Airi Pan40-41 Painting Combined with
40 Lesson 7 - Painting Combined with Photos Part 1 - Painting + Photo - W
P40 - 00:01
so far, we've covered a pure painting. And then we went into a pure photo bashing. I'm pretty sure you can guess what's going to come next.
P40 - 00:14学会了绘制照片拼图，猜下一课。
Like, come on. Clearly we're learning graphic design today.
P40 - 00:19图片设计。
Yes. Today we are going to discuss how to design with the font Helvetic. No, I'm kidding.
P40 - 00:24不是设计字体。
we’re going to be combining both photo bashing and painting.
P40 - 00:28照片拼图和绘制结合起来。
Like someone once thought that, cake is really delicious, but so are strawberries. So if I mix them together, then I guess strawberry shortcake.
P40 - 00:41如蛋糕和草莓分开好吃组合实验。
or someone thought, hm, I love jeans. I also love high heels. So I'm gonna make jules, Jean high heels. Okay. So maybe not everything in the world should be put together.
P40 - 00:57牛仔裤+高跟鞋，组合搭配不合。
If you do own these specific pair of shoes. not judging, I promise. Okay, maybe a little bit of judging. Please send me a picture, if you're wearing it. Oh my god!
P40 - 01:08如果你穿出来给我个照片。
But I promise that for bashing and painting definitely fit well together. Ok.
P40 - 01:11照片拼接和绘制黄金搭档。
So far in our concept art pizza, we've gone over the dough, which is our black and white values and composition.
P40 - 01:18披萨比喻生面团，黑白图。
Then our sauce, which is our color and our lighting.
P40 - 01:22酱汁部分是光和色彩。
Now we're simply changing our topics, which is the actual technique that we use to carry everything else out. Our VisDev painting, you can think of it as like a pepperoni pizza,
P40 - 01:33视觉绘制如同意大利腊肠披萨。
like so. And then our photo bashing, you can think of it as a mushroom pizza like that.
P40 - 01:37照片拼接如同蘑菇披萨。
And now we combine them together into the ultimate pizza, pepperoni and mushroom pizza.
P40 - 01:45意大利腊肠和蘑菇披萨。
I realized that in this photograph, there is neither pepperoni and mushroom pictured. You would be surprised at how difficult it is to find a very large image of a pepperoni and mushroom pizza. But as long as it proves my point, man, I'm just hungry. Now. Anyways, you're probably wondering, well, what portion of the industry does painting with photos fit into, like if this VisDev is more for animation and photo bashing is more for live action and video games.
P40 - 02:15视觉用动画，拼接用于真人场景。
But what about painting with photos? And the answer is everything.
P40 - 02:18二者结合用于万物。
painting with photos is honestly the standard for concept art now. everyone is using it, whether it's animation and feature, live action, video games, commercials, advertising illustrations, absolutely everything,
P40 - 02:37广告 影视动画默认的行业标准。
some pieces. And some people use photos more heavily and some others use painting more heavily. It's all about the specific effect that you want. There is no right or wrong. Just doing.
P40 - 02:47有的侧重点不同，没有对错。
For example, think about the paintings in the live action where they have to use a specific actor or actress. Do you think the artists who have to turn into a painting a day are going to carefully plot in draft out the actors likeness? No, they're going to use a photo.
P40 - 03:03角色服饰设计师选照片而非绘制。
We now have photographs and it would be stupid of us not to use the technology that we have. In fact, it doesn't even need to be a photo.
P40 - 03:15有的用3D建模。
Many people these days use 3D models. And in the industry, there's usually someone on your team who is a specialized 3D modeler, who will provide you a model to paint over.
P40 - 03:23在模型上绘制。
My point is, though, is that it is a standard skill to be painting on Top of things or adding in photos and textures as a finishing touch, basically adding and stuff for fun or whatever.
P40 - 03:33但是少不了绘制基本功。
It's always super cool to see the usage of photographs and paintings and all sorts of mediums blended together.
