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Introduction:

Nonfiction stories based on realistic experiences offer readers a glimpse into the lives of others, providing valuable lessons and insights. As a beginner writer, you may find it challenging to craft such stories, but with practice and persistence, you'll get better over time. Here are some tips for starting your journey:

1. Choose a meaningful experience or event
Pick an experience that has had a significant impact on you or someone you know. It can be a personal event or a larger societal issue. Selecting a topic with emotional resonance will make your story more engaging.

2. Research and gather information
Learn as much as you can about the event or experience to provide accurate details and context. Conduct interviews, investigate primary sources, and consult relevant literature. Strong research forms a solid foundation for your story.

3. Develop your narrative arc
Organize your material into a coherent structure, which typically includes a beginning, middle, and end. Create tension by introducing conflict or obstacles, and resolve them with a satisfying conclusion. Use descriptive language to paint vivid scenes and bring your story to life.

4. Employ literary techniques
Use metaphors, similes, and other figurative languages to add depth and texture to your prose. Experiment with pacing and sentence structure to create atmosphere and mood. This will help your writing stand out and keep readers engaged.

5. Show, don't tell
Rather than simply stating what happened, show the reader through detailed descriptions and actions. Engage their senses and emotions to evoke a strong connection with your story.

6. Edit and revise
Once you've completed your first draft, revisit your work with fresh eyes. Look for inconsistencies, redundancies, and weak sentences. Ask for feedback from friends or writing groups to gain new perspectives on your work. Revise and polish your piece until it shines.

Writing nonfiction stories based on realistic experiences may seem daunting at first, but with the right approach and dedication, you'll develop the skills necessary to craft compelling narratives.

Remember to choose a significant event or experience, research thoroughly, employ literary techniques, and edit rigorously to create engaging stories that captivate readers.

The above content is generated by Utia AI. （点击观看视频）

Then here comes:

Guo YangZhen's writings on writing:

I think I've always been intolerant, I don't have the bandwidth to record a very good episode of a blog, and I don't have the flexibility to read difficult papers, and then make a video that can be understood by a beginner student of that specific field. I don't think I'm composed enough, I don't sit on the cool bench.

I know what I want, but I can't seem to create what other people want.

I know I'm making some emotional expression, but again it seems I can only translate it into words and can't get it out to a wider audience, or into one of my pieces. What kind of creator and expresser does the world need?

I have thought about this question countless times, and I am certainly continuing to explore it. But I don't think the answer is really clear. It doesn't matter if you're a master or just a little transparent white guy. There is a delicate balance to be found between expressing yourself and listening to your audience.

Does the world exist because of expression?

Is it enriched by the expression of life itself?

I don't think I know.

I hope that what I can leave the world within a thousand years' time will be works that really reach out to the people, works in which they can discover themselves. Everyone wants to be seen and to find themselves in their work.

And not to say that everyone is narcissistic, the most basic self-love should be there, right? So what do we do in our daily lives? Do we feel sorry for ourselves, or do we complain and grumble? Do we turn to other people for help, or do we pass on the negative energy and spread the fire on others?

I think any good writer should think about what kind of relationship he or she has with others. Then do your best to present that conflict and tension in your work, not just the pull between the protagonist and the supporting characters, but more importantly what clever interactions you can have as a writer-expresser and audience.

Recording one's daily experiences, reflections, and stories in one's life is a good means of accumulating material. And we should take this every day with a sense of normalcy and a very calm and objective observer attitude.

It's like watching a film with someone else in it and then actively sitting on the sidewalk and applauding them.

We are the first audience for our own work, our own words, and our own films. If we can satisfy ourselves, then it's a natural thing to satisfy others immediately afterward.

The key is how should a writer, a director, an artist, an architect, or a designer reach the level and stage of satisfying himself.

I think it is a continuous lifelong practice because every human being has the will and expectation of self-fulfillment. And the realization of this will and expectation is like what a donkey is doing who wants to eat the dangling carrot and pull the mill.

Each of us wants to become better and better, and we all want to be able to bring something to others that others are not able to create. Because that's what makes us different from everyone else in this world.

I am what I am is a firework of a different color.

我就是我，是颜色不一样的烟火。

This is not a lyric at all, but the true cry of everyone's heart.

