绿色符号雷诺曼Green Glyphs lenormand（机翻＋原文）作者James·R·Eads 前言

                                                                    前言

詹姆斯·r·伊兹的留言

我在洛杉矶长大，从小接触艺术。我从小时候就开始画画并收集各种各样的物品、小盒子和小宝物。长大后，我开始学习艺术，学习如何在图片中表达自己的声音(后来又通过文字表达)。

2013年，我创建了Light Visions。这是我的第一副塔罗牌，一年后，它启发了Prisma Visions。棱镜幻象的成功是一个惊喜，但它重申了我与这些神秘对象的链接。

2015年，我迷恋上了前世的想法，我的灵性也慢慢开始展开。我想做一些关于灵魂之旅的艺术，以及我们每天挣扎的宇宙纠葛。我花了几年时间重新学习自己。

2019年，我创建了第一个绿色符合牌组——一个雷诺曼牌组，它将在几年后激发这一系列牌组的其余部分。那时候，我并不知道绿色雕文会扩展成四个占卜牌的集合，也是我迄今为止最大的项目。

2020年，我发布了宇宙视觉（cosma visions）神谕卡和geoman tic visions。这是我对传统塔罗牌和雷诺曼系统最大的背离，这副牌的一夜成名教会了我，我们可以把自己的世界变成我们想要的样子，对集体更有利。

                                                     a note from james r. eads

I grew up in Los Angeles and was raised on art. I began drawing at a young age and collected various objects, boxes, and small treasures. When I got older, I studied art and learned how to speak my voice in pictures (and then later through words).

In 2013, I created Light Visions. It was my first Tarot deck and a year later, it inspired Prisma Visions. The success of Prisma Visions was a surprise, but it reaffirmed my connection to these magical objects.

In 2015, I became infatuated with the idea of past lives, and my spirituality slowly started to unfold. I wanted to make art about the journey of the soul and the cosmic entanglement that we struggle with each day. I spent a few years relearning myself.

In 2019, I created the first Green Glyphs deck--a Lenormand deck that would inspire the rest of this series of decks years later. Back then, I had no idea that Green Glyphs would expand into a collection of four divination decks and my largest project to date.

In 2020, I released the Cosma Visions Oracle and Geomantic Visions. It was my biggest deviation from traditional systems of Tarot and Lenormand, and the overnight success of this deck taught me that we can make our own world into what we want it to be, something better for the collective whole.

所以，我开始制作绿色符合集:一套四套牌，涵盖了占卜的四个角:塔罗牌，雷诺曼，如尼石和神谕卡。我制作绿色符合集的目的是处理各种各样的占卜工具，并将它们统一起来，从而提供一组可以混合在一起的卡片，以扩展我们对与自己和我们旅行的道路相联系的意义的理解。

你会在所有四本指南中找到这条注释，但从这里开始，所有的信息都是不同的。每本书都有一页专门介绍牌组中的每张牌。在卡牌含义之后是关于在实践中使用套牌以及将套牌与其他绿色雕文套牌一起使用的部分。

So, I set out to make the Green Glyphs Collection: a set of four decks that cover four corners of divination: Tarot, Lenormand, Runes and Oracle. My intention for the Green Glyphs Collection was to tackle a wide range of divination tools and to unify them, in turn offering a collection of cards that can be mixed together to expand our understanding of what it means to feel connected to ourselves and the paths we travel.

You'll find this note in all four of the guidebooks, but from here on out, all the information varies. Each book has a page dedicated to each card in the deck. Following the card meanings is a section on using the deck in practice as well as using the deck with other Green Glyphs decks.

