TJS Live｜周五晚，黄立雅与盖尔盖伊·伊采什：风中的竖琴
随着春季学期教学工作的顺利推进，天津茱莉亚学院将于近期重启“直播音乐会”和“公开音乐会”，从线上到线下与更多观众分享充满魅力的音乐现场。
本月，【TJS Live｜天津茱莉亚现场】将推出三场音乐会直播。2月17日（本周五）19:00，天津茱莉亚学院竖琴教师黄立雅与长笛教师盖尔盖伊·伊采什（Gergely Ittzés）将联袂呈现一场难得一见的竖琴与长笛二重奏音乐会《风中的竖琴》，演绎柏辽兹、皮亚佐拉等作曲家的经典作品。大提琴教师金兗珍（Yeonjin Kim）也将作为特邀嘉宾与两位艺术家合作演出三重奏。届时，观众可通过天津茱莉亚学院【视频号】观看现场直播。
此外，2月19日（本周日）《水蓝与天津茱莉亚管弦乐团音乐会》和2月24日（下周五）《天津茱莉亚室内乐团音乐会》也将在【TJS Live｜天津茱莉亚现场】进行直播。同时，《水蓝与天津茱莉亚管弦乐团音乐会》还将免费向公众开放，邀请大家走进音效极佳的天津茱莉亚音乐厅。具体索票方式和直播平台，请关注微信公众号近期的专题推送。
演出曲目｜Program
埃克托·柏辽兹（1803-1869）
三重奏，为两把长笛和竖琴而作，作品25（选自《基督的童年》）
盖尔盖伊·伊采什，长笛
Dóra Szabó*，长笛
黄立雅，竖琴
HECTOR BERLIOZ (1803-1869)
Trio for 2 Flutes and Harp, Op. 25 (From “L'enfance Du Christ”)
Gergely Ittzés, Flute
Dóra Szabó*, Flute
Li-Ya Huang, Harp
——
拉维·香卡（1920-2012）
迷人的黎明
盖尔盖伊·伊采什，长笛
黄立雅，竖琴
RAVI SHANKAR (1920-2012)
L’aube Enchantée
Gergely Ittzés, Flute
Li-Ya Huang, Harp
——
阿斯托尔·皮亚佐拉（1921-1992）
探戈的历史（1985）
红灯区1900
咖啡馆1930
夜店1960
现代音乐会
盖尔盖伊·伊采什，长笛
黄立雅，竖琴
ÁSTOR PIAZZOLLA (1921-1992)
History of Tango (1985)
Bordel 1900
Café 1930
Night Club 1960
Modern Day Concert
Gergely Ittzés, Flute
Li-Ya Huang, Harp
— 中场休息｜Intermission —
莱文特·吉昂奥西（b. 1975）
田园牧歌
盖尔盖伊·伊采什，长笛
黄立雅，竖琴
LEVENTE GYÖNGYÖSI (b. 1975)
Pastorale
Gergely Ittzés, Flute
Li-Ya Huang, Harp
——
拉斯洛·拉吉塔（1892-1963）
第二号三重奏，作品47
不过分的快板
更加的活跃
活泼地
盖尔盖伊·伊采什，长笛
黄立雅，竖琴
金兗珍，大提琴
LÁSZLÓ LAJTHA (1892-1963)
Trio No. 2, Op. 47
Allegro ma non troppo
Piú mosso
Vivace
Gergely Ittzés, Flute
Li-Ya Huang, Harp
Yeonjin Kim, Cello
* 特邀艺术家｜Guest Artist
黄立雅，竖琴
Li-Ya Huang, Harp
黄立雅出生于中国台湾，2011至2020年期间曾担任中国国家大剧院管弦乐团竖琴首席，英国BBC交响乐团、香港管弦乐团和蒙特利尔交响乐团和多家知名乐团客座竖琴首席。
她以独奏家身份，定期与国家大剧院管弦乐团、台北市立交响乐团、湾声乐团（台湾）、肯塔基交响乐团、CCM交响乐团、CCM现代音乐重奏团等合作。近期重要演出包括与国家大剧院管弦乐团合作的莫扎特的《长笛与竖琴协奏曲》、台北市立交响乐团合作亨德尔的《降B大调竖琴协奏曲》，以及在国家大剧院五月音乐节开幕音乐会中演出《拉威尔：引子与快板——为竖琴，弦乐四重奏，长笛和黑管而作》。黄立雅在台北、北京、上海、香港、澳门、旧金山、洛杉矶、辛辛那提及纽约等国际主要城市举办独奏及室内音乐会，并受邀于第一、二届台湾国际竖琴艺术节，世界竖琴大会，上海国际竖琴艺术节及意大利斯波雷托艺术节担任独奏。
黄立雅曾取得台北市立交响乐团音乐人才库优胜、香港世界竖琴大会多媒体新作品演绎大奖、台湾古典音乐协会新星、第一届台湾国际竖琴大赛第一名等奖项。
她的首张个人专辑《竖研室-台湾当代竖琴作品集》集合台湾当代作曲家的重要竖琴作品，于2018年3月由台湾好有感觉音乐事业有限公司发行。其他担任乐团竖琴首席参与的重要录音有：Jaap Van Zweden指挥香港管弦乐团录制瓦格纳《指环》：《女武神》，拿索斯唱片发行（2016）；以及Lorin Maazel指挥国家大剧院管弦乐团录制瓦格纳/马泽尔《无词指环》，索尼唱片发行（2013）。
