【潮爷早期黑白短片/表情包出处】I_just_want_to_kiss_you

I_just_want_to_kiss_you 的影评

原文：

An enjoyable new-wave homage and character piece that really could have done both (or either) a bit better

bob the moo19 April 2005

A twenty-something man is having a shave while his best friend hands around the house. The man is a bit of a clown and enjoys joking around and not taking anything too seriously. With some money in their pocket, the two go out to the cinema and then for a quick drink. They meet a couple of girls in the pub and both men hit it off reasonably well with them until, that is, the man's rather worse for wear father joins them.

With the whole film being a very clear reference to films within the French new wave I thought that this was going to be much more directed around that, perhaps in the way that the similar UK short Je t'aime John Wayne had done to pretty humorous effect. However this aspect never got to be more than just a backdrop – the fact that it resembled such films never became the all, which I suppose is a good thing in a way. For the majority of the film it is an interesting character piece that looks at the young man in question and allows us to see the thing in his life that has made him perhaps hide behind the constant joking. To me this was of interest but sadly I didn't think it did that as well as it could as it felt constrained a bit by the new wave touches and the audience was required to do a lot of interpretation rather than the script being used to bring it out.

Freeman is quite good but I couldn't help get the feeling that he has played this same character more than once, albeit slight variations along the way. He is effective although I wish he had been given more chance to bring out the side of his character that I got the impression he was burying at the same time. Peacock plays the character that fits in much better with the new wave feel but the downside is that he is less of a person – not that it really matters that much. Cooke's father is well played so that we don't dislike him to the point where that is our overriding emotion – we do dislike him but we are invited to care for the son more.

Overall this is a good film but I couldn't shake the feeling that the two elements (character and genre) got in each others way a little bit and, although both worked well enough to make for an enjoyable short film, I felt that they could have done better with either of them – preferably the character element.

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译文：

一个令人愉快的新浪潮致敬和角色作品，真的可以两者兼而有之（或其中之一）做得更好一点

鲍勃哞哞2005年4月19日

一个二十多岁的男人正在刮胡子，而他最好的朋友在房子里四处走动。这个男人有点像小丑，喜欢开玩笑，不要把任何事情看得太严重。口袋里揣着一些钱，两人去电影院，然后喝了一杯。他们在酒吧里遇到了几个女孩，两个男人都和他们一拍即合，直到那个男人对穿衣服的父亲加入了他们。

由于整部电影非常明确地参考了法国新浪潮中的电影，我认为这将更多地围绕这一点，也许就像类似的英国短片Je t'aime John Wayne所做的那样，达到了相当幽默的效果。然而，这方面从来都不仅仅是一个背景，它类似于此类电影的事实从未成为全部，我想这在某种程度上是一件好事。在电影的大部分时间里，这是一个有趣的角色作品，它着眼于这个有问题的年轻人，让我们看到他生活中让他可能躲在不断开玩笑后面的事情。对我来说，这很有趣，但遗憾的是，我认为它做得并不好，因为它感觉受到新浪潮的约束，观众需要做很多解释，而不是用剧本来带出来。

弗里曼相当不错，但我不禁觉得他不止一次扮演过同一个角色，尽管一路上略有变化。他是有效的，尽管我希望他有更多的机会带出他性格的一面，我得到的印象是他同时埋葬了。孔雀扮演的角色更适合新浪潮的感觉，但缺点是他不是一个人，并不是那么重要。库克的父亲演得很好，所以我们不会不喜欢他，以至于这是我们最重要的情感，我们确实不喜欢他，但我们被邀请更多地照顾儿子。

总的来说，这是一部不错的电影，但我无法摆脱这两种元素（角色和类型）相互阻碍的感觉，尽管两者都足够好，可以制作一部令人愉快的短片，但我觉得他们本可以做得更好，最好是角色元素。