Renewal-Zone：整合 更新 改造：超20年的建筑重塑之路︱洛杉矶哈默博物馆

打开www.RENEWAL-ZONE.com了解更多

哈默博物馆于1990年开幕，建筑由爱德华·拉拉比·巴恩斯 (Edward Larrabee Barnes) 设计，博物馆在2015年得以扩充，将毗邻的由克劳德·贝尔曼 (Claud Beelman)在1962年设计的一座办公楼纳入旗下。2018年博物馆宣布，该建筑被命名为琳达&斯图尔特雷斯尼克文化中心。

© Iwan Baan

© Iwan Baan

2000年，博物馆启动了与洛杉矶著名建筑师Michael Maltzan的合作，契机源于Maltzan与设计师Bruce Mau为博物馆打造的品牌标识和总体规划。后续的数十年间，哈默的领导层和Maltzan对这座建筑持续开展改造更新，以便为游客和社区提供更好的服务。

© Iwan Baan

项目早期的里程标包括打造比利·怀尔德剧院和哈默咖啡馆、开发俯瞰林德布鲁克大道的露台、将博物馆庭院重构为公共空间，以及通过三层展厅的约翰·V·通尼桥连接起过去一度被分隔的空间。

© Iwan Baan

最近阶段的改造始于2016年对博物馆展厅的更新，以及对自邻近办公塔楼收购的40,000平方英尺空间的整合工作。2023年3月，改造工作迎来高光时刻，威尔希尔大道上醒目的新入口向公众开放，显著提升了哈默的城市形象。该入口通向新的大厅、空间扩充达60%的展厅，以及从新入口绵延整个街区，位于威尔希尔（Wilshire）和格伦登（Glendon）的具有高识别度的新的大型展览馆。

© Iwan Baan

首期（2016年）：改造从位于三楼的特别展厅的全面更新开始，首期耗资1000万美元，于2017年1月在预算内准时完工。

二期（2017-2019年）：2017年秋季，项目二期启动，包括对Annex演艺空间的重大更新，目前这里被称为苏珊·贝·尼莫伊&伦纳德·尼莫伊工作室（贝·尼莫伊工作室），以及在庭院层打造新媒艺展厅，及重新配置三楼展厅的洗手间。贝·尼莫伊工作室曾为原始的黑匣子空间，现在配备了可折叠的玻璃外壳、升级的舞蹈和表演楼层以及先进的灯光和音响技术。面向韦斯特伍德大道的全新的大型外窗向周围社区展示了博物馆的活力。这些空间于2018年6月开业。

© Michael Maltzan Architecture

项目二期持续进行，在2019年2月开设了一家新餐厅，并对林德布鲁克大道上方的露台进行了改造，现被称为安纳伯格露台。由于安装了温度控制系统和灵活的玻璃围护结构，这里全年可用于一些教育、装置、项目和活动的空间。林德布鲁克大道入口处还安装了可供轮椅通行的无障碍坡道。

连接三楼展厅的主展厅楼梯和长廊也进行了更新，在现代美学和材料选择上与Michael Maltzan之前更新的庭院相统一。其他功能上的提升包括LED节能照明设施、清水混凝土地面以及新的不锈钢和玻璃栏杆。

© Michael Maltzan Architecture

三期（2018-2020年）：相邻塔楼的四至五层在基础设施、室内及机械系统经过全面更新后，成为了员工办公室和后勤空间。

© Iwan Baan

四期（2020-2021年）：在三楼新建展厅用于展示博物馆的纸类藏品。加州大学洛杉矶分校格伦沃尔德图形艺术中心（UCLA Grunwald Center for the Graphic Arts）是全美最重要的纸品收藏方之一，并拥有一个引人注目的新自习室，供学生和学者观赏和学习藏品。此外，博物馆商店也进行了改造，室内空间由洛杉矶的The Archers事务所设计。

五期（2022-2023年）：位于威尔希尔大道和韦斯特伍德大道拐角处的入口的重新设计，以动态电子标识和大型窗户为特色，人们可以从中了解到博物馆的活动。这里广迎各路访客，无论是通过自驾、公共汽车、自行车、步行，或是未来乘坐规划中的地铁前来，地铁站点将设置在街道对面。新的入口将游客引入一个宽敞的新大厅，里面有定期更换的艺术品装置，以及一组庆祝博物馆收藏的新展览。

前城市国家银行的旧址上建造了一个大型的新展馆，为博物馆增加了5,600平方英尺的空间，并将博物馆的底层延伸至威尔郡沿线从韦斯特伍德至格伦登的整个街区。威尔希尔和格伦登的转角处设有一个新的户外雕塑露台。

© Eric Staudenmaier

© Iwan Baan

Designed by Edward Larrabee Barnes, the Hammer Museum building opened in 1990. In 2015, the Hammer gained the ability to expand into an adjoining 1962 office tower designed by Claud Beelman. In 2018, the museum announced that the building would be known as the Lynda and Stewart Resnick Cultural Center.

In 2000, the Hammer initiated a collaboration with renowned L.A.-based architect Michael Maltzan, which began when he and designer Bruce Mau developed a brand identity and master plan for the museum. Over the next decades, Hammer leadership and Maltzan have worked on an ongoing basis to transform the building so it can better serve its visitors and community.

© Iwan Baan

Early project milestones included the creation of the Billy Wilder Theater and Hammer café, the development of a terrace overlooking Lindbrook Drive, the reimagination of the museum's courtyard as a public space, and the connection of previously separated spaces by the John V. Tunney Bridge between the third-floor galleries.

