来听中国日报夸咱们的宝贝（含中英文）
中文：
探索之旅中的歌手
xingwen报道，华晨宇拥抱创新，带着他的粉丝们前往激动人心的目的地。
周六，在持续到深夜的细雨中，北京国家体育场（也称为鸟巢）的宏伟并未因笼罩的薄雾和昏暗的云层而减弱。
来自全国各地的近9万名观众聚集在这个标志性的场地，履行了与中国创作歌手华晨宇十年来的承诺。
华晨宇在2013年的选秀节目《快乐男声》中获得总冠军，登上中国流行音乐舞台已经十年了。
如今，33岁的他策划了一场纪念这一里程碑的演唱会，共有33首歌曲，以纪念他十年以来的音乐之旅。
华晨宇恰如其分地将其命名为“十年汇报演出”，他表达了自己的意图。他说：“这是我十周年演唱会，我希望每个人都能见证我在过去十年中的成长。”。
黄昏降临时，鸟巢变成了一片发光的红色光棒海洋。在观众刺耳的尖叫声和欢呼声中，华晨宇用一个空灵的咒语为舞台增光添彩，为2023火星演唱会编织了一种神秘而神圣的氛围。
华晨宇毕业于武汉音乐学院，他的前卫作品为他赢得了“火星男孩”的称号。这个称号证明了他独特的精神世界和艺术天赋。值得注意的是，他以《无字歌》（Wordless Song）惊艳了比赛评委，这首原创作品没有歌词，但充满了深刻的情感。
华晨宇的歌迷一直被称为“火星人”，他的所有个人演唱会都使用了“火星演唱会”这个名字。
“‘火星’这个词是我和我的支持者之间的一种特殊纽带，”他说。
自出道以来，这位年轻的创作型歌手一直在进行创新和探索的创作之旅，发行了五张专辑。
他说：“只要一个新的想法生根发芽，无论我是在钢琴旁，还是在繁华的城市街道上行走，我都会不由自主地赋予它生命。”。“如果有钢琴在我面前，我就演奏；如果看不到，我就哼着旋律，在手机上录音。”
在创作表达的熔炉中，华晨宇诗意地将自己的歌曲创作之旅比作一场与自己的对弈。在这个隐喻的舞台上，他努力实现自己的艺术，驾驭了一系列战略支点、回声和突破。
近年来，随着他的作品越来越多地深入到尖锐的社会主题，他的曲目发生了变化。例如，他在鸟巢演唱会上演唱的《好想爱这个世界啊》试图激励那与抑郁症作斗争的人走出阴影。
“在我刚出道时，我的音乐表达是个人热情的表现，”他回忆起这段变革之旅时说道。“但现在，当我步入30岁后，我注意到我的观众跨越了不同的年龄段，甚至包括年幼的孩子。这种不断扩大的影响力在我身上点燃了一种深刻的社会责任感。我发现自己在思考，我的作品是否可以作为一种慰藉，帮助他人在逆境中度过情感风暴，解决困境。”
他公开承认了自己曾患过抑郁症。
在9月9日的演唱会上，在场的zhuxiaozhu说，华的音乐是一种精神上的支持。
“作为一个成年人，我经常发现自己处于孤独和焦虑的时刻。在那段时间里，我转向了华晨宇的音乐。她说：“不仅仅是任何音乐让我快乐，而是音乐让我感到被理解，有人同情我。”。
这位歌手在很年轻的时候就成名了，他对自己众多粉丝的喜爱和授予他的荣誉表示感谢。2020年，他获得了令人垂涎的歌唱真人秀节目《歌手》的冠军，成为该比赛有史以来最年轻的获胜者。
掌握音乐的道路仍然是一段无休止的学习
之旅，以每年快速增长的阶段为标志。无论是作曲、编曲还是音乐会，华晨宇都坚持在压缩的时间框架内“疯狂思考，然后疯狂学习”的原则。
此外，他还在演唱会的设计上突破了创新的极限。2021年，他在海南省海口市推出了一种创意音乐会形式，这是一场为期一天的盛会，反映了游乐园的活力，从下午一直持续到晚上。歌迷们不仅陶醉于他的旋律，还享受美食、饮料等健康的娱乐。
今年在鸟巢，华晨宇放弃了传统的三面台，改为四面台（私心up：鸟巢首次四面台加奥运舞美的演唱会），这加剧了对表演者的要求。每一个手势，每一个细微之处，都暴露在观众的视线中，没有盲点的保护。他的音乐会还展示了一个由承重屋顶固定的照明装置，该屋顶可支撑近200公吨。
但这位艺术家还有很多事情要做。他承认，他在脑海中设想的演唱会还没有完全实现。他说：“我会不遗余力地呈现我想象中的火星演唱会。我坚信还有很大的改进空间。”。
英文：
探索之旅中的歌手
Embracing innovation, Hua Chenyu takes his fans with him to exciting destinations, Xing Wen reports.
