Airi Pan 50-52 Industry and more part
50 Lesson 8 - Speedpainting Part 5 - Painting 3 - Angelic Perspective
P50 - 00:00
Welcome to speed painting and perspective.
P50 - 00:07欢迎来到速写和视角线。
Now when it comes to speed painting in perspective, I always find It the most helpful to have a strong photobase.
P50 - 00:14照片拼图基础上绘制非常重要的。
In this case I asked one of my friends who studied abroad in Europe to send me some of his photos. So that every single photo that I'm using in this photo bash is actually photos from his collection that he gave me full permission to use.
P50 - 00:26我是被允许用这些照片集的。
Of course, we start off with perspective grids no matter what.
P50 - 00:30我们从视角线开始。
And for this piece I'm doing an arrival shot hype of composition, to focus mainly on the environment. To demonstrate to you a perspective exterior.
P50 - 00:39抵达场景的外景绘制。
Everything that you're seeing me do right now of distorting and transforming all of these buildings is all stuff that you've seen me do.
P50 - 00:45扭曲变形操作你看过无数次了。
And this Cinderella photo bach piece. In this case, the same rules apply. Just make sure that all of your photos are here to the grids.
P50 - 00:54确保你的照片和视角线一致。
Now to make sure that I can complete this painting within like two to three hours, especially for things as complex as buildings I and joy pasting these buildings First of all, of course, accordingly with the right perspective and then going on Top and simply painting and lassoing tooling and filling in the colors that way.
P50 - 01:12套索出填补元素，绘制，上色。
One thing i'd like to know. Those since this piece does use photographs more heavily, I intentionally used photographs that.
P50 - 01:23我用照片拼图的原因。
number one have been given to me. And I have full permission to use. And number two are all of the same location. So that the architecture is accurate isn't super off.
P50 - 01:33建筑物在拉伸中精确度未损失。
We can't exactly have a Roman coliseum in an Asian temple next to each other.
P50 - 01:38罗马竞技场和亚洲庙宇不能毗邻。
for personal pieces in practice, I think using a large portion of photos taken from anywhere is OK.
P50 - 01:43个人训练用的素材哪里都可获取。
But for client work or anything that I am turning in professionally, I stick to mainly my own references because photography is art too.
P50 - 01:52但是个人专业引用照片不能随便。
Don't forget and we don't want to take someone else's hard work for ourselves. Of course, these would be for situations where you're using a heavy amount of the photo, perhaps around seventy percent or more. But if you're just taking like a tiny pebble from the corner of someone's photo, that no one's gonna care,
P50 - 02:08如果引用鹅卵石大小没人在意。
at least of all mother nature.
P50 - 02:09尤其是自然景观。
But in this case, one of the buildings that I’m using is very similar to the photograph I’m sticking with photos that I have been given full permission to use in any way that I’d like.
P50 - 02:18我经过授权按我喜欢方式用照片。
for this piece, I think I’m really going to enjoy drawing a cute little angel just strolling alongside the train tracks with her little suitcase.
P50 - 02:52小天使带行李沿着火车轨道散步。
Maybe she's going somewhere, or maybe she's just gotten off the train and was in a suitcase.
P50 - 02:58也许要去哪里也许刚下车拿行李。
I don't know, but I love the mystery of it. And at this point I have basically abandoned my reference as I am simply using my intuition.
P50 - 03:06这时候放弃参考，只凭直觉。
And the first thing I do with my intuition is change the color.
P50 - 03:09第一件事改变颜色。
Because what is the point of me as an artist? If I simply copy the photograph after all, my job should be to make the painting more enticing the real life.
P50 - 03:20通过绘制贴近真实的生活。
Therefore I start adding all these crazy colors like a pastel pink.
P50 - 03:23比如加入水粉色。
or a mint green for the windows and doors.
P50 - 03:25比如门窗是薄荷绿。
It's still very similar to my original reference,
P50 - 03:29和最初的参考还是很像。
but I just changed it up a little bit. Now as I'm repainting these buildings,
P50 - 03:32重新绘制。
I use my soft rectangular brush tool.
P50 - 03:36软长方形刷子。
And you will see that there is a slight bit of texture on the pink walls.