P40 - 03:40建模 设计 绘制组合行业标准。
Art shouldn't be a purist thing. We should always be trying to innovate and looking for new things.
P40 - 03:46与时俱进创造才是生命力。
For example, one of my favourite Anime of all time is a Madonna Magic, which is a on the surface, an incredibly bright and cheerful anime.
P40 - 03:54日本动漫《麦当娜的魔法》。
But the monsters for the Anime is to use the photographs and collages them to create strange creatures that really don't feel like they fit into the world.
P40 - 04:03照片和绘制组合一起的。
But that's kind of what makes them all the more horrific. I love this show so much.
P40 - 04:10传递出需要的氛围。
Another one is something that I just recently watched, which would be the Mitchells versus the machines movie.
P40 - 04:15《米切尔和机器》的影视。
This movie was so good. It is a completely animated movie. But there was a scene where they put in a real photo. I know that this looks photo shopped, but this is an actual scene from the movie. And just to see a photograph in a completely animated movie was so unexpected. And it was absolutely hilarious.
P40 - 04:34动漫以照片形式挂出来挺滑稽的。
Essentially, adding different mediums should be totally natural, whether if it's because the photographs make the speed faster, whether they could help something feel more realistic, or if they're here to make a contrast affect, the possibilities are endless.
P40 - 04:49真实的对比的，无止境的探索。
Once you learn how to do it, you can use it for whatever you want. after all, I am here to teach you a process, a foolproof process.
P40 - 04:59万无一失过程，学会了为你所用。
And looking back, you'll see now you have both the skills necessary for painting and the skills necessary for a photo bashing.
P40 - 05:07绘制和照片拼接的技术。
Combining is going to be a piece of cake. It's much more difficult to teach someone how to do painting with photographs, right off the bat,
P40 - 05:15很难上手教照片上绘制。
because it's kind of like trying to learn two different things at once. It makes a lot more sense to take a little time to get used to and master each one separately so that you're not overwhelmed right off the bat.
P40 - 05:29一步步的来挑战难度降低了。
You have spent the past two modules on purely photo bashing.
P40 - 05:32前两单元是照片拼接。
And unless you've been photo bashing from the very beginning, you've probably also been painting to some degree long before you ever took this class.
P40 - 05:42但是你上课前有绘画功底的。
So it is now time to combine our two powers.
P40 - 05:45是时候两个技术结合起来。
I'm going to paint an entirely new piece. And this time rejoice all of my Cinderella lovers, I am choosing Cinderella. No more little red, little red riding hood. I banish the.
P40 - 06:02开始绘制灰姑娘。
And also I know a lot of people may be thinking. Airi, you've only been trying exteriors. What if I want to paint the inside of a building?
P40 - 06:11内部装潢呢？不能光拍外景。
Do not worry my friend. I have thought of everything. I may not be able to show you how to draw absolutely everything in the entire world from phytoplankton to snicker at glitz. But I'm gonna make sure that you get a solid foundation on drawing what you'll most likely be painting in your everyday work or hobby. And part of that would be interiors.
P40 - 06:34满足日常需求，部分是室内装潢。
The reason I had put it off until now is because I'm going to teach you perspective as well,
P40 - 06:41教会视角。
which is the key to painting anything with buildings or manmade structures.
P40 - 06:44透视线是结构的基本知识。
And don't worry like the rest of the class, i'll teach it to you in a fool proof way. It will be painful. Now let's jump right into it. Let me preface that though. I'm showing you only one way, which is the way that I personally like to paint. And I encourage you to take these techniques and do whatever you want with them. Trying different ways to improve my ways. Make cool stuff, and have a good time at doing so. There is nothing more infectious than seeing true passion and piece.
P40 - 07:15请在我技术上找到适合自己的。
So I'm going to paint a piece from Cinderella. And just like we've been doing, I'm gonna take a little spin on it. Instead of having it set in France, as it was traditionally, I'm taking it to be set in historical China instead.
