: Maira Acayaba
令人惊讶的是,在这些城市中建造巴洛克式大教堂的未知建筑师正是造船者们。凭借代代相传的木材建造知识,他们在城中建造了与附近奥林达教堂相媲美的作品,赢得了巨大的赞誉,建筑木质结构顶部有着雄伟的巴洛克式圆顶。

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba
多个世纪之后,建筑师希望以诗意的方式纪念那些建筑师和水手们,并以静谧的几何形状反映景观的感性和海洋的神秘。

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba
通过木材构造出水陆两栖的波浪,这座房子被嵌入优雅的陶瓷倾斜房屋组成的城市景观中。这些起伏与沙丘景观展开对话,同时将屋顶的水导入22米长的混凝土排水沟。以蓝色瓷砖覆盖的排水沟,将水引去灌溉后立面处的植物,绿色屏障用于抵挡傍晚强烈日光的照射。

Photographer: Maira Acayaba

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Juan Gómez-Catalán
在概念上这座房子被建造成一艘倒置的船,一系列层压木结构元件(船体的筋骨)固定在混凝土排水沟上,在房子内部始终可见。

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba
室内以弯曲的木梁和竹梁组成,以唤起人们对军舰内饰的记忆,并与桅杆般的雕刻柱子、圆形窗户、地板上的鱼鳞图案和蓝色基调,一同致敬古代英雄水手建筑师的技艺知识。

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba
建筑的前侧立面均为双层结构,双层屋顶铺有木瓦,旨在以最小的生态影响悄然融入景观中。

Photographer: Maira Acayaba







Gutter House is a project of two paired beach houses for two friends in a fishing village in Sagi, a village of northeastern Brazil, the closest South American continental point from Europe.



Photographer: Maira Acayaba

Photographer: Maira Acayaba
For centuries, the ships of the Portuguese Empire have sailed those waters swayed by the trade winds that they used for trading, fishing and building cities and settlements.
Curiously, the anonymous architects who had the knowledge to erect the baroque cathedrals of those cities were the shipbuilders. With their constructive knowledge of wood, transmitted for generations, they achieved great fame and prestige and erected the cathedrals of cities as important as the nearby Olinda, with its wooden structure crowned by majestic baroque domes.

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán


Photographer: Maira Acayaba

Photographer: Maira Acayaba
The project, many centuries later, wants to poetically honor the memory of those architect and sailors and evoke the sensuality of the landscape and the mystery of the Ocean with its silent geometry.

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

The house is inserted into the urban landscape of elegant ceramic tilted houses, by drawing two amphibious waves of wood. These undulations, at the same time that they dialogue with the dunes of the landscape, pour the water from the roof into a 22m-long concrete gutter covered in blue ceramic tiles that conduct the water to irrigate the plants on the rear façade creating a green protection against the strong sun of the evening.

Photographer: Maira Acayaba

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba
Conceptually, the house is built as an inverted ship, with a succession of structural elements of laminated wood (ribs) fixed to a concrete gutter always visible inside the house.

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba
The interior, conformed by a mantle of curved wooden and bamboo beams, evokes naval interiors with great sensuality and, together with the sculpted pillars like masts, the circular windows, the flooring fishing scales patterns and the blue colors honor the craft and knowledge of those ancient and heroic sailor-architects.

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba
With a double façade on both fronts and a double roof finished with wooden tiles, the project intends to insert itself silently into the landscape with minimal ecological impact.


Photographer: Maira Acayaba

Photographer: Maira Acayaba







DESIGN: ATELIER DANIEL FLOREZ
CONSTRUCTION YEAR: 2021
STRUCTURAL ENGINEER: MARCIO MEDEIROS, ENECOL
GLT: REWOOD
MEP: SERGIO CARDOSO DANTAS
GENERAL CONTRACTOR: ATELIER DANIEL FLOREZ
TEAM: Daniel Florez, Luis F.Inglada , Stefan Kiellman ,Wendy Cruz
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