绿色符号，嗯，对我来说，是一种冥想。它是一本魔法占卜形式的选集。它是真实的，但简单而轻松。它不会高声尖叫，也不会带你去无光之地。这是欢迎，是熟悉的。它是你还不知道你依赖的安静的负空间。它会在你的日常生活中出现。一只黄蝴蝶。放了一天的咖啡。太阳。月亮。你。我。都在那里，像老朋友一样编织成绿色字符。

绿色符合是我试图弥合差距的尝试，创作不是那么神秘的作品，更像是功能型艺术作品，展现出四种不同的占卜方式。

当我在2019年创建绿色符号时，我从未想过它会发展成今天的系列。我做雷诺曼牌组时感觉很轻松。它给人的感觉是平静和治愈，就像呼吸了一股新鲜空气。我需要它。然后我做了Cosma Visions，一个神谕卡牌，花了我近两年的时间和一场疫情才完成。这让我付出了很多。它深沉、黑暗、美丽。

我想再次感受到绿色符号的轻盈，所以我开始制作一副同样风格的塔罗牌。在创作这副塔罗牌时，我开始画很多不适合塔罗牌的人物和观察。他们有了自己的牌组，绿色符号神谕。这些卡片很快就从我嘴里冒出来了。我立刻把满脑子的事情列了一张清单。我打算让神谕套牌一套60张牌，就像第一组从我身上倾斜而出，没有任何阻碍。但奇怪的是，在第50张卡左右，它选择了完成。

我早在一两年前就开始研究如尼文，并花了一段时间试图弄清楚我是否想要以及如何接近这个系统。说实话，我被如尼文困住了。它对我来说很遥远;我无法把握这个集合的意义，我不断地让自己对每个如尼文的含义感到困惑，感觉这个符号不足以让我抓住。

Green Glyphs, is, to me, a meditation. It's an anthology of magical forms of divination. It's realized, and yet simple and light. It doesn't scream, it doesn't take you to dark places. It's welcoming. It's familiar. It's the quiet negative space that you don't yet know you rely on. It finds itself in your daily life. A yellow butterfly. A day old cup of coffee. The Sun. The Moon. You. Me. It's all there, woven into Green Glyphs like old friends.

Green Glyphs is my attempt at bridging the gap, making something that is not overtly occult but more of a functional art piece that unfolds into four magical forms of divination.

When I created Green Glyphs Lenormand in 2019, I never intended it to grow into the collection it is today. I felt really light when I made the Lenormand deck. It felt calming and healing, like a breath of fresh air. I needed it. And then I made Cosma Visions, an oracle deck that took me nearly two years and a pandemic to finish. It took a lot out of me. It was deep and dark and beautiful.

I wanted to feel that lightness from Green Glyphs again, so I set out to make a Tarot deck in the same style. In the middle of that deck, I started drawing lots of characters and observations that just didn't fit into the Tarot deck. They became their own deck, the Green Glyphs Oracle. These cards came out of me fast. I immediately put together a list of things that filled my mind. I intended to make the Oracle deck a set of sixty cards, thinking that the way the first set poured out of me, it would be no problem. But oddly, around the fiftieth card, it chose to be done. I pushed for more, but everything I added after that point felt forced and unnecessary. And so the Oracle was finished.

I started to study Runes a year or two earlier and had spent a while trying to figure out if and how I wanted to approach the system. In all honesty, I was stuck on Runes. It felt distant to me; I couldn't grasp the significance of the set and I kept confusing myself on the meanings of each rune, not feeling like the symbol was enough for me to latch on to.

所以我做了我最擅长的事情，开始把它们画出来。我打算做一个除了绿色符号之外的如尼文套牌。但它一直把我引回这里。有一些东西非常适合绿色雕文和古代北欧如尼文的风格。在雷诺曼，曾经放扑克纸牌的地方变成了展示符文符号的好地方，这些符号足够大，所以它们仍然可以成为纸牌的主要部分。简化的颜色也有助于在我的脑海中引导符文。使用颜色编码的卡片和干净的图像使卡片简洁而熟悉。因此，与神谕套牌交织在一起，绿色符号如尼符文诞生了。