P40 - 07:29把灰姑娘历史背景放在中国唐代。
And the first thing I do with any pieces, once I have an idea, I go ahead and do a little bit of research. I wanted to pick my Cinderella in the tang dynasty. So the 7th and 8th century, the tang dynasty is very well known for its varied clothing and was one of the wealthiest and most prosperous dynasties.
P40 - 07:47曾经的辉煌盛世。
during this time. The QiXiongRuQun was one of the specific on food that was prominent.
P40 - 07:54当时流行“齐胸儒裙”。
And then look specifically at the tang dynasty paintings of the time. And I don't just look at the wealthy and high class, but I specifically look for these servants, the common folk,
P40 - 08:04有绘本。我选平民穿的衣服。
because Cinderella, she's supposed to be a maid essentially. So this is what she would be wearing.
P40 - 08:12因为灰姑娘是女仆角色。
Not necessarily the fancy freely for full stuff. Now that I have my Cinderella ready to go in my head, I ask myself what kind of scene I want to paint, to properly show off the interior. I think i'll have a hiding from in spying on kind of scenario where we can see Cinderella cleaning.
P40 - 08:34窥见灰姑娘在清理。
I want to make her feel trapped by her environment.
P40 - 08:36传递被环境困住的感觉。
But because she's supposed to be such a kind hearted girl, I want her to look still very dignified, even though she is cleaning,
P40 - 08:44纵然清理也散发高贵气质。
maybe she's taking a break from cleaning. And as the audience we are peeking into her life, as if getting introduced to her.
P40 - 08:51清理中休息，观众这样了解她。
Ok. So I have these ideas down now and I'm going to marinate them into my head.
P40 - 08:55想法种子进入酝酿期。
And I'm going to run off now to look for some inspiration and photos that I will be using as part of piece.
P40 - 09:02寻找需要的素材。
I'll catch you guys in the next video.
41 Lesson 7 - Painting Combined with Photos Part 2 - Easy-PZ-Perspective
P41 - 00:02
Tackling interiors is more nuanced than the exterior. The reason is because mother nature is a very organic designer.
P41 - 00:10大地母亲是个好的设计师。
The ground of the forest is a bumpy and lumpy and misshapen.
P41 - 00:15森林路是崎岖坑洼的。
There can be larges, there can be hills. All of that is totally normal. You can make the ground and to basically any shape that you want to, you can have a lump here. You can have a lump there. But as soon as you introduce a man made structures,
P41 - 00:29人工艺术和森林的不同。
we can't be lumpy and bumpy anymore. Human made objects usually have a very rectangular quality to them, unless everything that you own furniture to your computer is a lumpy bean bag. But I don't think any of us have lump bean bags. Your PC is probably a rectangle. Your table is probably also in the shape of a rectangle or a cylinder. So your table might look like this. Or your table might look like this. They're very solid objects and comparison to say like a rock, which kind of has no shape whatsoever.
P41 - 01:05桌子计算机长方形岩石奇形怪状。
So essentially, we now need to properly place these in a way that makes sense. Let's take this room, for example.
P41 - 01:11举房间做例子。
Let's say I want to add in a rock, with this rock. I can pretty much put it wherever I wanted to go. I can put it here. I can put it here. I can put it here. So it's a giant rock on this bed. Or I can place it here. No matter where I put this rock, it feels pretty accurate because this rock doesn't have much of form.
P41 - 01:31无形的岩石放在哪不为过。
So we don't really need to worry too much about where to place it. But let's say that I want to put it in a chair. Now as things start to look a little bit weird.
P41 - 01:38但是长方形椅子不能乱放了。
If I put my chair here, something was really wrong. If I place my chair here, something still looks really wrong. But if I place my chair somewhere in the middle and it feels kind of accurate, I don't know. It feels a little bit less strange. But why do I feel that it fits in the middle? But it doesn't fit anywhere else?
