搬运译Pitchfork评10年代200张最佳专辑第143名：Weyes Blood: Titanic Rising

搬运自：微信公众号【评论搬一堆】（在原文基础上添加了英语原文与排版调整）

原文链接：https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/

翻译：Ryan-Chopin

校对：Lynn Liu

推送：Lynn Liu

On Titanic Rising, Natalie Mering’s fourth album as Weyes Blood, she combats dread through empathetic songs that are propelled by a masterful understanding of lush, ’70s pop harmonics. Mering’s willowy voice gives her warnings about the most hellish aspects of life a graceful air, as best exemplified on Titanic Rising’s penultimate track, “Picture Me Better,” a letter to a friend who died by suicide during the recording of the album. “Waiting for the call from beyond,” Mering lilts, as old-world Hollywood strings swell underneath her. “Waiting for something with meaning to come through soon.” –Noah Yoo

在Natalie Mering的第四张专辑《Titanic Rising》中，她已经对70年代流行和声的运用娴熟通透，创造出了能穿透人心的歌曲来对抗恐惧之感。从《Titanic Rising》的倒数第二首歌“Picture Me Better”中，我们可以清楚地发现，Mering用她柔弱的声音警告着人们生活中的那些最可怕各方各面。这首歌算是她写给朋友的一封信，她的这位朋友在这张专辑的录制过程中自杀身亡。“等待来自远方的召唤，”一声声轻快的旋律在我们的耳边响起，仿佛几根老式好莱坞的琴弦在她拨弄下逐渐洪亮，“等待着有意义的东西，不久就到来。”