黄立雅拥有辛辛那提学院音乐学院的竖琴博士学位，并在印地安那大学雅可布音乐学院取得竖琴硕士学位。她经常在中央音乐学院、中国音乐学院、国立台湾艺术大学、辛辛那提音乐学院等举办讲座和大师班，并且受邀担任“交响少年”、北京中山音乐堂竖琴大师课以及夏季竖琴班等活动的竖琴导师。
Born in Taiwan, Li-Ya Huang was Principal Harp of the China National Centre for the Performing Arts Orchestra from 2011 to 2020, Guest Principal Harp of the BBC Symphony Orchestra, the Hong Kong Philharmonic Orchestra, Orchestre Symphonique de Montréal, and many other leading orchestras.
As a soloist, Huang performs regularly with the NCPA Orchestra, the Taipei Symphony Orchestra, Wan-Sheng Orchestra (Taiwan), the Kentucky Symphony Orchestra, the CCM Philharmonia Orchestra, and the Modern Music Ensemble, among others. Recent highlights of her performances include Mozart’s Concerto for Flute and Harp with the NCPA Orchestra, Handel’s Harp Concerto in Bb Major with the Taipei Symphony Orchestra, and Ravel’s Introduction et Allegro for String Quartet, Flute, Clarinet and Harp at the opening concert of NCPA May festival, as well as other recitals and chamber concerts in Taipei, Beijing, Shanghai, Hong Kong, Macau, San Francisco, Los Angeles, Cincinnati, and New York. She was invited as guest solo artist to the First and Second Taiwan International Harp Festival, the World Harp Congress, the Shanghai International Harp Festival, and the Spoleto Music Festival in Italy.
Huang’s multiple awards include the “Musical Talents Prize” presented by the Taipei Symphony, top prize of “Multi-Media New Music Competition” from the World Harp Congress in 2017, and the “Young Promising Artist” of the Taiwan Classical Music Association in 2010. She was the first prize winner of the Taiwan International Harp Competition.
Her first album - Harpy Lab - A Collection of Harp Compositions by Contemporary Taiwanese Composers - was released in March 2018 under the music label “Feeling Good Music Co.” in Taiwan. Other significant recordings on which she appears as principal harpist include Richard Wagner’s Die Walküre with the Hong Kong Philharmonic Orchestra under the baton of Jaap Van Sweden (Naxos) in 2016, and Wagner/Maazel’s The Ring Without Words with the NCPA Orchestra, conducted by Lorin Maazel (Sony) in 2013.
