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时代审美与个体选择

2023-04-06 10:01 作者:TimesLucky  | 我要投稿


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贱家鸡，趋野稚

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峻秀


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风格的转变：质--研（王羲之）

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王羲之影响了当时的书风

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王羲之这么多儿子，都是”之“，有点意思。🤣


  流美

风流蕴藉，清简相尚，虚旷为怀

晋人书取韵，唐人书取法，宋人书取意。 --《容台别集》明.董其昌

晋书如仙，唐书如圣，宋书如豪杰。 --清·周兴莲《临池管见》



王铎

王铎与王凝之

取法右军，各得一体





冯承素与褚遂良临




       英勇挺拔开张

长史草书，颓然天放

”字形结构“变化到了”临界点“

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意--法

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张旭与怀素

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尚意

法->意







元代古雅--野逸



温润如玉，精致完美




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碑学风潮

学碑还是学贴，本来不存在问题，但是从清代中期的碑学兴起之后，碑帖之争（选）成为一个问题，直到现在。

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1829-1884，魏底颜面


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  楷书


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二十世纪贴学的复兴

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古典之外

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少字派


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墨像派


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关于丑书

来自民间书法

弄巧成拙-弄拙成拙

是否刻意做作，不自然

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民间与文人


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未来的书法，何去何从？

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