美国柯蒂斯音乐学院管弦乐介绍

学院简介

在美国音乐学院排名中，柯蒂斯音乐学院名列第五。位于美国费城，是世界上最著名的音乐学院之一。1924年，Mary Louise Curtis Bok创办柯蒂斯音乐学院，从创办之日起就在作曲、指挥、声乐、管弦乐、键盘乐等领域提供最优秀的教学，学院也因此获得“独奏家摇篮”的美誉。柯蒂斯音乐学院是由宾夕法尼亚州联邦特许，宾州高等院校学位教育委员会注册的音乐学院，是美国国家音乐院校联合会的主要成员，1993年获得美国中部各州高校联合会高等教育委员会的认可。

柯蒂斯音乐学院对所有学生都提供全额奖学金，这在美国是绝无仅有的，但是学院的录取也非常的严格，每年平均只招收160名新生。当然，学校这样做的目的最主要还是基于Mary Louise Curtis Bok的办学理念：“为那些最具音乐天赋的年轻人提供最优质的教育，并将他们培养成最为专业的艺术家”。

试镜要求

小号
本科初试:
· one solo work (not for piccolo Trumpet): either a movement of a standard concerto or sonata (not to exceed 8 minutes) or a single movement solo work (not to exceed 8 minutes); longer works or individual movements recorded with cuts are acceptable.
· three contrasting standard orchestral excerpts.

复试
· two contrasting études from Bousquet, Brandt, Charlier, or equivalent
· Adolphus Hailstork Variations for Trumpet (measure 75 to the end)
· one movement of a sonata (Hindemith, Kennan, or equivalent) or a complete · single movement work from the standard repertoire (Enescu, Bozza, or equivalent)
· one complete concerto: Haydn, Hummel, Arutunian, or equivalent

· 3–5 contrasting standard orchestral excerpts

研究生
· two contrasting études from Charlier, Bitsch, or equivalent
· Adolphus Hailstork Variations for Trumpet (complete)
· Arthur Honegger Intrada
· one complete concerto: Haydn, Hummel, Tomasi, Jolivet, or equivalent
· 5 contrasting standard orchestral excerpts, including one for piccolo Trumpet

圆号
初试
· First movement, Strauss Horn Concerto No. 1
· Fourth horn solo from Beethoven’s Symphony No. 9
· Short call from Wagner’s Siegfrieds Rheinfahrt

复试
· 协奏曲或奏鸣曲的一个乐章
· Kopprasch 的一首练习曲和 Gallay 的一首练习曲
· 以下管弦乐节选： 
The last movement of Brahms’s Symphony No. 1The second horn part from the trio of the third movement of Beethoven’s Symphony No. 3The second movement of Tchaikovsky’s Symphony No. 5R. Strauss’s Till EulenspiegelRavel’s Pavane pour une infante defunteThe short call from Wagner’s Siegfrieds RheinfahrtThe first movement of Beethoven’s Symphony No. 7The third movement of Brahms’s Symphony No. 3

长号
初试
· One movement from a concerto, sonata, or other substantial solo work.
· One technical étude by Kopprasch, Tyrell, or Blazhevich.
· One lyrical étude by Bordogni, Rochut, or the equivalent.
· At least three orchestral excerpts of contrasting style.

复试
· One complete concerto, sonata, or other substantial solo work.
· One technical étude by Kopprasch, Tyrell, or Blazhevich.
· One lyrical étude by Bordogni, Rochut, or the equivalent.
· At least three orchestral excerpts of contrasting style.

大号
初试
·  Snedecor, Low Etudes for Tuba, #4
· Vaughan Williams, Tuba Concerto, first movement including cadenza, without accompaniment
· Wagner, Die Meistersinger Overture, measures 1–8; rehearsal J to rehearsal L
· Wagner, Ride of the Walküre, standard B-major excerpt
· Prokofiev, Symphony No. 5, first movement, rehearsal 3 to rehearsal 6

复试
· Snedecor, Low Etudes for Tuba, #4
· J.S. Bach, Bouree 1 and 2 from Cello Suite #3, played 8ba (one octave lower than written), without repeats or da Capo
· Vaughan Williams, Tuba Concerto, first and second movements, without accompaniment
· Wagner, Die Meistersinger Overture, measures 1–8; rehearsal J to rehearsal L
· Wagner, Ride of the Walküre, standard B-major excerpt
· Prokofiev, Symphony No. 5, first movement, rehearsal 3 to rehearsal 6
· Berlioz, Symphonie fantastique, Tuba 1, complete
· Mahler, Symphony No. 1, third movement solo (until rehearsal 4)
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