P50 - 03:40粉墙上有纹理感。
And a green little archway thinking is right underneath the roof.
P50 - 03:45绿色小拱门桥接在屋檐下。
While it is off screen, I still do have the original photo reference above me.
P50 - 03:53实际上屏幕外我还是有参考图的。
And rather than look at it for the colors or for the composition, I'm now only looking at it to inform myself of how to shade this piece instead.
P50 - 04:03不受参考图案影响而是专注构思。
So the reference image will tell me where I should add the shadows, how heavy of a shadow I should add.
P50 - 04:09哪里加入阴影，加入多重的阴影。
And you'll also notice that I added this small ambient occlusion to anything that is supposed to stick out this tiny little line.
P50 - 04:16环境遮蔽让实体轮廓非常醒目。
and this dark little light does wonders. I tell you, to make your piece to feel more realistic. Just give it a shot next time.
P50 - 04:25尝试让环境变真实的方案。
If you have anything that supposed to be touching like a window against a wall,
P50 - 04:30窗户在墙上。
add a small little line of ambient occlusion and you will see a world of difference.
P50 - 04:34加入环境遮蔽。
For the shrubbery, I am using my hairy Minnesota brush.
P50 - 05:00台阶下灌木用H明尼苏达画笔。
And I'm also using that same brush more and more towards the overall treatment of my buildings.
P50 - 05:05同样的笔刷处理建筑。
You can see that slowly with every single layer of paint that I put on to the buildings, they get more and more tooth into the texture.
P50 - 05:13每刷一笔，楼房越有质感。
very different compared to how naked it was in the very beginning when I simply use a lasso tool and the hard round brush tool,
P50 - 05:18跟用套索和硬圆笔刷时候不同。
I'm telling you, Hairy Minnesota works on basically everything.
P50 - 05:22H明尼苏达刷万物。
And again I'm using Hairy Minnesota coupled with a little bit of the oil painting brush to add more shrubs and bushes and adding shrubs wherever the buildings are close to each other,
P50 - 05:33灌木和建筑彼此拉的很近。
just so that I can differentiate those buildings apart.
P50 - 05:36这样建筑是可以分开的。
So that so it seems like there's a little bit of a gap in between these buildings.
P50 - 05:40建筑群之间是有空隙的。
And so to the sidewalk does it feel too empty.
P50 - 05:44人行道显得空荡荡的。
Basically a decorative weed and shrubbery.
P50 - 05:45灌木丛起到装饰作用。
A common question I get from my speed paintings is how do you exactly choose the color.
P50 - 05:51如何选择颜色的问题。
now for this because I'm speed painting and I'm trying to go as fast as I can.
P50 - 05:57我尽可能的去快速做。
I'm not really using reference Instead, I am pulling from what I like instinctively,
P50 - 06:02我用的直觉而不是参考。
recently i've been absolutely loving pastel color palette.
P50 - 06:06最近我喜欢水粉色。
And so I try to bring a little bit of that same flavor into this painting here.
P50 - 06:11所以我想把风格加入进来。
This is something that you'll develop with time.
P50 - 06:14这是时间沉淀的技能。
You'll develop your own tastes.
P50 - 06:15寻找出适合自己的风格。
And there will also be times when you really want to use dark colors.
P50 - 06:19也有时间你喜欢黑色的。
So you use dark colors. And there will be other times when you want to use super bright, peppy neon colors.
P50 - 06:26有时候你想用霓虹亮色。
Speed painting is all about trying to go and reach inside of yourself and seeing what colors that you gravitate towards to the most.
P50 - 06:33看对自己最吸引的颜色是什么。
And if you don't want to do that, if you want to do something that's very accurate and something that works really well, then you already know the answer. Just find a good piece of reference like we've been doing this entire time.
P50 - 06:44或者找到参考做精确的。
I'm a little bit sick of using reference at this point. I just wanna draw something that makes me feel really happy and feel really bright.
P50 - 06:51我喜欢欢愉明亮的。
So I'm completely ignoring the reference throwing it out the window and just put it in colors that I think work together.