All expressionists should be able to see through to the heart and point straight to the inside. You can pinpoint what others really want, and at the same time be incredibly clear and know how to help yourself get what others want.

It's a skill and an art, and it takes practice and discipline across decades.

So you see, if you want to write good work, good writing, to satisfy yourself, and to have a certain readership that finds it valuable, it's actually a very testing and challenging process.

It requires constant accumulation, it requires you to break it down into your own life script, and the story cases require a lot of interaction with other creators. More importantly, your work requires your heart and soul, and it doesn't matter who is satisfied at this point, because it will naturally flow out of you in the most beautiful way.

Originally written by Guo Yangzhen aka Kongsen Young

2023.04.04 16:45:34

Writing is the journey of one person who finds a community of people

中文版：

我想我总是没有耐心，我没有耐心去录制一期很好的博客，我也没有耐心去阅读，很难的论文，然后做出一期能够让小白也能听懂的视频。我觉得我不够沉静，我没有坐下冷板凳。

我懂得我想要什么，但似乎我不能创造出其他人想要的东西。

我知道我在进行一些情绪化的表达，但似乎我又只能将它转换为文字，无法将它传递给更广泛的人群，或者说融入到我的某个作品之中。

这个世界需要怎样的创作者和表达者呢？我曾经无数次思考这个问题，当然也在持续的探索。但我想答案其实并不明朗。无论你是一个大师级别的人物，还只是一个小透明小白，都需要在表达自我倾听观众的呼声需求之间找到巧妙的平衡。

这个世界是因为表达而存在的吗？是因为生命力本身的展现而变得丰富多彩的吗？我想我不得而知。

我希望千百年后能够留给这个世界的，是真正走入人心的作品，是让他们在作品中发现自我。

每一个人都希望自己被看见，也都希望能够在作品中找到自己的影子。

且不说每个人都是自恋的，最基本的自爱都应该有吧。那么我们在日常生活中是怎么做的呢？我们是自怨自艾，还是抱怨埋怨？我们是向其他人求助，还是说把负面的能量传递给了更多的人，把火撒在了其他人身上？

我觉得任何一个好的作家都应该思考，自己和他人是什么样的关系。然后尽自己的全力，在作品中呈现那种矛盾和张力，不仅仅是主角与配角之间的拉扯，更重要的是作为一个写作者表达者和观众之间能有哪些巧妙的互动。

在生活中记录自己的日常经历，反思，还有故事，是很好的积累素材的手段。而我们应该对这种日常带有一种平常心和非常冷静的客观的旁观者的态度。就像是我们看一场有别人来出演的电影，然后积极的坐在路边为他鼓掌那样。

我们是自己作品，自己文字，自己所出演的影片的第一个观众。如果我们能够让自己满意了，那么紧接着让其他人满意，就是一件自然而然的事情。关键是一个写作者，一个导演，一个艺术家，一个建筑师，一个设计者应该如何达到让自己满意的水平和阶段呢？

我觉得这是持续一生的修炼，因为每一个人都有自我实现的意愿和期待。而这种意愿和期待的实现就像是一头想要吃到悬挂的胡萝卜而拉磨的驴在做的事情。

我们每个人都希望自己变得越来越好，也都希望自己能够给其他人带来一些别人不能够创造的东西。因为那是我们和这个世界上的其他人不一样的地方。

我就是我是颜色不一样的烟火。这根本不是一句歌词，而是每个人内心真正的呼声。所有的表达者都应该能看透人心，直指内在。你可以一针见血的指出，别人真正想要的是什么，同时无比清晰的，知道怎么样帮助自己获得他人想要的东西。

这是一种技术也是一门艺术，而且需要跨越几十年的修炼和练习。

所以你看，如果你想写作好的作品，好的文字，让自己满意，同时有一定的读者认为他有价值，其实是一个非常具备考验和挑战的过程。

他需要你的不断积累，需要你将它细分拆解为自己的人生脚本，故事案例需要你和其他的创作者有大量的交流。更重要的是，你的作品需要你用心来投入，这个时候让谁满意根本就不重要，因为它自然而然会经由你的内在而流淌出最美好的样态。

原创：郭阳振

2023.04.04 16:45:34

《写作是一个人找到一群人的旅程》

公众号：享日辰

KongsenYoung: Startup Founder, Writer, and Programmer.

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