搬运译Pitchfork评10年代200张最佳专辑第187名：Iceage: Beyondless (2018)

搬运自：微信公众号【评论搬一堆】（在原文基础上添加了英语原文与排版调整）

原文链接：https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/ 

翻译：Cathy Lin

校对：Ryan-Chopin

推送：Lynn Liu

With limbs flailing and sweat matting his hair, Iceage frontman Elias Bender Rønnenfelt grew up before our eyes. He was only 18 at the top of the decade, when he and his childhood friends were dubbed the Next Great Punk Band, and across four albums and countless shows, they put in the work needed to uphold the claim. Beyondless, the quartet’s most recent LP, saw them once again expanding their sound in service of their ever-growing ambition, this time incorporating manic violins, honky-tonk pianos, and, for the first time, a guest vocalist in Sky Ferreira. The permanently anguished Rønnenfelt offers up a clear example of his dark philosophy in the cabaret stunner “Showtime,” narrating the onstage suicide of a handsome young singer. Over drunken drums that lead the rest of the band along by a rope, he snarls into the mic, grappling with the very public line of work that’s made him a minor heartthrob among the indie set. This is the latest, greatest Iceage: a bit more romantic but as fiercely droll as ever. –Noah Yoo

胡乱挥舞的四肢，汗水浸湿的头发，冰河乐队的主唱Elias Bender Rønnenfelt在我们眼前长大了。当他和他的童年伙伴被称为下一个伟大的朋克乐队时，他只有18岁，在四张专辑和无数的演出中，他们投入了所有的努力来力证这一称号。在《Beyondless》这张最新唱片里，我们看到他们再次扯大歌喉，征服着他们不断扩张的野心，这一次，他们结合了狂躁的小提琴音、低音钢琴音和首次合作的歌手Sky Ferreira的人声。在“Show Time”里，永久承受着痛苦的Rønnenfelt为他的黑暗哲学给出了一个明确的例子，歌曲讲述了一个英俊的年轻歌手在舞台上自杀的故事。醉醺醺的鼓声似一条绳子引导着乐队的其他成员，他对着麦克风咆哮，克服着成为一个小小万人迷要走的公众路线之下的压力。这是全新的也是最伟大的冰河乐队: 一丢丢浪漫之外，一如既往的极度古怪。