「不忘初心」百年丰碑——时代人物刘弼男
「不忘初心」百年丰碑——时代人物刘弼男
个人简介：
刘弼男，女，1943年生于湖南攸县。在家乡中、小学任教三十余年。现为国家一级美术师，中国职业美术家协会会员，香港美术家协会会员，中国新山水画研究协会会员，广州黄埔美术家协会会员，大中国画院珠海分院院长，澳门传统文化（艺术）交流学会名誉会长。自幼喜欢书画，退休后进入广州市老干大学继续学习书画，先后师从刘艺林，李东川，邓志强等教授及著名画家徐月红老师，广州画院朱颂民院长等学习书法，山水画，花鸟画。2015年受清华美院刘宗汉教授破格录取进入清华美院美术理论研究与新山水画创作高级研修班学习，荣获清华美院高研班教育部"学习进步奖"。学习期满考核合格结业。2016年5月参加第五届全国老年书画展创作的作品《奇秀岭南》及书法作品均入选入编《第五届全国老年书、画作品》集。
Personal Profile:
Liu Bi male, female, was born in 1943 in Remote County, Hunan. He has taught in primary and secondary schools for more than 30 years. Currently he is a national first-class artist, member of China Professional Artists Association, member of Hong Kong Artists Association, member of China New Landscape Painting Research Association, member of Guangzhou Huangpu Artists Association, president of zhuhai branch of the Great Chinese Painting Academy, honorary president of Macau Traditional Culture (art) exchange Society. I have been fond of painting and calligraphy since childhood. After retirement, I entered Guangzhou Laogan University to continue my study of painting and calligraphy. I have studied calligraphy, landscape painting, flower and bird painting under the tutored names of professors liu Yilin, Li Dongchuan, Deng Zhiqiang, famous painter Xu Yuehong, and president Zhu Songmin of Guangzhou Academy of Painting. In 2015, he was admitted by Professor Liu Zonghan of Tsinghua Academy of Fine Arts to study in the Advanced Training class of Theoretical Research of Fine Arts and New Landscape Painting creation of Tsinghua Academy of Fine Arts, and won the "Learning Progress Award" of the Ministry of Education of Tsinghua Academy of Fine Arts. Pass the examination and finish the course. In May 2016, his works "Qixiu Lingnan" and his calligraphy works were selected into the collection of "The fifth National Books and Paintings for the elderly".
2017年"江山颂“全国诗书画大赛，囯画作品《云岭飞泉》获一等奖。同年9月8日赴北京国家会议中心参加颁奖大会领取奖品。2018年参加全国第九届老年书丶画大赛评为一等奖。2018年6月在广州越秀区文化活动中心举办个人画展70多幅作品，同年7月广东电视台专题采访，制作电视节目，在广东电视台连续播放数次。同年8月份在家乡举办个人画展以慰乡亲。11月份赴北京国家画院参展30多幅作品。12月参加“2018大美中国第二届中新马书画展。荣获中新马文化交流特使。并在马六甲海峡写生。
In 2017, Chinese painting "Yunling Feiquan" won the first prize in "Ode to Jiang shan" National Poetry and Calligraphy Competition. On September 8, the same year, he went to Beijing National Convention Center to attend the award ceremony to receive prizes. In 2018, he participated in the 9th National Book and painting Contest for the elderly and won the first prize. In June 2018, he held a personal exhibition of more than 70 works in The Cultural Activity Center of Yuexiu District, Guangzhou. In July of the same year, he conducted a special interview on Guangdong TV and produced a TV program, which was continuously broadcast on Guangdong TV for several times. In August of the same year, he held a personal art exhibition in his hometown to comfort the villagers. In November, more than 30 works were exhibited in Beijing National Academy of Painting. In December, 2018 Great Beauty China second Sino-Singapore Painting and Calligraphy Exhibition. He was honored as special Envoy for Cultural Exchange between Singapore and Malaysia. And painted in the Strait of Malacca.
2019年2月5日，山水画作品及本人照片以东方艺木形象亮相美国纽约纳斯达克大屏幕上，向全世界华人及其各族人民拜年。
On February 5, 2019, the landscape painting works and photos of myself were displayed on the big screen of NASDAQ in New York, the United States, to pay New Year's greetings to Chinese and people of all ethnic groups around the world.
大美中国第二届中韩名家作品展
Great Beauty China the second Chinese and South Korean famous works Exhibition
大美中国第二届中韩名家作品展
Great Beauty China the second Chinese and South Korean famous works Exhibition
2019年5月赴韩国参加"大美中国第三届中韩名家作品展"。作品巜溪山春浓》为韩国国会委员长李明洙先生收藏。
In May 2019, he went to South Korea to participate in the third Great America China Exhibition of Chinese and South Korean Famous Artists. The work was collected by Mr. Lee Myung-soo, chairman of the National Assembly.
2019年12月参加庆祝中华人民共和国成立70周年，澳门回归20周年，京津冀粤港澳大湾区"一带一路"名人书画展。受任命"澳门传统文化（艺术）交流学会名誉会长。
多次参加国内外书画展，作品被多国政要，领导人、收藏家、企业家收藏。
December 2019 to celebrate the 70th anniversary of the founding of the People's Republic of China, the 20th anniversary of Macao's return to China, Beijing, Tianjin, Hebei, Guangdong, Hong Kong and Macao Greater Bay Area "Belt and Road" celebrity Painting and Calligraphy Exhibition. appointed "honorary president of Macau Traditional Culture (art) Exchange Society".