Huang received a DMA from the Cincinnati College Conservatory of Music and a Master’s degree from Indiana University’s Jacobs School of Music. She frequently gives master classes and lecture concerts in music conservatories including the Central Conservatory of Music and the China Conservatory of Music in Beijing, National Taiwan University of the Arts, and the Cincinnati College Conservatory of Music. She was invited as faculty at summer festivals and academies such as the Orchestra Kids, Forbidden City Harp Academy, and the Forbidden City Summer Harp Class.
盖尔盖伊·伊采什，长笛
Gergely Ittzés, Flute
盖尔盖伊·伊采什出生于匈牙利，是一名独奏家和室内乐音乐家，在众多音乐领域都很活跃。他是UMZE室内乐团的一员，也是TeTraVERSI长笛四重奏乐队的创始人。2014年，伊采什在卡内基音乐厅举办音乐会，此后受邀参加全世界各大长笛音乐节，前往北京、巴西利亚、巴黎、纽约、曼彻斯特和弗莱堡等城市演出。他曾与玛格德莱娜·考杰娜、马库·斯托克豪森、汉斯·霍利格、彼得·弗兰考、丹尼斯·沃宏、阿玛丁达打击乐团、巴拿巴·克雷曼、基斯托夫·巴拉提合作，并曾以独奏家的身份与弗朗茨·李斯特室内乐团、奥匈海顿管弦乐团、多伦多小交响乐团、卡托维兹爱乐乐团、纽约巴赫乐团和亨茨维尔交响乐团等乐团合作。
伊采什改编过很多长笛作品，并一直从事长笛出版物的编辑工作，并与Akkord、EMB、环球、比约多、普雷瑟和哥萨克等出版社开展过合作。他在自己的作品中积极运用现代演奏技巧，特别是他在自创的“弗拉波”软件和DVD中所介绍的复音技巧。2018年，他出版了全面介绍长笛演奏方法论的著作《长笛演奏法》的匈牙利文版本，并录制了超过20张唱片。
伊采什曾在李斯特音乐学院学习，后荣获布拉格莫扎特音乐学院及班弗艺术中心奖学金。对他演奏影响最深的导师是伊斯特万·穆图斯和阿赫乐·尼科利，以及他的室内乐老师葛尔吉·库塔和弗兰克·鲁道斯。
伊采什拥有李斯特音乐学院的博士学位。他曾荣获许多大奖，其中包括第二届亚历山大·塔斯曼国际音乐比赛最高奖、弗朗茨·李斯特音乐奖和拉吉塔奖等国际大奖。2017年，他在波士顿大学担任富布莱特客座教授。2018年，他获得了匈牙利艺术学院三年的创作奖学金。在加入天津茱莉亚学院之前，伊采什一直在位于杰尔的塞切尼大学担任教职并在世界各地教授大师课。
伊采什本场演出使用一把Sankyo品牌长笛。
Born in Hungary, Gergely Ittzés is active in many fields of music making. Ittzés is a member of the UMZE Chamber Ensemble and founder of the TeTraVERSI Flute Quartet. He debuted at Carnegie Hall in 2014 and performed at major flute festivals in Beijing, Brasília, Paris, New York, Manchester, Freiburg, and more. He has performed with Magdalena Kožena, Markus Stockhausen, Heinz Holliger, Peter Frankl, Miklós Perényi, Zoltán Kocsis, Péter Eötvös, Dénes Várjon, Amadinda Percussion Group, Barnabás Kelemen, and Kristóf Baráti, and appeared as a soloist with the Franz Liszt Chamber Orchestra, Austrian-Hungarian Haydn Orchestra, Toronto Sinfonietta, Katowice Philharmonic, Bach Works New York, Huntsville Symphony, and other ensembles.
Ittzés has arranged many works for flute, has edited flute publications, and worked with publishers including Akkord, EMB, Universal, Billaudot, Presser and Kossack. In his compositions, he applies the latest up-to-date techniques, especially polyphonic flute playing which he introduces in Flouble, his software and DVD. He published the Hungarian version of his comprehensive flute methodology book Flautology in 2018 and has also recorded more than twenty CDs to date.
After graduating at the Franz Liszt Academy of Music in Budapest, Ittzés was awarded scholarships to study at Prague Mozart Academy and Banff Centre for the Arts. His flute playing was highly influenced by István Matuz and Aurèle Nicolet. He studied chamber music with György Kurtág and Ferenc Rados.
