“全斯坦威学院”辛辛那提大学音乐学院申请详解！
辛辛那提大学音乐学院：
全美顶尖的公立大学
拥有来自115个国家的
超过4000名国际生
研究生总数超过11,000
来自89个国家，其中20%为国际生
许多学生在学习阶段
就已在好莱坞、百老汇
以及著名的交响乐团崭露头角
学院简介
辛辛那提大学音乐学院（College-Conservatory of Music），简称辛辛那提音乐学院（CCM），被誉为“辛辛那提音乐之子”，位于美国俄亥俄州，辛辛那提市，是美国顶尖的音乐学院之一。辛辛那提音乐学院CCM是世界闻名的音乐学府，在U.S. News和World Report的美国音乐院校排名中，CCM名列第六，其中声乐和指挥分别排在专业第三和第五位。
辛辛那提市拥有着全美三大音乐厅之一Cincinnati Music Hall，著名的辛辛那提交响乐团Cincinnati Symphony Orchestra，和辛辛那提流行管弦乐团Cincinnati Pops Orchestra，为音乐学院学生提供了优秀的艺术环境。CCM作为”全斯坦威学院“ 是世界闻名的艺术圣地，优异的学习环境激发了学生的潜能和表演魅力。
专业
设置
本科专业
BM，方向有：巴松、大提琴、单簧管、作曲、倍大提琴、次中音号、长笛、法国号、古典吉他、羽管键琴、圆号、爵士、音乐教育、音乐表演与教育、音乐史、双簧管、打击乐、钢琴、萨克斯、长号、小号、大号、中提琴、小提琴、大提琴、声乐
BA，艺术学士
研究生专业
Artist Diploma，演奏家文凭，方向有：铜管、羽管键琴、歌剧、打击乐、钢琴表演、弦乐、声乐、木管
MM，方向有：巴松、大提琴、单簧管、钢琴伴奏、作曲、指挥（合唱、乐队）、倍大提琴、次中音号、长笛、法国号、古典吉他、羽管键琴、圆号、爵士、音乐教育、音乐史、音乐理论、双簧管、管风琴、打击乐、钢琴、萨克斯、音乐理论、长号、小号、大号、中提琴、小提琴、大提琴、声乐、木管
申请要求
语言成绩
本科：托福66（除声乐）/雅思6
声乐专业79/雅思
硕士：托福80（除作曲、乐理和历史）/雅思6.5
作曲、乐理和历史托福83/雅思6.5
博士学位（除钢琴、声乐、作曲、乐理、音乐史）：托福90
博士学位（声乐、作曲、乐理、音乐史）：托福100
ACT或SAT要求
本科国际生申请者，如已在美国学习了一年，需提供ACT或SAT成绩。
艺术简历、命题作文、成绩单、推荐信、面试曲目、初审录像
学校学制
本科：四年 硕士：两年
报名截止时间：早申12月1日，常规申请3月1日
学费
作品集要求
钢琴
本科
At least three solo pieces from contrasting style periods and must include a complete sonata of Haydn, Mozart, Beethoven (excluding Opus 49) or Schubert
All Sonatas, Variations, Suites, and other individual works written with multiple movements must be prepared in their entiretySets of pieces that are intended to be performed together must be prepared in their entirety (For example: Schumann Carnaval, Davidsbündlertanze, or Kreisleriana; Mussorgsky Pictures at an Exhibition; Franck Prelude, Chorale and Fugue)
Compositions should be performed by memory with the exception of extraordinarily prohibitive 20th and 21st century compositions
Etudes encouraged
研究生
At least three solo pieces from contrasting style periods and must include a complete sonata of Haydn, Mozart, Beethoven (excluding Opus 49) or Schubert
All Sonatas, Variations, Suites and other individual works written with multiple movements must be prepared in their entirety
Sets of pieces that are intended to be performed together must be prepared in their entirety (For example: Schumann Carnaval, Davidsbündlertanze, or Kreisleriana; Mussorgsky Pictures at an Exhibition; Franck Prelude, Chorale and Fugue).
Etudes are encouraged
Compositions should be performed by memory with the exception of extraordinarily prohibitive 20th and 21st century compositions.
The choice of repertoire should be indicative of the capacity to thrive artistically in graduate level piano study.
小提琴
本科
One movement from Bach Solo Sonatas or Partitas
One movement from a standard concerto
One Paganini or Wieniawski caprice
研究生
One movement from Bach Solo Sonatas or Partitas
One movement from a standard concerto
One Paganini or Wieniawski caprice
Currently enrolled CCM students applying for a new graduate degree must submit a headshot and resume by December 1.
中提琴
本科
Two contrasting movements from a cello suite of J. S. Bach
First movement from a standard viola concerto
One movement from a work of your choice
研究生
Two contrasting movements from either a cello suite, violin partita or violin solo sonata of J.S. Bach
First movement from a major viola concerto by a composer such Walton, Bartok, Hindemith, etc.
One movement from a 20th/21st century composer written after 1960
大提琴
本科
One movement of a concerto
One movement of solo J. S. Bach
One etude by Piatti, Popper, Duport or Franchomme
研究生
One movement of a concerto
One movement of solo J. S. Bach
One etude by Piatti, Popper, Duport or Franchomme (required for MM applicants ONLY)
声乐
本科
Two Art Songs (one in English, one in another language).
Note: Operatic or oratorio arias written after 1750 are not allowed. All other art songs written after 1750 that are not arias are acceptable.
研究生
Two art songs (one in English, one in another language)
One aria (from an opera or oratorio)
Current resume
Only DMA applicants must submit two writing samples:
One academic paper – papers written during MM academic tenure are acceptable. Topics should be historical and/or theoretical treatments of a musical subject. Papers shall be no less than 10 pages in length. Standard formatting and footnotes are required.
One essay – composed on current and future trends in classical vocal music. Submitted essays must be 1-2 pages in length in PDF format. Essays must address: the role of classical singing in contemporary American culture; changes that have occurred and/or should occur; and future possibilities for this art form. Considerations may include: resources of talent, finance, venue and medium; both new and standard repertoire; audience. DMA applicants need not address all of these elements. One or two topics of interest may be chosen and discussed.
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