He has participated in many calligraphy and painting exhibitions at home and abroad, and his works have been collected by many politicians, leaders, collectors and entrepreneurs.
作品赏析：
appreciation of works:
《朝阳颂》
115cmx98cm
《春》
45㎝×68㎝
《夏》
45㎝×68㎝
《秋》
45㎝×68㎝
《冬》
45㎝×68㎝
《长江》
120cmx240cm
《长城》
120cmx240cm
《黄山》
120cmx240cm
《黄河》
120cmx240cm
《山青水秀大地欢歌》
240cmx120cm/32平尺
《海阔天空 人间仙境》
240cm×120cm/32平尺
《雲展轻沙隐洞天》
68cmx136cm
《雲涌青山动》
196cmx98cm/18平尺
《飞瀑下云中》
136cm×68cm/8平尺
《佳景入怀》
196cmx98㎝
《高山流雲江水滔滔》
196cmx98㎝
《溪山秋色》
196cmx98㎝
《天堑变通途》
196cmx98㎝
《春牛图》
《荷韵》
卡纸50㎝Ⅹ50cm
《芙蓉国里 尽朝晖》
卡纸50㎝Ⅹ50cm
《岭南春》
卡纸50㎝Ⅹ50cm
《冷艳》
卡纸50㎝Ⅹ50cm
巾帼不讓须眉
-浅谈刘弼男的山水画
讀刘弼男的山水画作品，无疑是一種美好的精神享受。虽然我们从未谋面，但我却从她的画中读出了宁静心性，读出了传统神韵，也读出了现代意味，还有独特的审美取向。应当说，这在当代七十岁以上的女画家中并不多见。刘弼男山水画的格调高雅、明秀、洒脱，而又不乏新颖、奇致。这是由以下三方面的因素所综合构成的。
其一，诗化的意境。意境是山水画的灵魂，是画家主体情思与客体自然美融为一体的结晶。刘弼男心中有诗情，故而善于将大自然中的山、水、树、舟、屋等物象，巧妙地组合为一幅幅动人、感人的艺术境界，清远幽静、似真似幻、澄澈无尘，净化着人们的心灵。她笔下的诗境，不是平常画家那般刻意的堆砌摆布，而是充满自然天成的真性情，这是人与大自然和谐相处的田园牧歌式的诗境。同时期中弥漫着温馨的生活气息，是人间显示的可居可游之境。这种“拉近距离”式的审美方式，自有其独到的审美价值。
其二，灵动的笔墨。刘弼男的笔墨语言具有明显的岭南特色，讲究用笔运墨的法度、变化多端的韵味，尤其重视水分的把握。画面上浓淡干湿有致，虚实轻重生情，充溢着“水晕墨章”的美感，恰如其分地表现出山水水气氤氲的地域特征。整体上显得空灵、轻松而率意，展示了中国水墨写意画的语言特质。
其三，借古开今的气度。刘弼男的画显然出之于传统，但又不拘泥于传统。她曾得到多名山水画大家的指点，起点高，路子正。如此广收博取，经过多年的刻苦磨砺，她的艺术水平快速提高。加上在清华专修之后，视野更为开阔，作品中注入了更多的时代感，追求大气势，大格局，动静相成，浩气流荡，审美取向有新的拓展。
在细细研读刘弼男的作品后，我感慨万千，同为对中华艺术的热爱追求者，真是“巾帼不讓须眉”啊!
作者:李岚清2019年国庆前期
Women are no match for men
A brief discussion on Liu Binan's landscape paintings
Reading Liu Binan's landscape painting works is undoubtedly a good spiritual enjoyment. Although we have never met, I have read the serenity, traditional verve, modern sense and unique aesthetic orientation from her paintings. It should be said that this is rare among contemporary female painters over the age of seventy. Liu Bi male landscape painting style is elegant, Ming xiu, free and easy, and there is no lack of novel, strange. This is a combination of the following three factors.
First, poetic artistic conception. Artistic conception is the soul of landscape painting, the crystallization of the painter's subjective sentiment and the object's natural beauty. Liu Bol male heart poetry, so good at the nature of the mountains, water, trees, boats, houses and other objects, cleverly combined for a moving, moving art realm, qingyuan quiet, like true like magic, clean and clean, purify people's minds. The poetic landscape under her pen is not deliberately stacked and manipulated by ordinary painters, but full of the true nature of nature, which is an idyllic poetic landscape in which man and nature live in harmony. At the same time, filled with a warm breath of life, is the world show can live can travel. This kind of "close the distance" aesthetic way has its own unique aesthetic value.
Second, clever brush and ink. The pen and ink language of Liu Binan has obvious Lingnan characteristics. He pays attention to the law of using pen to transport ink and the ever-changing charm, especially the grasp of moisture. The painting is full of the aesthetic feeling of "water halo ink chapter", appropriately showing the regional characteristics of dense landscape water. On the whole, it is ethereal, relaxed and spontaneous, showing the language characteristics of Chinese ink freehand brushwork painting.
Third, borrow the ancient open today's bearing. Liu Bi - nan's painting obviously out of the tradition, but not rigid tradition. She has been a number of landscape painting everyone's guidance, a high starting point, the way is right. So widely received, after years of hard work, her artistic level quickly improved. In addition, after studying in Tsinghua University, I have a broader vision and more sense of The Times are injected into my works. I pursue great momentum, great pattern, dynamic and dynamic, magnificent and flowing, and have a new expansion of aesthetic orientation.
In the careful study of Liu Phillip's works, I am filled with emotion, the same as the love of Chinese art pursuer, is really "women do not let men" ah!
Author: Li Lanqing 2019 National Day