P50 - 06:57我不看参考，按照直觉匹配颜色。
If that doesn't work for you, then you don't need to do that kind of method. The most foolproof way would be to use reference, just so you know,
P50 - 07:03证据十足的方式就是旁征博引。
now we’re zooming in and trying our little Angel, I struggled a little bit to figure out what color I want her dress to be.
P50 - 07:12小天使应该什么服饰颜色呢？
At first I thought I wanted to be white, but the problem with the white dress is that it blends in too much with the background.
P50 - 07:18白色融入背景。
So to make sure that she can still stand out, because she's the main focus point.
P50 - 07:22可以成为焦点的。
I changed her dress to this bright sunflower yellow.
P50 - 07:26衣服变成明亮向日葵颜色。
Not only does the yellow color allow her to pop out against the green of the door,
P50 - 07:30不仅仅黄色和背景绿色撞色凸显。
but I do think it adds a very nice little pop of sunshine bright happy color.
P50 - 07:34加入金色阳光照耀的颜色。
Because whenever I think of yellow I think of friendship and happiness and some flowers.
P50 - 07:39象征友谊和幸福。
like I said, yes, yellow can also mean danger. But in this case because it's a cute little yellow dress, you don't feel danger, you just feel happy.
P50 - 07:46黄色可能象征警示在这幸福友谊。
And that's what I want someone to feel when they look at this piece.
P50 - 07:49这是剧照传递给人的感觉。
As I start to reach towards the end of this piece, I realized that I didn't add enough lighting.
P50 - 08:23我没有加入足够的光。
So my piece overall has very low contrast.
P50 - 08:25低对比度。
And when you have low contrast, everything kind of blends together, because it has the same problem as the movie strange magic,
P50 - 08:34融合在一起是个问题。
where all the colors are just kind of grey. If you turn them into black and white and mix so that nothing stands out.
P50 - 08:42《奇怪魔法》里黑白图的问题。
Therefore I went in with a multiply layer and I darken in all of the shadows.
P50 - 08:45多重层暗黑料理。
Additionally I used a soft light layer to speckle the right side of the buildings with this holy a little bit of light,
P50 - 08:55柔光层锃亮光。
so that it really makes the left side much darker and really brings the needed contrast.
P50 - 09:00左侧阴影更暗，形成对比。
Again, all three of these paintings will have the PSD available for you to go in and look through all the things that i've done.
P50 - 09:08有PSD文件供查找。
Because I'm sure that a lot of times you'll hear me talk about these different layers. But it's a lot more different when you're actually able to look at these layers yourself.
P50 - 09:15自己研究图层是另一种感觉。
And really dig in and get your hands on them. So feel Free to download them and check them out. I don't think I need to say anything else about the color Look up and adjustment, but I have to do the very end cause that's basically it. That's what I do to the end of every single piece.
P50 - 09:30颜色查找选择。
And with that, our 3rd speed painting. And to be quite honest, it is going to be our last painting of this entire series. We've gone through so many different paintings throughout the life of this course and I'm so happy to be able to end it on such a bright, happy little painting and has all the aspects of life that I really enjoyed, from bright peppy colors to using photographs that my friends took to that. It feels like my friends are with me on this piece and adding just a cute little Angel who is maybe on a secret mission. I don't know. But now you see me do three speed paintings in front of your eyes. Over all this painting. Also talk a little bit longer. It took around two to three hours because buildings are on the more complex side, just like hands and faces. But it's still done in basically two or three hours. That's still pretty impressive, but I feel that when you make something way too fast, you're also decreasing the quality of it.
P50 - 10:30两到三小时完成的速写。
I do want to make sure that I prioritize quality over just simply rushing through it. Therefore for me for now two to three hours is my sweet spot for a speed painting. Now take my arm or my virtual arm and let's head into our recap and discuss what we've learned so far. And then of course, figure out what your assignment is, that you can do the exact same thing.
P50 - 10:51接下来是布置作业。
Let's go.
51 Lesson 8 - Speedpainting Part 6 - Recap
P51 - 00:01
Today we tackle the speed painting, which while we don't have a dictionary, clear definition can be loosely interpreted as a finished painting done within one to three hours of work.
P51 - 00:12速写概念是两三小时内完成草图。
The purpose of a speed painting within work is typically to be forms of vast exploration and definitely not to explore the final look of something.