© Iwan Baan

The most recent phase of the transformation began with the renovation of the museum's exhibition galleries in 2016 and the integration of 40,000 square feet of space acquired in the adjacent office tower. The transformation culminates in March 2023 with the opening of a prominent new entrance on Wilshire Boulevard-giving the Hammer a much-heightened urban presence-which leads into a new lobby, exhibition galleries with 60% more space and a highly visible new large-scale gallery a full city block down from the new entrance, at Wilshire and Glendon.

© Iwan Baan

TRANSFORMATION CAMPAIGN TIMELINE (2016 - PRESENT)

Phase I (2016): The transformation project began with the complete renovation of the Hammer's third-floor special exhibition galleries. This initial $10-million phase was successfully completed on time and under budget in January 2017.

© Iwan Baan

Phase II (2017-2019): Begun in fall 2017, Phase II included a major renovation of the Hammer's Annex performance space, now known as the Susan Bay Nimoy and Leonard Nimoy Studio ("Bay-Nimoy Studio"); the creation of a gallery for new media art on the courtyard level; and reconfigured restrooms on the third-floor gallery level. Previously a raw black-box space, the Bay- Nimoy Studio now features a folding glass enclosure, upgraded floors for dance and performance, and advanced lighting and sound technology. A new, large exterior window facing Westwood Boulevard displays the Hammer's vibrancy to the surrounding community. These spaces opened in June 2018.

© Iwan Baan

Phase II continued with the February 2019 opening of a new restaurant and the transformation of the terrace above Lindbrook Drive. Now known as the Annenberg Terrace, this space is a year-round asset for education, installations, programs, and events thanks to the installation of climate controls and a flexible glass enclosure system. A wheelchair-accessible ramp was also installed at the museum's Lindbrook entrance.

The main gallery stairway and promenades linking the third-floor galleries were also refreshed to match the modern aesthetic and materials utilized in Michael Maltzan's prior renovation of the courtyard. Enhancements include energy-efficient LED lighting, an exposed-aggregate concrete floor, and new stainless steel and glass railings.

© Iwan Baan

Phase III (2018-2020): The infrastructure, interiors, and mechanical systems on the fourth and fifth floor of the adjacent tower were completely renovated to become staff offices and support spaces.

© Iwan Baan

Phase IV (2020–2021): New galleries were created on the third floor to showcase the Hammer's works on paper collection. The UCLA Grunwald Center for the Graphic Arts-which holds one of the most significant collections of works of on paper in the nation-also gained a prominent new study room where students and scholars can view and learn from the collection. Additionally, the Hammer Store was transformed, with interiors designed by the Los Angeles-based firm The Archers.

© Iwan Baan

Phase V (2022-23): A redesigned entrance at the corner of Wilshire and Westwood Boulevards-featuring dynamic digital signage and large windows with a view to the activity within-now creates a welcoming front door for visitors to the Hammer, whether traveling by car, bus, bike, foot-or by the future Metro line, which will stop right across the street. The new entrance leads visitors into a spacious new lobby incorporating regularly changing installations of artworks, and to an exciting group of new exhibitions celebrating the Hammer's collection.

A large-scale new exhibition gallery built in a former City National Bank site adds 5,600 square feet of gallery space while extending the museum's ground floor to span the entire block along Wilshire, from Westwood to Glendon. A new outdoor sculpture terrace marks the corner of Wilshire and Glendon.

© Eric Staudenmaier

Address: 10899 Wilshire Blvd, Los Angeles, CA 90024

Area: Westwood

Completion date: March 2023

Gross square footage:

Newly acquired space: 40,000 SF

Total museum space upon completion: 160,000 SF

Pre-transformation gallery space: 18,300 SF

New gallery space: 10,120 SF

Total gallery space upon completion: 27,875 SF

Total project cost: $90 million

Client: UCLA Hammer Museum

Museum Leadership: Ann Philbin, Director; Marcy Carsey, Chair, Board of Directors

Architect: Michael Maltzan Architecture, Inc.

Michael Maltzan, Design Principal

Tim Williams, Managing Principal

Gee-ghid Tse, Senior Project Designer

Nick McAdoo, Project Architect

Design Team: Sahaja Aram, Dana Bauer, Emily Bidegain, Wil Carson, Joe DiMatteo, Wendi Gilbert, Tom Goffigon, Nora Gordon, Vano Haritunians, Ken Hasegawa, Sara Jacinto, Sevak Karabachian, Yong Kim, Yvonne Lau, Nick Martinez, John Murphey, Stacy Nakano, Edward Ogosta, Kyle Peterson,  Nadine Quirmbach, Kurt Sattler, Krista Scheib, Jeff Soler, Paul Stoelting, Owen Tang, Hiroshi Tokumaru,  Nicole Tomasi, Jessica Tracey, Edward Tung, Yan Wang, Sharon Xu

Architect of record: Michael Maltzan Architecture, Inc.

Structural Engineer: John A. Martin & Associates

Structural Design Engineer: Guy Nordenson and Associates, LLP (John V. Tunney Bridge)

MEP/FP Engineer: ARUP, Innovative Engineering Group (BWT)

Lighting Design: LAM Partners Inc., ARUP

Specifications: AWC West

Building Code Consultant: Nate Wittasek

Graphics: Bruce Mau Design, Inc.

Steel Fabricator: Plas-Tal Manufacturing Co.

Waterproofing: Roofing & Waterproofing Forensics, Dean Larsen

Cost Consultant: Directional Logic, CP O'Halloran Associates (BWT)

Facility Report: Cooper Robertson

Acoustics: ARUP, Charles Salter & Associates (BWT)

Audio Visual: ARUP, 3G Productions, Inc., AVI-SPL

IT Consulting: ARUP

Kitchen consultant: Laschober + Sovich, Cini-Little

General contractor: Matt Construction Corporation

Photographer: Iwan Baan and Eric Staudenmaier

·  END  ·