P41 - 02:00为什么放不对感觉不属于这房子。
The reason for that is because of the perspective, the perspective lines will follow whatever the direction the objects in the room are facing.
P41 - 02:08构线也是房间的走行线。
If I put a grid on Top of this image, the grid would look like this. And now let's look at our chair. If you follow the lines from the bottom of our chair, we can find the perspective of this chair.
P41 - 02:20椅子构线是否符合大构线。
So now I can properly try and fit my chair to the perspective lines.
P41 - 02:25尽量把椅子构线融入房屋构线中。
And by looking around. I can tell that my chair would be able to fit somewhere here, but I wouldn't be able to put my chair here, because you can see that my perspective lines no longer add up.
P41 - 02:37不能破坏房屋的构线。
This is basically all of perspective, which is just that you need to make things match and line up.
P41 - 02:44椅子构线应该是房屋构线一部分。
So if I place my chair right here, and I do a little bit of editing. Then I can kind of make the chair blend into my surroundings.
P41 - 02:56可以做一个融入环境的椅子。
The situation gets a little bit more complicated when you introduce objects that could be turned around.
P41 - 03:01放置可以旋转物体变得复杂了。
So for example, a chair in a different perspective. Now there is a way to be able to properly grid out this kind of stuff.
P41 - 03:09有种方式可以摆脱构线拘束？
But for me, when it comes to objects that are being turned around, I rely on two things.
P41 - 03:14我有两个参考。
The first one is intuition. Typically as humans, we usually have an eye and a pretty good eye to tell whether or not something is in or out of perspective.
P41 - 03:24直觉会告诉我们视角一致与否。
The second would be using the horizon line.
P41 - 03:28第二种方式看水平线。
So when I was learning perspective, this is what they all taught me every single time is that you have a vanishing point horizon line.
P41 - 03:37水平线远处延伸的消失点。
Everything lines up to the vanishing point. And I honestly could never really understand perspective this way.
P41 - 03:44对我而言不太理解。
I don't know why this seeing it like this in a simple drawing where the buildings just went into space just not make much sense to me.
P41 - 03:53看不懂就不会运用。
in real life. Yes, everything does follow this rule very exactly.
P41 - 03:59确实大道至简的原则。
But it's also a little bit more nuanced than that. When I look at the world, not everything falls onto a grid for me.
P41 - 04:07并不是所有循规蹈矩匹配网格线。
Things didn't start clicking until I really just simplified it down and started looking at real life examples.
P41 - 04:15从生活中寻找真实案例。
So ever so quickly, let's go back to our room and I'm gonna simplify perspective into this way.
P41 - 04:22回到房间案例举例子。
It did not require an IQ of 200, which is that where everything is converged. This is my horizon line. Okay. Yeah, don't. But here's the thing.
P41 - 04:30构线走向中，我画出视平线。
Everything below my horizon line. I will see the Top of so i'll see the Top of this. I'll see the Top of the floor. I will see the Top of this table. I will also see the Top of any chair that I put in.
P41 - 04:45水平线下面，我看到物体的表面。
And if it's above my horizon line, then I will see the bottle and I won't see the Top.
P41 - 04:50视平线往上我能看见底部。
So. I can see the bottom of this little light right here. I see the bottom of my Top floor, which in this case would be my ceiling.
P41 - 04:59可以看到顶部光和天花板或灯池。
And if I put a chair up here, so if I had to dangle a chair from the ceiling, then I would see the bottom of that chair.
P41 - 05:06如果椅子悬挂，看到椅子底部。
I would not see the top of that chair. And that rule alone has helped me to draw anything I ever wanted or to collage in anything I ever needed into my piece.
P41 - 05:18这样我作品不会出现方位错误。
For example, if I wanted to envision myself looking down on the scene,
P41 - 05:24比如我们俯视场景。
then I just need to know one simple thing. I'm probably gonna see the Top of a lot of stuff, which means that my horizon line is going to be a very high.