P51 - 00:20为试错准备的，不是最终成图。
So definitely not a key frame because it is focused on speed. A lot of the steps that we went through in our previous paintings like carefully planning out a mini black and white thumbnail to determine values are skipped over.
P51 - 00:34跳过了开头的计划和黑白图。
And we rely on our intuition instead to tackle things like composition colored and values almost instantly.
P51 - 00:41凭借直觉即兴创作。
This is also why I propose that speed paintings can really only be at a 30% completion level of what your normal paintings look like.
P51 - 00:49快速绘制完成三分之一。
for the foundations necessary for a speed painting come from doing your typical painting is constantly and eventually you'll start to develop an almost intuition level of execution.
P51 - 01:01完全打印直觉。
Allow you to make decisions almost instantly.
P51 - 01:04即兴创作。允许灵感挥洒自如。
This is also the episode where I went over brushes, everyone's favorite portion.
P51 - 01:08刷子部分。
I go over which brushes I use specifically for what task. And I am an advocate for both sides of the argument for brushes. Brushes are only a tool, not a wholly excalibur, that will instantly make a painting great.
P51 - 01:20刷子仅仅是个工具。
But in the nature of the tool, if you're using the right tool for something, everything will look much better and be faster.
P51 - 01:26欲善其功利其器。
Don't forget, only good cooks will truly be able to wield the best ingredients and equipment properly to bring out their full potential.
P51 - 01:35好的烹饪还是需要好调料激发出。
So if you had to choose between the skill level and a good brush, I would definitely go for skill level.
P51 - 01:41绘制技术胜过刷子。
And also these are just my brushes. If you have something that you like that you are currently using, by all means please use it.
P51 - 01:48用适合你自己的刷子。
You do not need to use any of my brushes. You are completely able to do a speed painting without any of my brushes.
P51 - 01:53不用我的刷子，你完全可以完成。
In fact, there are definitely brushes out there that are better than mine. And now we dive in and I demonstrate how to paint not one, not two but three speed paintings, each tackling something different.
P51 - 02:07做了三幅速写，各有千秋。
with Cinderella. I explained the most foolproof method of drawing a human is just asking a human to pose for you.
P51 - 02:14请求人摆个姿势你拍照。
Yes. Artists should learn anatomy, but when you only have two hours to deliver a painting to your director, I just saved you five years of studying anatomy.
P51 - 02:23节省你五年学习解剖的时间。
This is a foolproof class after all. As we paint and chat, I go over which specific brushes I use for each part and explain that areas like the hands and face will inevitably take more time because they need that extra care and attention.
P51 - 02:37手和脸的绘制花费时间。
Then we head to the forest where I am now sent you a few more photos from the beginning based tackling an altarpiece composition with a little fox adventure.
P51 - 02:44接下来是小狐狸森林探险记。
I noticed that I haven't been drawing anything green. So this is a nice opportunity to take advantage of the fact that tackle some lush mossy forest locations.
P51 - 02:54绘制长满苔藓的森林。
I also intentionally want a little bit of story to go with this painting and make the sword. This sort of mangled root like texture and material. to match the roots of the tree. And I'm having these routes just crawl across the rocks, make it feel like it's being ingrained into the heart of the forest.
P51 - 03:14攀岩的藤蔓像是森林的力量。
And I finish this piece off with some field blur. God raised, colour dodge the color look up, and the selective color.
P51 - 03:22区域模糊 高光圣光 颜色查找。
right after that without missing a beat, we head into our first perspective exterior demo.
P51 - 03:28视角线外景绘制。
And our final painting which is a little Angel at a train stop in Europe.
P51 - 03:31欧洲车站的小天使。
to keep things fast. I rely on the photo a little more heavily. And all the photos used in this piece were given to me from a friend who has studied abroad in Europe from his personal collection, i bash in a few different pieces, accordingly to the perspective grid.
P51 - 03:44依据视角网格拉伸照片拼图。
But I changed the colours into something much brighter and also more pastel because I don't want to just copy the photograph. I want to make this piece my own.
P51 - 03:55我改变明亮色彩变成我自己风格。
as always after using only like 3 of my 10 brushes. I finish the piece off with the standard color lookup and selective color.