On a Saturday, beneath a persistent drizzle that lasted well into the night, the grandeur of the Beijing National Stadium, also known as the Bird's Nest, was undiminished by the enveloping mist and somber clouds.
A throng of nearly 90,000 spectators from across the country converged upon this iconic venue to fulfill a decade-old pledge with the Chinese singer-songwriter Hua Chenyu.
Ten years have elapsed since Hua's ascent onto China's pop music stage, propelled by his victory in the sensational talent show, Super Boy, in 2013.
Today, at the age of 33, he orchestrated a concert to mirror this milestone, with an impressive repertoire of 33 songs to commemorate his musical journey.
Aptly christened a "reporting performance", Hua articulated his intent. "As this marks my 10th anniversary concert, I wish for everyone to bear witness to the growth I've undergone over the passing decade," he says.
As twilight descended, the Bird's Nest underwent a transformation into a sea of luminous red light sticks. Amid the cacophony of screams and cheers from the audience, Hua graced the stage with an ethereal incantation, weaving an enigmatic and sacred ambience for the 2023 Mars Concert.
A graduate of the Wuhan Conservatory of Music, Hua's avant-garde compositions earned him the affectionate moniker of "Little Brother From Mars" during his Super Boy days. This epithet attested to his distinct spiritual world and artistic flair. Notably, he wowed the competition's judges with Wordless Song, an original composition devoid of lyrics but brimming with profound emotion.
Inextricably linked with his dedicated fan base, Hua's fans have long been called "Martians" and the title, Mars Concert, has been used in all of his solo events.
"The term 'Mars' is a special bond between me and my supporters," he says.
Since his debut, the youthful singer-songwriter has been on a compositional voyage of innovation and exploration, resulting in the release of five albums.
"As soon as a fresh idea takes root, whether I'm by a piano or I'm walking the bustling city streets, I am impelled to give it life," he says. "If a piano is in front of me, I play; if none is in sight, I hum the melody, recording it on my phone."
Within the crucible of creative expression, Hua poetically likened his songwriting journey to a chess match against himself. In this metaphorical arena, he grapples with his own artistry, navigating a series of strategic pivots, echoes and breakthroughs.
Recent years have borne witness to a shift in his repertoire, as his compositions increasingly delve into poignant societal themes. For instance, his performance of I Really Want to Love This World at the Bird's Nest concert sought to inspire those grappling with depression to emerge from the shadow
"In my earlier years, my musical expression was a manifestation of personal fervor," he says, reflecting upon this transformative journey. "But now, as I enter my 30s, I've noticed my audience spans various age ranges, even including young children. This expanding influence has ignited a profound sense of societal responsibility in me. I find myself pondering whether my work can serve as a source of solace, an aid to others in navigating their emotional tempests and resolving their quandaries during times of adversity."
He openly acknowledged his own experience of depression.
Zhu Xiaozhu, who was in the audience at the concert on Sept 9, says that Hua's music has been a spiritual support.
"As an adult, I often found myself in moments of solitude and anxiety. During those times, I turned to Hua's music. It wasn't just any music that made me happy, but music that made me feel understood, that someone empathized with me," she says.
The singer, who achieved fame at a young age, expressed his gratitude for the affection of his diverse fan base, and for the honors bestowed upon him. In 2020, he secured the coveted title of the singing reality show Singer, emerging as the competition's youngest-ever victor.
The path of musical mastery remains an unending journey of learning, marked by yearly phases of rapid growth. Whether composing songs, arranging music, or orchestrating concerts, Hua adheres to the doctrine of "crazily thinking and then crazily learning" within compressed time frames.
In addition, he also pushes the envelope of innovation in the design of his concerts. In 2021, he unveiled a creative concert format in Haikou, Hainan province, a daylong extravaganza that mirrored the vibrancy of an amusement park, running from dawn until dusk. Fans reveled not only in his melodies but also enjoyed gastronomic delights, libations, and wholesome entertainment.
This year at the Bird's Nest, Hua discarded the conventional three-sided stage in favor of a four-sided configuration, intensifying the demands placed on the performer. Every gesture, every nuance, lay exposed to the audience's gaze, unprotected by blind spots. His concert also showcased a lighting setup anchored by a load-bearing roof capable of supporting nearly 200 metric tons.
But the insatiable artist has much still to achieve. He confesses that the concert he envisions in his mind has yet to materialize fully. "I will spare no effort to present the Mars Concert in my imagination. I firmly believe that there exists ample room for improvement," he says.
Yan Bingjie contributed to this story.
Contact the writer at xingwen@chinadaily.com.cn