P41 - 05:31看到顶部多，视平线很高。
here i have turned on the grid. You'll see that all the lines converge towards this point. That is completely off the screen that I am not even able to show you,
P41 - 05:41视角线交汇点在无穷远超出画幅。
because that's just how far off it is. This means that everything in this scene is below the horizon line.
P41 - 05:47一切都在该水平线之下。
And so I should be seeing the Top of everything. And the further it goes out from our horizon line, the more of the Top that I will see vice versa with the other side.
P41 - 05:59可以看到反之亦然。
If I want to do a low angle.
P41 - 06:01如果我想做低视角。
So this is like the pov‘s backing cleaner.
P41 - 06:04模拟清洁工的视角。
So if I want to do a low angle, then turning on the grid, you will see that, the lines all converge down to this point here.
P41 - 06:14视角线的交汇点。
Now, obviously, unless you were able to make everything float in the air and go below the floor, then you'll be able to see the Top of the things like the floor and the rug, which make sense, because it is below the horizon line and everything that is above the horizon line. So here you should be able to see the bottom of all of these different things.
P41 - 06:35看到几乎是事物的底部。
For example, we can slightly see the bottom of this ledge.
P41 - 06:40比如看到台面的底部。
or we can see the slight bottom of the stored up.
P41 - 06:43或者储物抽屉把手的底部。
So the next question is, well, how does that help me make my own piece?
P41 - 06:48如何应用到作品中？
I find that the biggest struggle with perspective and some of the most challenging parts of it is that you know how it works. You know about horizon lines. You know all of this stuff. But it's so difficult when you actually have to start a piece, to try and plot everything out. That sounds so intimidating.
P41 - 07:07绘制出所有线条听起来恐怖。
For the longest time. It was very intimidating for me. But I'm going to show you a hack that literally transformed my entire outlook on perspective,
P41 - 07:15给你展示省力的方法。
which is just take your own photos. Here's a photo from a road trip to my friends went on, rather than me starting from a blank canvas.
P41 - 07:25拍照片，方法。
So completely white screen and just trying to map out perspective.
P41 - 07:30直接标记出视角线。
I would start off with a photograph first to get my perspective on the check.
P41 - 07:33从照片开始不断的检测。
Now for me my favorite tool to use would be the perspective tools. So this is a photograph that my friends and I took when we were going on a road trip to the grand canyon.
P41 - 07:46这是去大峡谷公路旅途拍摄的。
I'm gonna show you two ways to be able to create perspective lines out of a photograph from pretty much nothing.
P41 - 07:52给你展示两种绘制视角线的方式。
The first method is my favorite method, which is the perspective tools method.
P41 - 07:58第一种方案是我喜欢的，视角线。
This is a specific tool for photoshop, where all you have to do is you just make two lines.
P41 - 08:04只需要绘制两条线。
One line here and one line here, you go to the grid, and the AI will literally create a grid for you, just like that.
P41 - 08:14两点AI可以自动生成网线。
Now, the specific photoshop tools that I use is the one by Sergey Kritskiy, which does cost money.
P41 - 08:21是付费的软件。
But the amount of time that this tool alone has saved me is well worth over 16 pounds.
P41 - 08:29但是协助我创造的价值胜过成本。
No, this is not sponsored. I just love this tool to death.
P41 - 08:32不是宣传，单纯喜欢。
But I also know that some of us don't want to pay money for anything. And you know what? I totally get that. I was in that camp before too. I refuse to pay for anything in my entire life. So let me show you a different way.
P41 - 08:45不愿意付费，有免费的方式。
You can download perspective Russia’s. So here I have perspective brushes from artist called pixel stains. And I have the tool called the one point perspective.
