搬运自：微信公众号【评论搬一堆】（在原文基础上添加了英语原文与排版调整）

原文链接：https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/

翻译：June Hess

审译：Joonly EC

推送：Ryan-Chopin

Take Care’s album cover shows Drake, alone in the VIP, with little more than the cup that makes the Nazi’s head implode at the end of Indiana Jones and the Last Crusade for company. It is a perfect vacuum, where no subtlety can find breathable air; he may as well have named the album RICH GUY ENNUI, but damn if he didn’t earn his ludicrousness. So Far Gone was the breakthrough mixtape; Thank Me Later was the hype-fulfilling proper debut. Take Care went weirder, longer, deeper. The lushness and the sincerity flow forth from the first seconds of “Over My Dead Body”—the piano frills! the self-regarding unburdening!—and never stop. Even the hits are plaintive; a song as big as “HYFR” should have no right to be that earnest. On “Marvins Room,” quite possibly still the definitive Drake song, we get pitch-perfect generational oversharing: “Having a hard time adjusting to fame,” he actually says out loud.

《Take Care（当心）》的专辑封面是《夺宝奇兵3:圣战奇兵(Indiana Jones and the Last Crusade)》结尾，Drake独自一人站在贵宾区，身上只有一个“圣杯”，但足以让纳粹分子爆炸身亡。这是一个完全真空的地方，没有任何细微之处能找到可呼吸的空气，他也许会把这张专辑命名为《RICH GUY ENNUI（有钱人很无聊）》，但如果他没有赚到滑稽之处的话，那就糟了。《So Far Gone（到此为止）》中有突破性的混音，《Thank Me Later》是首次大肆宣扬。《Take Care（当心）》变得更古怪，更长久，更深入。《Over My Dead Body（在我的尸体上）》在头几秒钟就流露出浓浓的真诚！讲利己主义的永远没有停止，甚至连热门歌曲也很简单，像《HYFR》这样的歌曲应该没有权利如此认真。在《Marvins Room（马文的房间）》（很可能是Drake最权威的歌曲）中，我们实现了完美的世代共享，各个时代的人都喜欢，“很难适应这样的名声，”Drake这样说道。

It’s strange to put on old Drake at a public function. One of the many Rules of Drake is “There Is Always New Drake.” That’s not to say his machine-like industriousness makes his old stuff obsolete. The new bangers are for everyone, so the classics become more intimate. Close the doors, pop on your headphones. This is him talking to you now. –Amos Barshad

在公共场合说到过去的Drake是很奇怪的，Drake的许多规则之一是“总会有新的Drake”。这并不是说他机器般的勤奋使他的旧东西过时了，新的作品适合每个人，因此经典变得更加亲切。关上门，戴上耳机，这是他现和在跟你说话。