【论文翻译/韩语大佬求助】轻小说及其青少年欲望机制：关于西尾维新作品的一个分析
摘要
本文以对西尾维新作品的分析为中心，探讨了轻小说的青少年欲望机制。考虑到近20年的高产轻小说创作，西尾维新的作品乃是轻小说及其机制的象征。轻小说，御宅亚文化的代表类型之一，被两种与青少年相关的欲望所影响：一种是作为主体，想要保持青少年姿态的欲望；一种是想要拥有作为客体的其他青少年。这里的重要之处在于御宅亚文化青少年主体的性别认同为男性，换句话说，他们渴望作为男孩来得到女孩。即使他们在实际年龄上已不再是青少年，他们仍想要一如既往地保持男孩的姿态。在关于青少年的这个机制中，御宅亚文化已经保护了它们的内容用户们近40年。按照精神分析的观点，尤其是按照梅兰妮·克莱因（Melanie Klein）的理论，轻小说可以被认为是他们停留在俄狄浦斯的早期阶段，具体来说，是在偏执-分裂心位（paranoid-schizoid position）和抑郁心位（depressive position）之间。这些青少年主体们在这两种心位之间反复前进后退。在西尾维新的轻小说中，向着抑郁心位的前进表现为厌女症（misogyny）：老套的女孩性化（sexualising of girls），御宅亚文化的一种基本操作，再现于西尾维新的作品之中。同时，向着偏执-分裂心位的后退表现为对逆生长（degrowth）的欲望，而且他们在其御宅社区中表现得团结一致。然而，与此同时，他们对长大成人和受到老一代们影响，特别是前辈作家们的影响，表现出焦虑。那焦虑的身份揭示了轻小说作为一种文学新形式的地位。
摘要原文：
This article examines the juvenile desiring mechanism of Light Novel centered on the analysis of Isin Nisio’s works. Given the prolific Light Novel creating almost 20 years, Nisio’s works are emblematic of Light Novel and its mechanism. Light Novel, one of the representative genres of Otaku subculture, is operated by two desire in regard to juveniles: one is the desire to stay the position of juvenile as a subject and the other is to posses the other juveniles as objects. What’s important here is that the gender identity of juvenile subject of Otaku subculture is male, in other words, they desire to be boys to obtain girls. Even if they are no longer juveniles in actual ages, they would like to stay the position of boys as ever. Within the mechanism in regard to juveniles, Otaku subculture has secured their contents users almost 40 years. From the psychoanalytical point of view, especially in terms of the Melanie Klein’s theory, Light Novel may be viewed that they stay the early stage of Oedipus, to be concrete, between the paranoid-schizoid position and the depressive position. The juvenile subjects repeat the progress and the regression between those two positions. In Nisio’s Light Novel, the progress to the depressive position is presented by misogyny: the cliché sexualising of girls, which is a sort of literacy of Otaku subculture, reproduces at Nisio’s works. Meanwhile, the regression towards the paranoid-schizoid position is expressed as desire for degrowth and they show solidarity in their Otaku community. At the same time, however, they express anxiety about being adults and being influenced by their older generation, especially the influence by their senior writers. That anxious identity reveals the position of Light Novel as a new form of Literature.
（仔细看的话，你会发现作者似乎对这篇英文摘要不算是很上心……甚至个别单词的字母都漏写了……）
目录（목 차）
Ⅰ.介绍（서론）
Ⅱ. 妄想-分裂与抑郁之间的未成年自我（망상-분열과 우울 사이의 미성년 적 자아）
Ⅲ.少女，厌女症（misogyny）的迹象（소녀 , 여성혐오 의 기호）
IV.少年的同性社交（homososial），永恒的俄狄浦斯焦虑（소년 들의 호모소셜 , 영원한 오이디푸스들의 불안）
Ⅴ.结论（결론）
（上面这目录还是机翻加简单校对的……）
啥？正文？
我跟你说，我看到这些韩文后，脑子告诉我想自学这对不可名状物，但眼睛告诉我想都别想……
但不得不说，这是少有的、针对西尾维新及其作品进行分析的学术论文。这篇期刊论文大约是2018年9月发表在韩国《东北亚文化研究》（동북아 문화연구）的，作者叫李宣庆（이선경/Yee, Sun-Kyun），韩国白石大学（백석대학교 교양대학）的。
我简单看了看结论的机翻，基本和摘要差不多。这篇论文主要是通过梅兰妮·克莱因的精神分析理论来考察西尾维新的那些作品。根据参考文献，其分析范围似乎覆盖有戏言系列、物语系列、刀语系列以及美少年侦探团系列（这似乎还是第四章的重点？）。但从结论上看，不知道是不是机翻带来的误差，虽说是从轻小说看青少年的心理机制，但似乎更像是从轻小说对西尾维新进行精神分析……
不过我在看结论的机翻时，最神奇的还是这句：西尾维新的《刀语系列》中的家庭谋杀和对男性棒状物的连续征服是很典型的。（니시오 이신의 ‘칼 시리즈’에 나타나는 가족 살해와 연이은 상징적 남근의 정복이 대표적이다. ）原文写的挺直接的，就是你想的那个东西。虽然我也知道精神分析都这尿性，但我这真的很生草（日语）啊……
差点忘了……这篇专栏主要是钓大佬的。如果有对此感兴趣的大佬欢迎帮忙参与翻译。
不会等我自学完韩语了都没大佬来帮忙吧……
但愿不会吧……