P41 - 08:55下载插件像素着色一点视角。
All I do is I go to a new layer. Let's say that I put my tools on blue and I'm just going to drop randomly one brush.
P41 - 09:04新建图层，蓝刷子绘制。
So now they basically gave me an entire grid. And all I have to do is just move the brush all the way down until I get the proper grid.
P41 - 09:15移动到匹配的位置。
The only caveat is that you can see that the brush unfortunately does not go off the canvas. You can hack that by starting off with a really big canvas and then cropping it down later on.
P41 - 09:29稍后把网格覆盖不到的地方裁剪。
But this is still going to help you so much more. And it is completely Free. I specifically got these brushes by a user named pixel stains.
P41 - 09:36这是免费软件的名字。
But there's a lot of different people out there who have these Free perspective grid brushes for photoshop procreate. And I believe that clip studio paint has their own form of perspective which ever method you use.
P41 - 09:49不同工作室有生成自己网格方式。
My entire point is that having these grids is going to be paramount, to help you be able to create interiors or anything with a man made structure.
P41 - 10:00帮助室内装潢和人造工程。
So now let me run you through my mind as I think about how to make my new Cinderella piece and how I'm able to incorporate perspective into it.
P41 - 10:10构图和构线如何服务构图的。
First step of course is to start off with a sketch. And this sketch is just for me, myself. And I, and while I'm showing it to you here now, you'll never ever see me post this anywhere else.
P41 - 10:21草图就是讲课说思路用的。
She would have these doors coming in and the light is streaming into these doors.
P41 - 10:27光透过门缝进来丝丝缕缕。
And then Cinderella is here. Maybe she's taking a break from cleaning.
P41 - 10:32灰姑娘打扫完了在休息。
So here’s her legs, maybe she's looking outside so that her eyes going this way. There are some things in the front, like really big items in the foreground,
P41 - 10:40前景有很大的东西。
so that we can make her feel like she's really trapped.
P41 - 10:44给观众感觉灰姑娘被困住了。
And I want to keep her somewhere in the 2/3 zone.
P41 - 10:47三分二的区域。
So if I had to divide my canvas through the rule of thirds. She would place somewhere on this intersection here.
P41 - 10:53三分二交叉聚焦的原则。
I think I want a somewhat low angle so that it feels as if we are closer down to the ground as if our point of view was a mouse,
P41 - 11:04像是地面老鼠一样卑微的视角。
kind of as if we were picking on her by being a little mouse in the story.
P41 - 11:08像是故事里卑微的老鼠。
Since I still want to go for a little bit of the hiding from in spying on kind of composition.
P41 - 11:14合成中被窥视的感觉。
So now I have my sketch. I kind of know what I'm doing. Obviously, if I turn this into someone people with a maniac, but this is not for them. This sketch is just for us.
P41 - 11:25这草图是给自己灵感对话用的。
Now with the technology of today, I am able to take my phone which has a camera on it. And most phones these days do have cameras on it. And I'm assuming that most of us are living in a square shaped room,
P41 - 11:38当代房子都是长方形的。
or at least am living in a place that has at least one square shaped room. I've never seen a house or apartment that is completely circular.
P41 - 11:49没看到完全圆柱体的房子。
That would honestly be super cool. But I don't think most of us live in a circular shape room. So that means that you have access to be able to create perspective photos with your own phone.
P41 - 11:59用自己手机拍照也可以构图。
So I went to a particularly rectangular shaped portion of my house. And knowing that I wanted a slightly lower angle, I leaned down really close to the ground and I took this photo. And from this photo, I'm going to create my perspective grid.
P41 - 12:17我蹲下来拍摄照片就是构线参考。
Now that my greatest done, I simply take this away and I get my grid.
P41 - 12:29拿走照片，我获得了我的视角线。
And I can use this for anything that I want. There's no more having to guess your way into a grid.
P41 - 12:34毋庸置疑。
And there's no more having to think really, really hard about how high your horizon line should be or how wide your angle should be.