P51 - 04:05三把刷子 颜色查找选择。
And I now have three different speed paints, all done from scratch for you to see pieces that I created specifically for this course in order to demonstrate different aspects. And that's it. We’ve done it.
P51 - 04:21创建三幅作品。
this is the last recap that will cover overall paintings. You've gotten to the 8th module and you deserve a break, from long paintings that is, because now I'm going to push you into creating fast paintings. And I can courage you to really experiment this module.
P51 - 04:40享受快速绘制的训练过程。
Let's find out more at the practice and improvement section for this lesson.
52 Lesson 8 - Speedpainting Part 7 - Practice & Improvement
P52 - 00:01
And now for your second to last assignment. we made it all the way here. But all right, your second to last assignment is going to be little red riding hood and Cinderella. No, I'm joking. Oh, my goodness! I would never you're done. Okay, no more, but you don't have to look at those two images ever again, I promise. However, you can probably guess what I'm gonna ask for the homework to be. You saw me at do three different speed paintings. Therefore, I ask you to also deliver me at least three different speed paintings.
P52 - 00:41作业也是三幅速写。
And actually to be quite honest, I would say go for a minimum of three speed paintings, I would like you to try between vertical and horizontal pieces, especially if you haven't tried them before.
P52 - 00:54水平和垂直的画法。
Try a natural setting. So like nature and then try things with perspective.
P52 - 00:58自然的和带视角线的。
So whether an interior or exterior with buildings, try different compositions and I would like for you to actually shoot and aim for five.
P52 - 01:08五个照片组合。
the reason why is because the speed painting and especially with speed painting. the best way to get better at this stuff as a try try and try and try.
P52 - 01:18不断的试错来训练。
I want you to look at these speed paintings and understand that i've been doing speed paintings for quite a while. In fact I honestly enjoy speed painting far more than basically any other form of painting.
P52 - 01:28享受快速绘制。
I like things that are fast and these are all pretty simple subject matters, that I am very comfortable with. Therefore if you are just starting out or you don't have that much experience with speed painting don't expect your speed paintings to look just like mine, in the same amount of time.
P52 - 01:44没训练过不要期待和我一样速度。
I want you to ask yourself what is fast for you yourself and try to aim for a painting within that time.
P52 - 01:52跟自己比。
It doesn't need to be this polished. It doesn't need to be this finished. Your first speed painting is probably going to be a little bit half hazard.
P52 - 02:00不一定这样精雕细琢的要求。
And in the second painting, you get the hang of it. And then the 3rd painting, you'll basically be getting into a groove.
P52 - 02:07找到思路后流程化。
And then you go into your 4th and 5th, I want you to try different techniques for each of these paintings to push yourself and have fun.
P52 - 02:15每一次训练都有提升。
Don't worry about the finish the fidelity, obviously because I'm trying to teach something here. So I have to make sure the fidelity is some kind of degree, but you don't need to worry about that.
P52 - 02:25我必须考虑保真性。
I above all want you to try different techniques and try to push for speed and have fun just pushing paint around. That being said, please don't submit to me. Something is completely unfinished. The entire point of a speed painting is a turn in something that looks characteristically unfinished, but has a nice charm to it, but is ultimately supposed to be well finished.
P52 - 02:46最好有性格的成品非半成品。
I would honestly much rather than you submit to me one really, really good painting to instead submit a bunch of kind of crappier paintings,
P52 - 02:55保证质量的作品。
because that's where improvements sprouts.
P52 - 02:59保证质量才是进步阶梯。
The more you fail, the more you fall down, the more you'll get up, the more that you add to your growing visual library.
P52 - 03:07失败中积累视觉经验。
So that soon a lot of this stuff will also be in your comfort zone as well.
P52 - 03:10纳入你习惯后成为舒适区。
And you'll be able to whip these up and probably less time than I do. And that's my only wish is that one day you will surpass me in terms of both speed and ability. But it won't be easy because I will continue to practice myself as well. So let's all work hard together. And I very much look forward to what you are going to come up with this week. I think that this is probably going to be the most fun week unless you absolutely detest speed painting.
P52 - 03:37训练愉快。
In that case, I hope that in these five paintings you'll find some love for pushing paint around in the best way possible.