He holds a doctorate from the Franz Liszt Academy. Ittzés won the Grand Prix of the 2nd Aleksander Tansman International Competition for Musical Personalities, Franz Liszt Award, and Lajtha Award. In 2017, he was a Fulbright guest professor at Boston University. In 2018, he was awarded a three-year grant from the Hungarian Academy of Arts for his creative work. Before joining the Tianjin Juilliard faculty, he taught flute at the Széchenyi University in Győr and gave master classes worldwide.
Gergely Ittzés plays a Sankyo flute.
金兗珍，大提琴
Yeonjin Kim, Cello
作为国际上极受欢迎的独奏和室内乐演奏家，韩国大提琴家金兗珍在肯尼迪中心、柏林音乐厅、柏林爱乐乐团、首尔艺术中心、三得利音乐厅、中国国家大剧院演出。
金兗珍在包括索兰汀国际大赛、博萨尔特大奖赛、迪希勒-萨托国际音乐比赛和维瓦音乐厅大赛在内的多项比赛中均获得过奖项。她曾作为独奏家在克利夫兰、安娜堡、科罗拉多、汉城和马尼拉与乐团合作。她的演出在美国、韩国及日本的电视台和电台播出。金兗珍是一名充满激情的室内乐演奏家，她与多位世界知名艺术家合作，并与她的两个姐妹组成“K钢琴三重奏”组合，在美国和韩国多次举办演出。
加入天津茱莉亚学院之前，金兗珍曾担任密歇根大学和奥伯林音乐学院的客座讲师，同时也是福尔曼大学兼职教授。她曾在美国、韩国、中国、菲律宾和匈牙利的学校举办大师课，并曾受聘担任阿比林音乐节、马德兰岛音乐节和琉森音乐节艺术教员。她曾担任西北印第安纳交响乐团和亚洲青年交响乐团副首席，并曾在安娜堡交响乐团、迪尔伯恩交响乐团、韩国城南爱乐乐团、忠北爱乐乐团和国家剧团管弦乐队担任首席客座大提琴。
金兗珍先后在韩国国立首尔大学（音乐学士）、日本桐朋学园、美国克利夫兰音乐学院（音乐硕士）和密歇根大学（音乐艺术博士）求学，师从Chung-Shim Baek、Dong-Oo Lee, Ji-sook Shin、Ko Iwasaki和理查德·亚伦。
Korean cellist Yeonjin Kim has received international acclaim as a soloist, recitalist, and chamber musician at venues such as the Kennedy Center, Konzerthaus Berlin, Berlin Philharmonie, Seoul Arts Center, Suntory Hall, China National Center for the Performing Arts, and others.
A top prize winner of the Sorantin International Competition (USA), Bossart Award (USA), Dichler-Sato International Competition (Austria), and Viva Hall Competition (Japan), Kim has appeared as soloist with orchestras in Cleveland, Ann Arbor, Colorado, Seoul, and Manila. Her performances were broadcasted on TV and radio in the U.S., Korea, and Japan. As an avid chamber musician, she has collaborated with world-renowned artists. Kim has also performed extensively in Korea and the US with her two sisters in a piano trio, Trio K.
Prior to joining The Tianjin Juilliard School, Kim served as a guest faculty at the University of Michigan and Oberlin Conservatory as well as an adjunct professor at Furman University. She has given master classes in schools in USA, Korea, China, the Philippines, and Hungary. Other artist faculty appointments include Abilene Music Festival, Madeline Island Music Festival, and Luzerne Music Festival. As an orchestral player, Kim also served as assistant principal of the Northwest Indiana Symphony and guest principal cellist of the Ann Arbor Symphony, Dearborn Symphony, and National Repertory Orchestra.
Kim graduated from Seoul National University (BM) in Korea; Toho Gakuen in Japan; Cleveland Institute of Music (MM); and the University of Michigan (DMA) under the tutelage of Chung-Shim Baek, Dong-Oo Lee, Ji-sook Shin, Ko Iwasaki, and Richard Aaron.