P41 - 12:42水平线多高视角多宽，不用考虑。
I just take a photograph and I built on Top of it. to me, it takes out all of the stress that makes perspective so intimidating.
P41 - 12:51不用绘制视角线了。
And I can also use my photograph as a base to tell myself, OK, I want my floor to be here. My wall can start from here and in this photograph. And this was the key that really unlocked perspective for me.
P41 - 13:06解锁墙和地板的相对位置。
So without further ado, I'm just gonna go in and re draw my sketch a little bit, still at a very unfinished level.
P41 - 13:14还是未完成的阶段。
And that sketch will help me prepare for my photo back painting and tell me exactly what items I'm going to need.
P41 - 13:19照片拼图需要的素材。
Whether it's to paint or collage.
P41 - 13:23是绘制还是拼图。
So as I'm near the end of this sketch, you can see that it's definitely a lot more understandable than the first sketch that I did.
P41 - 14:00带视角线的比不带的清晰多了。
This is still in a very unfinished stage, and things still don't make a little bit of sense. But I can kind of see where this is going.
P41 - 14:08可以看出发展趋势来。
I see the doors. I see a general perspective. I can see Cinderella. I know where my focus is. So this completely serves the purpose that a proper sketch should serve.
P41 - 14:19角色聚焦点物理空间是草图罗列。
Now, one thing I notice is Cinderella is now shifting away from the original position that I wanted, which was the 2/3 and 1/3 line here.
P41 - 14:27主角从三分二到三分一。
And that's completely okay. That's a art. Things change.
P41 - 14:32万变不离其宗旨。
So instead, I'm actually going to be moving the entire piece a little bit higher and to the left.
P41 - 14:40往左上方移动。
Cause now I want Cinderella to be more on the left side and on the left intersection.
P41 - 14:47让角色在左侧交叉点。
In terms of the 2/3 rule, she won't be perfectly on it, but she can get pretty close.
P41 - 14:53无限接近，不用精确。
I just don't want her to be too much in the center. initially, because I want to do that hiding from spying on kind of composition. You'll see that I have my wall right here.
P41 - 15:04墙壁给营造出窥视到感觉。
This wall here is going to be very forbidding as if it's closing in on her.
P41 - 15:10像是半关闭不关闭的感觉。
If I cover too much, then I won't be able to demonstrate interiors for you guys.
P41 - 15:14目前不涉及装潢细节。
So I have to keep the space relatively open. That being said, having the wall here, I think would be a great place to make her feel as if she's being constructed.
P41 - 15:21围墙束缚住的自由。
So she would be in this kind of long hallway cleaning the floors.
P41 - 15:27长走廊里清理地板。
I note the direction of the light. So that's going to stream in like this. And I also note a little bit of the direction of the shadow, because the sunlight is a very linear ray.
P41 - 15:36太阳光束，光影随行。
And so the shadows that are caused by sunlight are going to be standing out in their own sort of perspective line,
P41 - 15:44光影随行自动形成的视线图。
but we'll get to that. When we get to that. We don't have to worry about that right now.
P41 - 15:47不是现在该担心的。
My next step is to figure out what exact object that I will need.
P41 - 15:51下一步分辨出需要什么物体。
If I want to either photo bash it or find it references for it, or simply draw it.
P41 - 15:57拼图 参考 绘制的选择。
So i've got a bucket, I got some doors, I have decor, I have a floor that I want to look at.
P41 - 16:04木桶 门 装饰 地板。
I don't want something in the foreground, I'm not sure just yet.
P41 - 16:08前景需要东西。
It may be something here for the foreground too. And of course our wall. So knowing these things, this is my new game plan.
P41 - 16:16以上是素材清单。
With my game plan in hand, I am not able to go off into the world and go look for those specific references that I have mentioned in this piece.
P41 - 16:24不会迷失在素材海洋里。
So without further ado, i'll catch you in the next video.