我花在制作这套牌上的时间总是和我思考和写牌的时间一样多。这是创造这副牌最重要的方面之一，至少对我来说是这样。当我完成三个新套牌的初稿时，我关闭了文件，有一两个月没有看它们。这是它的一部分，我可以退后一步，敏锐地观察它。我可以放手我喜欢的卡片，知道他们只是不适合。我可以编辑和重新审视那些需要更多爱的卡片，我可以真正理解这副牌在说什么。我认为我制作的所有牌组都有不同的个性，我想确保这些牌组感觉像是兄弟姐妹，但每个都有自己的独特性。

So I did what I do best and started drawing them out. I was going to make a rune deck apart from Green Glyphs. but it kept redirecting me back here. There is something that fits really well with the style of Green Glyphs and the ancient Nordic Runes. The places where the playing cards once were in Lenormand made great spots for displaying the runic symbols large enough so that they could still be a main aspect of the card. The simplified coloring also helped guide the Runes in my mind. The use of color-coded cards and clean imagery allowed the cards to be concise and familiar. So, intertwined with the Oracle deck, the Green Glyphs Runes were born.

I always end up spending about as much time on the creation of a deck as I do thinking and writing about it. This is one of the most crucial aspects in creating a deck, at least for me. When I finished the first draft of the three new decks, I closed the files and I didn't look at them for a month or two. This is the part where it stews and I can take a step back and look at it discerningly. I can let go of the cards I love, knowing that they just don't fit. I can edit and revisit cards that need more love, and I can truly understand what the deck is saying. I think that all the decks I make have different personalities, and I wanted to make sure that these decks felt like siblings, but cach with their own uniqueness.

我又花了六个月到一年的时间来写这本书。卡片已经写好了，但一旦你开始写它们，它们又变了。这是一种推和拉的关系。它让我精疲力竭，然后又让我重新振作起来。它令人兴奋，令人伤脑筋，有时它对我有点太唠叨了，但我还是喜欢它。

在绿色符号牌上潦草的符号是为了增加一个额外的符号系统，就像表情符号一样，这些符号可以自己说话。

绿色符号牌可以被从未有过占卜经验的初学者和高级读者使用。整个集合的意象简单、大胆，且易于解读。完成这个系列之后，我让它静置了一会儿。我渴望与世界分享新的绿色符号套牌，但作为占卜工具的创造者，我知道这些东西需要时间来展开是多么重要。

在2022年写这篇文章的时候，我已经创造了超过10种不同的占卜工具和套牌。我越深入这个神奇的世界，我就越渴望发现新的方法来制作神奇的工具，为生活增添轻盈。我希望你的旅程能带你走上许多曲折的精神探索之路。

与爱，

                              （这是詹姆斯的签名）

It took me another six months to a year to write this book. The cards were done, but once you start writing about them they change again. It's a push and a pull. It wears me down and then builds me back up. It's thrilling and nerve-wracking, and sometimes it nags at me just a little too much, but I love it all the same.

The glyphs that are scrawled throughout the Green Glyphs decks are meant to add an extra system of symbolism—like emojis, these glyphs can speak on their own.

The Green Glyphs decks can be used by beginners who have never had experience with divination and by advanced readers. The imagery throughout the collection is simple, bold, and easy to decipher. After I finished the collection, I let it sit for a while. I was eager to share the new Green Glyphs decks with the world, but as a creator of magical tools, I know how important it is for these things to take their time to unfold.

Upon writing this in 2022, I have created upwards of 1o different divination tools and decks. The deeper I get into this magical world, the greater my hunger is for uncovering new ways to make magic tools that add lightness to life. It is my wish that your journcy takes you down many winding paths of spiritual discovery.

With love,

（詹姆斯的签名）

我在试图买牌的时候发现商家给的翻译：青色符wen很容易被屏蔽，所以我在文中都叫绿色符号，如果要买，尽量打英文的名字，或者“青色符”，詹姆斯其他的牌，幻象系列都可以直接搜原名与棱镜幻象，这是很轻松的了。

light visions 耀光幻象

prisma visions 棱镜幻象

cosma visions 宇宙幻象（国内叫科斯玛的多）

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