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AI来了,危机来了,看危还是看机?“别怕,AI来协助开启更广阔的创新契机”

2023-07-17 13:55 作者:FilMMedium  | 我要投稿

为什么Hollywood会有工业化制片的可能被AI替代的算法?!因为编剧灵感的捕捉不像是时钟那样有规律,单纯依靠编剧团队的灵感,给好莱坞的供应链提供了不确定性,给影视制片带来财务危机的威胁。Screenwriters' greatest epiphany has come unexpectedly on a regularly,adding a massive degree of uncertainty to Hollywood supply chain, continually threatening the industry with financial disaster. 为了让企业生意开展下去,工作室用意让写作变得机械化与尽可能可靠。而不是鼓励作家写创新故事。工作室要求复制过去证明奏效的风险小的,所以出现了同样的故事结构一遍遍的复制。观众最终还是买单来支持大预算的影片。但是工业化规模制片的副作用是导致忽略了一大批的受众。由此提出问题,服务好被忽略的受众的创新低成本剧本就是契机,是这样吗?!And to keep the business going. The studio is therefore have a huge incentive to make writing is mechanized and reliable as possible. Rather than encouraging writers to develop creative and innovative new stories, studios instead ask them to take the less risky approach of copying, what is worked in the past. Ask them to crank out the same basic story structure over and over again. Audiences in turn, end up supporting these stories, because there aren't other big budget movies to see.they had a blind spot that was a natural but unfortunate by product of their efforts to make movies on an industrial scale, then raise upthe question: is it the innovative way to hatch new business, taking advantage of the overlooked huge audience?! 是的,影片是给受众看的,影视不仅仅给供应商与投资者的,还是给观众的。受众乐意买单了,投资者也开心。服务好被忽略的受众,也是工业化制片里不可被忽略的创新空间,接下来我们回顾史上那些探索到忽略受众创新导演的低成本电影。That's because movies aren't just made for supply lines and investors. They are also made for audiences. And if you can listen to your audience and give them a story that they want, you not only make your audience happy, you make all your investors happy too. to reveals that even within this industrial storytelling machine, there is still room to innovate. to learn those who tried to pull off this feat of corporate innovation, such as indie industry?

接下来借鉴可以燎原的Hollywood创新前辈的星星之火。斯科特·菲茨杰拉德在写完著名的《了不起的盖茨比》后离开好莱坞,坦言要真正的电影人而不是小说家,绝非为虚名浮力的话。So magical is the dream of movie writing that is even being watched a few of the greatest literary talents in history. F. Scott Fitzgerald, moved out to Hollywood, after he wrote the great Gatsby, confessing that he wanted to get some real status, as a movie man and not a novelist, such as the siren call of Hollywood fame and fortune. And it's not just an empty vanity.最开始好莱坞影片替代受众的思考,让观众在影片中如痴如醉,外界世界置之不理?!当然好莱坞完全犯不着用情感协助观众逃避现实,而是唤醒观众。再没有比Lee 《为所应为Do the right thing》导演更致力于唤醒观众了。From the beginning, Hollywood movies have been intended to stop people thinking, to get us all drunk on empty video entertainment, while the real world burns outside. But Hollywood movies don't need to bamboozle us with emotional escapism. They can instead wake up our minds. And no Hollywood filmmaker has been more committed to waking us up than Spike Lee, like regular Hollywood scripts.低俗小说引领了19世纪90年代独立制片革命,以百万美金的票房开创了独立制片的先河,进而昆汀·塔伦蒂诺(名导演)与罗杰·艾弗里荣获奥斯卡编剧奖。独立制片有望成为主流。独立影视的主要思维是共享空间不同的体验,打破传统好莱坞制片模式。不是单一模式,而是可以转化成大量生产的。Pulp Fiction ushered in the indie movie revolution of the 1990s. It became the first independent film to gross over $100 million to the American box office. And it went on to earn an Oscar for its two screenwriters, Quentin Tarantino and Roger Avery, paving the way for indie cinema to go mainstream, except for one little problem, which is that the whole idea of indie film, is that it's a space to do different things, to experiment, to break traditional Hollywood molds. It isn't a single rigid formula, that can be turned out in large quantities.

"AI" epic point us into the inovative perspective of indie industry. then set yourself free from the profitable mechanized productive workflow. We’ve all reviewed those genius and their masterpiece movies to wish that someone would write a few more good ones. And if not you, well, then who. 

AI来了,危机来了,看危还是看机?“别怕,AI来协助开启更广阔的创新契机”的评论 (共 条)

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